Chapter 385 The Quintessence of the Nation - Inner Painting Pots Five Categories
Twelve snuff bottles, a total of five materials, twelve pictures. Pen @ fun @ pavilion wWw. ļ½ļ½ļ½Uļ½Eć ļ½ļ½ļ½ļ½
Each one is exquisite, like the most beautiful work of art between heaven and earth.
Zhou Rui admitted that he was moved.
These twelve snuffboxes, he wanted.
"Let's talk about it first, this is a set, not just for sale", the sixth grandfather said to everyone.
"Of course, such a good thing, if sold alone, will lose its life."
"Yes, it has to be a set."
Everyone nodded, they wanted to buy it, just buy a set.
"You'd better identify it first", the sixth grandfather stepped aside and asked everyone to come up for identification.
When everyone saw this, everyone ran up.
Including those who do not know how to identify.
Lin Qingya and Ruiwen, who didn't understand identification around Zhou Rui, also ran up.
Such a beautiful thing, they also like it.
Women, for such delicate small items, have never had much resistance.
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The crowd looked at the twelve snuff bottles, their eyes full of amazement.
These twelve snuff bottles consist of five types in total.
The first, and most numerous, are the snuff bottles, of which there are four in all.
In Zhou Rui's eyes, these four snuff bottles are his favorites.
And these four snuff bottles are obviously a set.
The four snuff bottles depict the four gentlemen of Meilan, bamboo and chrysanthemum, all of which are very beautiful.
On the back, a poem is written on each.
In addition to this, there is a shallow stamp.
It's like it's engraved.
The feeder, in fact, is glass, but in ancient times, there was no glass and this name.
Snuff bottles have their own unique benefits, in addition to not leaking air and not being wet, you can also see the amount and color of the snuff they contain, so they are very popular.
Snuff bottles are not won by texture, but by workmanship. Although its quality is glass, it can imitate all kinds of famous qualities, and it is vivid and vivid, such as Venus material, flower material, realgar material and various imitation gemstone materials.
The plum blossoms are red and extremely delicate.
There is a poem written on the back.
There are a few plums in the corner, and Ling Han opens it alone.
I know that it is not snow, but there is a dark fragrance.
This is Wang Anshi's "Mei".
In addition to this, the other three are followed by a poem each.
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Two ivory snuff bottles.
It can be said that the snuff bottle is a particularly precious one, without him, the material is precious, the craft is also very particular, the use of deep and shallow relief and openwork, exquisite, sometimes also painted, it looks very gorgeous.
Because it was collected one after another, there may be some repetition in the pattern.
Two porcelain snuff bottles, i.e. porcelain nose bottles. From Kangxi to the end of the Qing Dynasty more than 200 years, enamel porcelain are made by Jingdezhen, Jiangxi, after being transported to the capital, by the court painter color painting firing, other varieties can be fired by Jingdezhen independently.
The porcelain industry in the Qing Dynasty was quite developed, so the types of porcelain snuff bottles were also very complete, such as blue and white, bucket color, pastel, glaze red and so on.
This porcelain snuff bottle belongs to the Blue and White collection.
A picture depicting "Eight Immortals Crossing the Sea".
An engraved "Penglai Immortal Island" - the image of Fu Lu Shou three stars.
It's like blue and white porcelain, and it's very beautiful.
It's a unique beauty unlike any other.
A ruby snuffbox.
All kinds of gemstone snuff bottles are the imperial snuff bottles of the Qing Dynasty, and the production is extremely strong, so any precious material can be used. Ruby sapphires, corals, agate, amber, crystals, tourmalines, lapis lazuli, wood-changing stones, pearls and other treasures have become the raw materials of snuff bottles, which are invaluable.
To Zhou Rui's pity, there is only one ruby snuff bottle.
It's a pity.
If there were a few more, it would really be posted.
This ruby snuff bottle is engraved with a very delicate pattern, like the Qinchuan River for 800 miles.
Rolling and undulating.
It's beautiful to the touch.
The fifth type is the inward painting of snuff bottles.
The inner painting pot is a type of material vessel, and it also has a crystal texture. Because of its large number and impact, it is listed here as a separate category.
The rest of the few are all inner painting pots.
It is also the one with the most.
Painting in the inner painting pot, whether it is calligraphy or pictures, whether it is a figure or a landscape, must conform to the visual habits of the left and right eyes of human beings, so the painting on the inner wall of the pot blank is done in reverse.
There are four major schools of interior painting art: Beijing, Hebei, Shandong, and Guangdong.
On the basis of inheriting the techniques of Ye Zhongsan, a famous old artist of the Ming and Qing dynasties in Beijing, Wang Xisan integrated the specialties of the famous school of internal painting and formed his own unique style, which was known as the "Ji School" in the world.
Wang Xisan's works have far-reaching artistic conception, vivid charm, vigorous and simple, rich in line drawing, harmonious and elegant colors, rigorous and appropriate layout, and elegant styles. The snuff bottles he painted are not only exquisite, but also have a wide range of performance subjects: landscapes, flowers, cordyceps, etc., expanding the field of materials for the inner painting pot, whether it is the characters of flowers and birds, or landscapes, he strives for perfection, and strives to be accurate, realistic, both form and spirit, grandiose, to achieve the unity of truth, goodness and beauty In recent years, Wang Xisan has been innovating in the arts and crafts, and the product has increased from the inner painting pot to the outer painting pot and the inner and outer painting pots, and the painting subject matter has expanded to the Great Wall, Shanhaiguan, the Forbidden City, the Summer Palace, Zhengding Big Buddha Temple, Zhaozhou Bridge and other places of interest; the works are sold to dozens of countries and regions on five continents, and have become treasures that collectors compete to buy.
Painting on the inner wall of the bottle requires a very small hook brush, and the end of the pen is still wolf's hair, and the wolf's hair is painted on the astringent frosted glass wall, and the coloring is as stable as on rice paper. After this general direction was determined, masters and works of various genres and styles emerged from the imperial palace to the people.
The subject matter of the inner painting starts from a simple decorative pattern, and slowly develops to the landscape, people, flowers and birds, and then inserts legends and myths with a storyline into the picture.
After transplanting the elegance of calligraphy and painting in the essence of Chinese culture, the inner painting pot is regarded as the most precious gift when the exchange of gifts between countries.
There is a saying in the industry: "Ma Shaoxuan, who enters the hall and enters the room, appreciates Ye Zhongsan in the elegant and vulgar, Zhou Leyuan in Yangchun and Baixue, and Wu Chang'an, an all-round talent in civil and military affairs." ā
Ma Shaoxuan's masterpiece is in a pot with a big thumb, and Gong Kai writes the whole "Jiucheng Palace", which also includes the quintessence of the country with Tan Xinpei playing Huang Zhong as the theme; Ye Zhongsan is widely involved in flowers and birds, landscapes, people, grass insects, and Bogu, and is good at talking about the Red Mansion.
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