Since this is the last volume in the public chapter before it is put on the shelves, I would like to focus on the "future" of the book rather than the content of the story in this volume. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

I don't want to say something like "spend money to read your book, chase it all the way to the end, and you show me this when I take off my pants?"

So as an author, I would like to make it clear here that I am careful to reiterate as follows.

Seeing this, the million-word public chapter, including so many explanations and analyses in the work-related and book review sections, if you still don't understand the theme and future direction of this book, then it's really not my responsibility!

In other words, I basically won't repeat the description of what I have written before, for example, volume 1 writes about R&D, volume 2 writes about entrepreneurship, volume 3 writes about operation and maintenance, volume 4 writes about songs (although the officially recorded plot is in volume 5, but most of the preliminary work is placed in volume 4), and volume 5 writes about tea houses.

So,Friends who want to see the pure game development plot,I'm sorry.。

However, I probably won't write about genres that I haven't written about before, such as meat scenes and bed scenes.

The so-called "lifan", "unabridged version" and the like, it is even more impossible to exist.

What other authors think and do has nothing to do with me, and I don't comment on it.

At least, in my own case, I'm confident, or rather conceited—I don't need to write stories that deliberately appeal to the reader.

If the plot is really needed, of course, I don't have to avoid writing it.

But the scale is probably like the "kiss scene" in the first volume (who remembers that kiss scene? The parties were Cao Gong and Sophie).

Or, like the process of the two "home runs" of Che Guanglong and Wakasakura, explain it before and after, and skip the middle part.

It's not that I want to pretend to be pure or pretend to be high, I'm a middle-aged uncle, and I can admit that I've played neon hg and watched a love action movie, and I still care about this?

I just don't think it's necessary, that's true.

I want to write stories, not routine essays or functional novels - you see, I know the proper noun of functional novels, and I'm sure I've read at least some of them, right?

Anyway, I'm such a willful person.,Treat what you can bear.,If you really can't accept it.,Then please choose a work that is more in line with your reading orientation.,Anyway, now online novels are vast.,You can always find the one that suits you.。

To repeat what I said in the book review section before, I am a writer of fantasy and historical themes, so the correct way to open this book should be to read it as a historical farming essay or a serious fantasy text.

Well, that's probably what it means.

So, readers who can accept my personal wayward thoughts, you are welcome to read on, and I will continue to do my best to write this book well, of course, measured by my personal aesthetic orientation in reading and writing - whether the book is popular or not, whether it makes money or not.

If people don't have ideals, they're no different from salted fish, aren't they?

I hope you can have a little fun reading this book, and in my opinion, that's probably the highest honor for an author.

The so-called open book is beneficial, which should mean it, right?

As for readers who can't accept these ideas, thank you for your support along the way. But I'm afraid I can't really respond to your expectations, so I'm sorry. Before you rush into subscribing, let's get together and disperse.

Finally, I would like to leave a little space for the contents of this volume.

In fact, this volume is a link in the obvious transformation of the identities and roles of the three people-

Liu Kewei will retire from the role of team producer, he is certainly fine in terms of professional ability, but his temperament is not suitable for staying in this position. Attentive readers will be able to see that this point has been buried a lot of foreshadowing before, please don't say it too abruptly.

Che Guanglong will succeed Liu Kewei and officially become the helm of the studio, and there has been a lot of foreshadowing in the previous article.

Duan Shanshan's role positioning will gradually shift to the direction of "copywriting director" as arranged by Liu Kewei.

That's why this roll is called "Thin Hair".

These changes are caused by the accumulation of many things little by little, rather than a sudden and unexpected outbreak.

The title of this volume is actually in the middle of the volume, not at the end of the volume, which is the six words "character determines fate".

For Jessica, of course, this is the case, but how can Liu Kewei, Che Guanglong and Duan Shanshan be exceptions?