Lin Zhengrong is choosing, and Liu Wenbin and Wei Ming are also choosing.

Liu Wenbin listed a lot of movies at the beginning, "The Matrix 3", "Memoirs of a Geisha", "The Wind", "Avatar", "The City Full of Golden Armor", "Painted Skin", and there is a reason why several movies are listed.

Not to mention "The City Full of Golden Armor", chrysanthemums are famous enough, and everything else is a foil.

"Avatar" is a milestone movie about aliens, and it is precisely because of this movie that Lin Zhengrong knows that there is such a thing as a 3D movie.

Director Cameron is even more of a special effects maniac.

However, the movie that impressed Lin Zhengrong with the shape of the Avatar character was not the movie itself, but the movie "Heart Flower Road", in which Xu Zheng went to Zhangjiajie Scenic Area to watch the performance, he picked up the Avatar sister, so that Lin Zhengrong did not forget it after several years.

And he also admires director Ning Hao's techniques in story editing.

Because of this movie, he knew for the first time that the narrative and editing of the original movie could still be played like this.

Let Lin Zhengrong be like this, and the movie novice can't help but lean on me.

However, Lin Zhengrong was also deeply impressed by the various absurd aesthetic shapes of this movie, such as Zhou Dongyu's killing of Matt, as well as Ma Su's hot style, and Zhang Li's cold style, all of which left a deep impression on Lin Zhengrong.

For the heroine Kang Xiaoyu, the impression is mediocre.

The shape of Avatar's sister, there must be no way to forget it now.

The Matrix is Liu Wenbin's favorite movie, but the heroines in this movie are similar from the first to the third.

The reason why "Memoirs of a Geisha" was chosen by Liu Wenbin is mainly because of the international chapter, which is a Hollywood movie, and it is not easy for Chinese to appear in Hollywood movies, and it is not easy to be the first heroine, and the international chapter is a special case.

Now there are many actresses in China who can shoot Hollywood movies, but basically they are co-produced by China and the United States, and there are really not many actresses who are shot with pure American capital.

Of course, Liu Wenbin, a sullen guy, chose the memoirs of a geisha, not only for the international chapter, but also because this movie tells the story of a memoir, with a kimono, in his words, a little girl who likes to wear a kimono.

When International Zhang played this movie, he was hacked by major media in China, but people's film resources are also really good, not only can he cooperate with major domestic directors, but also cooperate with many international famous directors, it can be said that International Zhang is one of the several Chinese faces whose faces are more popular in the West.

The total number of costumes in "Memoirs of a Geisha" is as high as 250, and the designers who created these kimonos that are stunning and reflect the personalities of the characters were completely unfamiliar with the history of Japanese geisha until he took over "Memoirs of a Geisha".

She's Colleen Atwood.

In a completely unfamiliar situation, I made no less than 500 kimonos through five months of study. Colleen Atwood had already won the Oscar for "Best Costume Design" for "Chicago" before "Memoirs of a Geisha".

This is a very awesome learning ability.

Of course, it can also be said that people have such resources for her to learn and show.

American costume designer Colleen Atwood, it is estimated that many people are not familiar with it, because just looking at this transliterated name, you can't see how powerful she is, but looking at the pictures of her works, you must suddenly realize that she is really amazing!

He has been nominated for several Oscars for Best Costume Design and has won twice – Chicago in 2002 and Memoirs of a Geisha in 2006.

Movie Chicago, a very classic movie, the tango dance in it is intoxicating.

Choreographer and director Rob Marshall pays homage to the jazz style of Bob Forss on Broadway in 1975 with violent tango in Chicago, mixing humor, sensuality and aggression, with the sharpness and precision of the action and the perfect climax of the soundtrack, which is why Chicago is the first musical to win Best Picture since 1969.

To be able to make the tango dance so impressive in front of the audience, the costumes and props contributed a lot.

This has to admire the awesomeness of the designer.

Colleen has worked extensively with directors Tim Burton and Jonathan Demmy.

Colleen began her career in the early 1970s, first as a costume consultant, before finally moving into the theatrical film costume industry, where she rose to fame as a costume designer for singer Sting's Bring on the Night world tour.

To date, Colleen has worked as a lead costume designer for more than 50 films.

Colleen has been working with Tim Burton for a long time, and fans love her for it. From the early "Edward Scissorhands", to the later "Ed Wood", "The Martian Plays the Earth", "Guillotine Valley", "Battle of the Planet of the Apes", "Big Fish", "Sweeney Todd" and other departments have her participation, even "Alice in Wonderland" is no exception.

Even "Fantastic Beasts and Where to Find Them" is the other party's costume designer.

Anyway, those who like film and television costume design, or those who want to try to enter the industry, it is difficult not to get to know these people who contribute to the film plastic arts behind the scenes.

For the general public, the most impressive thing about a movie is that the actor is the director, however, for Lin Zhengrong and them, there is one more place to pay attention to, that is, costume styling.

Liu Wenbin likes kimonos, but kimonos are worn by women after all, if he chooses the shape of the international chapter in this movie, then he will have to fight with this thing.

The program team didn't have five months for him to study, and everything needed to be completed within 24 hours.

So he's also struggling.

He even fell in love with "The Wind", and there are not only female characters in this movie, but also the sissy played by the fifth elder brother and the role played by Zhang Hanyu are also very important.

If he chooses the costumes of these two characters to design, it will also be enjoyable.

Fortunately, the program team didn't let him join in the excitement, otherwise this issue of the competition would really become a special show.

The reason why there is an alternative to "Painted Skin" is that in addition to Zhou Gongzi playing the fox spirit in it, the costume modeling of this movie is also very classic.

The costume style of the movie "Painted Skin" influenced the understanding of Qin and Han costumes for TV series and Hanfu lovers in many years later.

Or to say that the design of the costume styling of Qin and Han dynasties that influenced a lot of film and television dramas, there are a lot of designs that do not match the history of clothing, but it is undeniable that Wu Baoling, the costume designer of this movie, is still very famous.

When Ms. Wu Baoling did the costume design for "Painted Skin", the back of the cushion was "Mawangdui Han Tomb", saying that she referred to a large number of cultural relics unearthed in Mawangdui, as well as Han Dynasty cultural relics unearthed in other parts of the country.

In the end, these colorful costumes we saw were based on some of Mrs. Ma's clothes in the cultural relics unearthed in Mawangdui, trying to restore the appearance of women's clothing in that era...... only changed a little, made the hairstyle more suitable for the face, and modified Zhao Wei's face line...... Most of her clothes are low-waisted, which she refers to the murals unearthed in Mawangdui - in fact, women of that era have begun to have a low waist!

Regardless of whether these news reports are true or false, if they are compared with the real historical materials of costume history, the costume design of many film and television dramas is not qualified, but film modeling is not just about copying ancient costumes, it also needs to serve the art of film molding.

But no matter what, Wu Baoling is a well-known fashion designer.

Wu Baoling, a famous stylist in Hong Kong. Because of his aestheticism and elegance in the portrayal of characters in film and television dramas, he is as famous as Zhang Shuping, a senior Hong Kong stylist with abstract concepts, and Tim Yip, who has a strong realistic effect, and has won many Hong Kong Film Awards and Taiwan Film Golden Horse Awards.

She and Zhao Yazhi cooperated in the 80s and became friends, and once created the first costume style in their lives for Leslie Cheung, Li Ming, Xu Guanjie, Ye Tong, Zhang Min, Jacky Cheung and his wife Luo Meiwei, and everyone affectionately called her Sister BOBO.

As a senior stylist, Wu Baoling has created a variety of popular character shapes for countless film and television stars since she entered the industry.

Jianghu people call Sister BOBO.

In the most glorious era of Hong Kong and Taiwan film and television, Wu Baoling successfully created smash hit masterpieces such as "The Legend of the New White Lady", "Heaven and Dragon Slayer", "Xiao Li Flying Knife", "New Meteor Butterfly Sword", and film and television works such as "Supreme Red Face", "New Heaven and Dragon Slayer", "New Liao Zhai" and other film and television works are also widely known.

Zhang Shuping, Tim Yip, and Wu Baoling can become the Hong Kong Iron Triangle mainly because the styles of the three senior stylists are completely different, and they all have strong expressiveness.

Zhang Shuping, Hong Kong film art director and costume designer, has won the Best Art Direction Award at the Hong Kong Film Awards many times, and was nominated for Best Costume Design at the 86th Academy Awards in 2014 for the film "The Grandmaster".

This is also a character.

Originally from Wuxi, he studied secondary school in Hong Kong, worked as a fabric designer after graduation, studied art off-campus courses at the University of Hong Kong, studied film in Canada, and is Hong Kong's leading art director, and has won the Best Art Direction and Costume Design Award at the Hong Kong Film Awards many times.

Zhang Shuping also edited Wong Kar-wai's films, and the two worked closely together.

In recent years, he has been involved in editing work many times, combining meticulous thinking and keen touch, and has become one of Hong Kong's leading editing directors.

In Wong Kar-wai's films, Zhang Shuping gives full play to his talent and endowment again and again, and the exquisite and delicate character modeling, visual effects, and set design are testing and challenging the audience's aesthetic standards.

He is the art director of all the films of the famous Hong Kong director Wong Kar-wai, and also worked as an actor in "Carmen in Mong Kok", and has also worked as an editor for all Wong Kar-wai films since "East Evil and West Poison".

In the more than 20 years he has been engaged in film art, Zhang Shuping has collaborated with many directors on countless masterpieces, such as Tsui Hark's "Shu Mountain", Zhang Yimou's "Jinling Thirteen Hairpins", etc., but the most talked about is still his and Wong Kar-wai's films.

Since Wong Kar-wai's debut film "Carmen in Mong Kok", Cheung Shuping and Wong Kar-wai have continued to produce excellent works: "The True Story of A Fei", "East Evil and West Poison", "Chongqing Forest", "Springtime", "Fallen Angel", and "In the Mood for Love", etc., all of which have received rave reviews.

During this period, Zhang Shuping won four Academy Awards and two Golden Horse Awards, and won the Best Artistic Achievement Award at the Cannes Film Festival for "In the Mood for Love".

Zhang Shuping is good at fashion dramas and period dramas, and likes simple matching of primary colors, see "East Evil and West Poison", red, green and blue, although the tone is simple, it is very charming.

People have done both art director and costume designer jobs, and they have done a good job.

Zhang Shuping is awesome, and Ye Jintian is also awesome.

Tim Yip is so colorful that he can also be clear, see "Night Banquet" and "Crouching Tiger, Hidden Dragon", the former is gorgeous to the extreme, and the latter is simple and elegant to the extreme.

Tim Yip's costume works are not only rich in appearance, but also span a variety of art forms, including film, dance, opera, drama, opera, traditional music and dance, and musical theater, creating a world of style that is free between classical and avant-garde.

In 1993, she became involved in theater creation because of her participation in the contemporary legendary theater "Loulan Girl", and was widely exposed to various theater models, which had an important influence on the theater industry, not only causing extensive discussion in China, but also producing works all over the world.

In addition to "Crouching Tiger, Hidden Dragon", he also participated in the costume production of the movie "True Colors of Heroes", and even won the Oscar "Best Art Design" and "Best Costume Design" awards for "Crouching Tiger, Hidden Dragon" that year, and won the Oscar "Best Art Design" and the British Film Institute "Best Costume Design" award.

In the movie, in addition to the director, the other behind-the-scenes personnel are also very good.

These are all very famous films, in addition to the cast, a lot of effort has also been put into serving Huadao.

Therefore, in every famous film, there will be a famous film and television costume design master standing on the platform behind it.

Wu Baoling is so eccentric and clever in the use of materials, see Lin Shiyin's sandalwood fan on her head, Li Xunhuan's bubble noodles, Bai Feifei's green leaves are fresh and lovely, Wu Baoling is known for her whimsical, "Little Li Flying Knife", "The Sword of the Third Young Master", "Golden Silk Rain" and so on.

I'm good at ancient costumes.

Among Wu Baoling, Zhang Shuping, and Ye Jintian, to be honest, the achievements of the latter two will be relatively high.

But Wu Baoling is not bad.

However, they are all benchmark figures in the film and television costume styling of the golden age of Hong Kong films.

Compared with the three of them, in recent years, it is difficult for new people to emerge.

If you take a closer look at the story of a film and television costume designer, you will find that this is a completely new field.

Some people specialize in this thing, and there are also many costume designers who have crossed over to the past.

The theme of this competition is for Lin Zhengrong and them to unveil the field of film costume design.

The address of the latest chapter of the national treasure designer:

National treasure designer full text reading address:/22676/

National treasure designer txt download address:

National treasure designer mobile phone reading:/22676/

In order to facilitate the next reading, you can click "Favorite" below to record this (Chapter 384: Flammable and Explosive) reading record, and you can see it next time you open the bookshelf!

If you like "National Treasure Designer", please recommend this book to your friends (QQ, blog, WeChat, etc.), thank you for your support!!()