Calligraphy pays attention to the unity of nature and man.

Some heirlooms are often born in such a state. A generation of calligraphers, some representative works, let him write it again for the second time, and he will not have the original feeling. For example, Yan Zhenqing's "Manuscript for the Sacrifice of Nephews", how sad was it written?

The brewing and catharsis of this emotion, the integration of heaven, earth, and man, is only once.

"The Preface to the Lanting Collection" came into being in such a cheerful scene as the song water flows and the Lanting poems come into being. Even Wang Xizhi himself, after that day, could no longer reach such a miraculous work as the Lanting Collection Preface, and regarded this work as a treasure.

It is conceivable how valuable this work is.

Zhong Yue looked at the evolved scene, turned around and entered the room, ready to create. That person still has a bit of a conscience, and what he brought to Zhong Yue was mica ripe Xuan. If it was an ordinary Shengxuan, Zhong Yue would probably be crazy. Gongbi landscape painting, too much attention to detail, if you use raw Xuan, the paint is blurred, the whole painting will be invalid.

In this painting, Zhong Yue did not intend to use the method of sketching, but the sketching in the current sense is actually borrowed from Western painting methods, so that the current Chinese painting techniques also pay attention to sketching in disguise.

However, in ancient times, there was no sketching technique as it is defined today. Many paintings are born, either on the way to the boat or at home, not by the scenery they see in front of them, but by what?

There are mountains in my heart.

This is the essence of Chinese painting. The birth of painting is a communication between man and the spirit of nature, rather than a visual sensory record.

The reason why Chinese painting is always called freehand painting is because what Chinese painting contains is the spirit of the literati and the carrier of will, so it is called freehand painting.

In the studio, someone came in. Since the school has not yet started, there are no works to be handed in, most of the students are still enjoying the tail of the summer, and the occasional students who come to join in the fun, seeing Zhong Yue standing in front of the big table in the corner of the window, were stunned at first, and then showed a look of pity, shook his head and sighed, and muttered to himself: "It's a ...... who is not afraid of death."

Zhong Yue had already begun to take a small cigarette and began to paint.

Can there be people in landscape paintings?

Naturally, the characters in landscape paintings are different from those in figure paintings, and they pay attention to an image.

Maybe you may not even be able to see the person's facial features, body shape and posture clearly, but when you substitute it into this painting, you can be surprised to find that you actually have an emotional understanding.

That's everyone's handwriting.

Western painting schools pay more attention to techniques, but Chinese painting, all techniques, all colors, all serve the same theme.

That's intention.

What do you want to express in a painting?

Whether it is secluded and leisurely, or resentment in the heart, or cheerful and complacent, etc., this is the essence of Chinese painting.

Zhong Yue's lines contain the brushwork of the nine potentials of gods and men. For landscapes, plants and trees, it is even more handy. The lines on the paper, even if they are not painted in a portrait, can feel what these few strokes are drawing.

Flowing water.

In the ink rhyme, Zhong Yue's brushwork is constantly changing.

Water is aspectless, but it is the most visible in it.

The water is smooth, and the water in Zhong Yue's pen is not in a hurry or slow, which seems to be just such a speed, which can make the lotus leaves carrying the wine glass drift slowly, and it is interesting among the literati and scholars.

If there were modern and contemporary Chinese painting masters standing aside at this time, they would definitely feel that Zhong Yue was shocked.

The pen is so old and spicy that the whole work has not yet been colored, and the momentum is already revealed.

I don't know when it started outside, but there was already thunder rumbling, and a violent storm was brewing.

Zhong Yue put down his pen.

Walk over and turn on the fluorescent lamp, ready to color.

In this work, Zhong Yue limited the size to a very small size, and it took an hour to complete the painting, and if the size was very large, it would take a lot of energy to color.

Lanting is not big in the first place, so why bother?

Zhong Yue's painting is only the size of a fan.

The paint on the drawing board is squeezed into a pile, and Wang Ximeng's painting method pays attention to the green coloring, which is bright and brisk, which is exactly the artistic conception that Zhong Yue wants to express.

Drink and write poems, high-five and sing.

In this situation, this scene naturally highlights a musical word.

In Zhong Yue's paintings, the figures are blurred, but the whole picture looks like a happy scene with quite charm.

Paint, rendered between the papers. Zhong Yue's pen and materials are extremely sophisticated.

The rain was a bit heavy, the thunder was rumbling, and no one came to the whole studio, probably blocked by the pouring rain.

Mountains, streams, orchid pavilions, and elegant people form a harmonious picture.

Zhong Yue had a hearty feeling, although the borrowed paint was a little dry and dull because it had been opened for a long time.

But on the whole, this painting still makes him very satisfied.

Gongbi heavy color, in the Tang and Song dynasties, is definitely the first place, with the literati painting Boxing, regarded as the vulgar craftsmanship of Danqing gradually lonely. It was not until modern times that this pattern of unification of ink painting was broken, and Chongcai ushered in a revival.

This is also the reason why Zhong Yue dares to be so bold in color now.

This is the best era of Chinese painting!

Zhong Yue put down his pen and looked at the rain curtain outside the window.

"Submit a task. ”

"Has the host confirmed the submission of the [Ancient Rhyme Painting Scene] task?"

"Yes. ”

"Drip ......"

The system rang for a moment, and the voice sounded:

"Detect a related painting.

Painting style: Northern Song Dynasty courtyard painting.

The level of the work, intermediate level paintings.

Artistic value: seventy-six.

Historical value: eighty-nine.

Comprehensive collection value: eighty-one.

The task requirements are met and the task is completed. ”

This is the first time that Zhong Yue has used the system detection function to evaluate his own work. The quality of a painting is not simply based on the brushwork. Conception, conception, innovation, subject matter, etc., will affect the value of the painting, and it does not mean that all paintings by the hands of masters are masterpieces.

However, Zhong Yue is at least personally satisfied with this work. Because this is the first time that he has integrated emotions into it, he has painted so heartily. The ancient charm and elegance of the Lanting seem to infect him with it.

"After the host completes the [Ancient Rhyme Painting Scene], will the secret realm quest [Pen Lin Goose Pond]?"

Zhong Yue's heartbeat quickened a little, that was the photocopy reward of the true work of the Book Saint.

"On. ”

"The system warmly reminds that the opportunities of the secret realm mission are endless, and the host needs to learn to choose between themselves. ”

Zhong Yue's mood became even more excited, he had never encountered a similar secret realm mission, could it be a treasure hunting mission? If it was really a treasure hunting mission, wouldn't he be developed?

The rain outside the window stopped.

The wind and rain are rushing, coming and going in a hurry. The mountains in the distance are verdant.

Relaxed and happy, it makes people feel like a new life.

The sky is like washing, moist and fresh.

Zhong Yue picked up his schoolbag and said a little impatiently: "Open!"