Although it is true that Wen Genying is a child star, of course she cannot be a child star for the rest of her life. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

When you reach a certain age, you naturally have to think about transformation.

Wen Geunying debuted early and transformed early, and "My Little Bride" in 2004 was her transformational work.

It was from this film that on the one hand, she changed from the previous supporting role or protagonist "Zi Gong" (a young actor who played a certain role in film and television dramas as a child) to a real protagonist in a work, and on the other hand, her role positioning has officially changed from "child" to "young man".

If you want to use an analogy, Wen Genying before "Little Bride" is a bit similar to Jin Ming on the mainland, and may even be inferior to Hao Shaowen in Taiwan - the former is also famous for being the protagonist's servant, while the latter has never been the protagonist, but basically plays "his own role" in film and television dramas rather than "the childhood of other people's characters".

However, Wen Genying's transformation has been very successful so far, and she has starred in many film and television dramas since "Little Bride", and most of them have been successful. Therefore, her achievements are no longer comparable to Jin Ming and Hao Shaowen, who have few personal representative works since she grew up.

Now that he has transformed into a young man, it is naturally impossible for Wen Genying to have no passion drama in the drama he received.

As a "person who has come over", she has long considered this topic.

In her worldview, she does not resist the existence of "legitimate" passion plays, but she hates "unnecessary" passion plays.

"If you don't know the plot of the movie you're going to make, I can't tell if you're talking about a passion scene that you 'really need' - if you're going to refer to my personal opinion, then you have to tell us what kind of story this movie is going to tell. ”

Moon Geun-young looked at Hyo-min thoughtfully and made her request.

So, Hyomin settled down and slowly introduced the plot of the movie "Parasite".

The actor Xu Changhuan's brother and sister-in-law died one after another, and his mother was missing, leaving only a son Xiaobin and an empty house.

In order to take care of Xiaobin, who became an orphan, Changhuan took his pregnant wife Reni and sister-in-law Yulin to live in this house.

However, in the case of Renee and Yurin, some bizarre and strange events have happened in a row.

With the sudden appearance of her long-missing grandmother Suyu, the terrible truth behind the scenes is gradually revealed......

It turns out that Sook is a Taoist priest (Taoist priests in Korea are slightly different from those in China, focusing more on "applications" such as witch zhu rather than thinking and exploring religious philosophy).

Because the eldest daughter-in-law is a woman who can't have children, Su Yu killed a lost child at the request of her eldest son and eldest daughter-in-law, so that the eldest daughter-in-law became pregnant.

As a result, the resentment of the child who was murdered by them before was actually attached to the child born to the eldest daughter-in-law, Xiaobin, and it was precisely because of him that Xiaobin's parents died violently one after another.

Subsequently, the resentful spirit pretended to kill Su Yu, Changhuan and Yulin under the pretense of Xiaobin's hand, and finally with the help of Xiaobin's self-consciousness, Renee finally burned the corpse of the resentful spirit that was stuffed into the water tank at the critical moment, and only then did she escape with her life......

"In the movie, I played the sister of the heroine Renee, Yurin. The male protagonist Changhuan is Yurin's brother-in-law, who is characterized by screenwriter Nim as a 'weak and cowardly and somewhat horny ordinary man', and often takes advantage of no one's opportunity to peep at his sister-in-law Yulin from behind...... The passion scene designed by screenwriter Nim is a spring dream made by Changhuan under the manipulation of resentful spirits......"

Hyomin lowered his eyelids, staring at the teacup in front of him as if he didn't dare to look at others, and explained with a red face.

It's no wonder that she is so shy, and even changed her own roles in the play to the third person in the introduction, except for the beginning.

After all, the lascivious brother-in-law secretly covets the indecent thing of the sister-in-law, and for her to play the sister-in-law, the shame should be quite high.

Opposite her, Wen Genying couldn't help frowning.

It's not that she's averse to horror films — her own 2002 film "Rose, Red Lotus" is a horror film involving homicide, and it's a big-name horror film that broke several box office records.

It's purely the result of her passion play introduced to Xiao Min, and she is very disapproving.

"In my opinion, this scene should not fall into the category of 'really needed'. ”

Sure enough, as soon as Hyomin finished speaking, Moon Geun-young quickly shook his head and expressed a negative attitude.

Hyomin looked up and looked at her with a blank eye, expecting further explanations.

"According to your introduction, the main story line of this play is undoubtedly in the matter of 'haunting ghosts'. In my opinion, the real male protagonist should be the Xiaobin in the play! The role of Changhuan does not play a key leading role in the plot, so he is just a relatively minor supporting role. His 'nostalgia' for his sister-in-law did not achieve the effect of promoting the development of the plot, at most it only made the image of this character fuller and more three-dimensional - but what is the point of that? He is not the real protagonist!"

Wen Gen said solemnly.

On the other side, Hyomin couldn't help but nod.

"I don't know what specific considerations the screenwriter nim had in mind when designing this scene. It may be that he cares too much about making each character 'complete', or it may be for the purpose of attracting the audience to the passion play itself...... All in all, it seems to me that this drama is dispensable in itself, and even ruins the compactness of the whole story - so, if you were to ask my opinion, my suggestion is that you try to reject it!

"Director Nim also said some opinions similar to your words, and I have had a heated argument with screenwriter Nim a few times because of this...... It's just that the script was created by screenwriter Nim after all......"

Hyo-min frowned and whispered, his expression looking very tangled.

In the Korean film and television industry, the status of screenwriters is very high. Not to say that it must be more than the director, but at least not under the director. Especially for TV series, the status of screenwriters is relatively higher than that of movies.

Fortunately, "Parasite" is a movie rather than a TV series, and the director can still compete with the screenwriter to a certain extent in terms of discourse.

But if the screenwriter insists on designing it this way, it is difficult for the director to unilaterally overturn the other party's decision.

So, what should things do?

Everyone in the room once again focused their attention on Wen Genying, who can be said to be "experienced" at the level of actors. (To be continued.) )