At half past six in the evening, the closing ceremony of the 25th Golden Rooster Awards ushered in the red carpet show. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Song Zheng didn't have much to look forward to, but when the red carpet show began, he knew what it meant to be an eye-opener.

"When did our Chinese atmosphere become so open?"

Song Zheng could only hold back these words and muttered to himself, if he really wanted to say it, Zhang Jingchu next to him was estimated to be able to strangle him to death.

As the finale of this year's Golden Rooster Awards red carpet show, Song Zheng's appearance order is naturally ranked at the back, which has also been arranged a long time ago.

When Song Zheng's car reached the entrance of the red carpet, he didn't know if he should go down.

Because the few people who walked on the red carpet in front of him were still scratching their heads and posing endlessly.

In October, although the weather in Sanya is still very warm, is it really not afraid of freezing when you wear a little bit on your body?

Song Zheng really admires the designers who designed those clothes, if this was placed when New China was just founded, it is estimated that no one can get a little red flag of thrift and thrift.

Of course, what is even more admirable is the female star who can wear those clothes on her body in a grand manner.

Holy!

I've seen the panties, spicy eyes!

The car door was opened, Song Zheng and Zhang Jingchu walked down, and suddenly the scene was thunderous, and the fans on both sides of the red carpet screamed, not listening to the names of Song Zheng and Zhang Jingchu.

Zhang Jingchu just wanted to wave her hand to greet her fans, but was grabbed by Song Zheng.

"Let's go!"

Then people saw Song Zheng running all the way towards the end of the red carpet like the one who fled with his daughter-in-law, so that the female stars who walked in front of them could only follow one by one.

Walking all the way from the red carpet, Song Zheng couldn't help but feel a sense of shame, if it weren't for the red carpet host who was impassionedly introducing the ups and downs of the Golden Rooster Awards all the way to the 24 years, Song Zheng would have thought that he was at the Victoria's Secret show.

The pair of balls shook so much that Song Zheng's eyes were dazzled, and as soon as he sat down, he was pinched by Zhang Jingchu covertly.

"I'm going!

Zhang Jing glanced at Song Zheng at the beginning, just like someone who had nothing to do, she originally wanted to wear a big placket today, but as soon as she took it out, she was vetoed by Song Zheng, so she had no choice but to choose a relatively conservative dress.

However, it's also a shame that Song Zheng is a cautious eye, otherwise, if she really spreads it, it will be self-inflicted, look at the three generations of female stars on the red carpet just now, one by one The waves are turbulent, although she is not an airport, but in the end she is relatively barren, even if she wants to show, she really can't show anything.

"You men are all the same!"

Zhang Jingchu muttered in a low voice, Song Zheng heard it, and really didn't know how to answer, so he could only pretend not to hear, looked around, and then saw Yiyi Yichuan sitting next to him!

"Road guide!"

Zhang Jingchu also saw Lu Chuan, she had made a movie about Lu Chuan before, which was considered to be a friendship, Lu Chuan also responded with a smile, and the rumored cold and arrogant Sao Nian looked completely different, at least people would laugh.

Song Zheng also said hello to Lu Chuan, the two had never met before, but he had been famous for Lu Chuan for a long time.

As a director, Lu Chuan is the kind of person who combines both strengths and weaknesses, just like his films, which are not perfect, but they are by no means mediocre.

The label placed on him, the so-called "restless, careerist, and big fool", is by no means a derogatory term in the traditional sense.

Because only restlessness will be willing to take risks and seek change. Only if you are ambitious, you will not lower your requirements for yourself. And flickering may be a means of adaptation formed by a director who balances self-assertion and compliance with the rules of the game.

Lu Chuan assessed himself as a simple person, except for the movies he loved, he didn't care about anything else, and he lacked roots.

Among all Chinese directors, Lu Chuan is probably the most scolded one, and those who don't like him give him a few comments: arrogant scholar, opportunistic, ambitious and talented.

Based on the themes and values of his movies "Ke Ho Xili", "Nanjing!Nanjing!", and "The King's Feast", there is an elite energy that looks down on the family and the country.

Today, Lu Chuan is bringing his work "Ke Ke Xili" to participate in the Golden Rooster Film Festival, for this movie, Song Zheng is really not good to evaluate, those who like it really like it, and those who don't like it, scoff.

Song Zheng belongs to the middle, this film has good points, and the shortcomings are equally obvious.

Lu Chuan's deepest impression on Song Zheng is that he is a very good storyteller, but in "Ke Ke Xili", Lu Chuan gave up the twists and turns of the Hollywood-style narrative mode, and judging from his debut film "Looking for a Gun", he clearly has this kind of storytelling ability, not to mention, he himself is from a famous screenwriter's family.

The weakening of dramatic conflict and the use of non-professional actors give the film a strong neorealist style, and even adopt the usual techniques of documentaries in the handling of many shots and the arrangement of narratives.

Although this simple, straightforward expression does not seem boring, and bursts out in the straightforwardness of the power to hit the heart, but overall, it is still a little bland.

Song Zheng has seen Lu Chuan's "Ke Ke Xili" in his past and present lives, and in the plot of the bleak as water, he tried to sort out two main lines for him, one is the battle between the mountain patrol team and the poachers, and the other is the duel between man and heaven and earth.

In the bright line narrative, Lu Chuan deliberately downplays the so-called heroic image of the mountain patrol team led by the captain Ritai, the arbitrary punishment of fishermen, and the private sale of confiscated antelope skins, these behaviors on the edge of the law seem to weaken the positive image of the team members, but it is their helpless survival wisdom that is also on the edge of the system.

They are both idealists who do not care about personal gains and losses for the sake of that beautiful wasteland, and realists who know how to adapt for survival.

In order to track down the poachers, they go into the depths of Hoh Xili, always frightened, step by step, all of which seem to be paving the way for the final showdown.

When the two sides actually met, it was designed to be understated, and with a gunshot, everything fell silent, as if nothing had happened.

And in the dark line, all human beings seem so small and powerless. Heaven and earth are unkind, and all things are used as dogs. Blizzard and Quicksand ignore the Topless Being, who are good or vicious, follow only the simplest principles of physics, devouring all intruders who dare to challenge the authority of nature. Death can happen at any time, and in this environment, the preciousness of life is even more revealed.

From the intertwining of the two threads, the audience is able to peek into the theme of the whole work, which is the power of life and death.

The life and death of people, the life and death of Tibetan antelopes.

In the struggle between the survival instinct and responsibility and the tremendous power of this vast world, the tension of the drama arises spontaneously, which attracts and moves the audience.

The story begins with a celestial burial and ends with a celestial burial, and Lu Chuan designed a circular structure with a sense of reincarnation for the film, indicating that this is a film that focuses on death and witnesses death.

But whether it is the documentary lens language or the extremely restrained background music, Lu Chuan shows a calm and forbearant side.

There are too many places that can be sensational, Lu Chuan chose to calmly narrate as a bystander, and those that should be criticized, satirized and praised, he deliberately distanced himself and left it to the audience to judge for themselves.

Because of this, this film has the power to make people's hearts vibrate.

"In Hoh Xil, every footprint you step on may be the first footprint left by humans since the birth of the earth. ”

In Tibetan, Hoh Xil means "beautiful girl". And aptly named, this is almost the last virgin land in China that has not been polluted by humans.

But just like a weak girl, Ke Ke Xili is also ravaged. The claws of the poachers have never stopped wreaking havoc on this land, and in the vast world, they are bustling, leaving behind bloody sins.

Whether it is the Tibetan antelope with corpses all over the field, or the Ritai who fell under the gun, or Liu Dong who suffocated in the quicksand, Hoh Xil witnessed the fall of these lives without discrimination.

And director Lu Chuan, like this eternal Hoh Xili, weaves the story under the camera, stingy with any expression and attitude.

Good people die in Huangquan, and bad people retreat?

How can there be such a simple dichotomy in the world, not to mention, this is closer to the truth of the facts back then.

Among the few characters in "Ke Ke Xili", there are two people who can easily attract the audience's attention, that is, Liu Dong and Ma Zhanlin, who belong to different camps on both sides, but they have a more complex side of human nature than other face-painted characters.

When the members of the mountain patrol team assembled, Liu Dong had not yet arrived, and the brothers were gearing up to prepare supplies, but he was alone in the wine country and the gentle cave.

He is clearly resistant to the maddening place in Hoh Xili, but this is the path he has chosen, and it is a responsibility and burden that cannot be relieved. So he went, and, like all his companions, in spite of the odds and the toil.

When his comrade-in-arms was seriously ill, he galloped thousands of miles back to the market town, and went to see his woman, both for the warmth of the flesh and for some money.

The woman is leaving, he has no way of knowing, but even if he does, he probably won't stop it. He is not a prodigal son, but he is not a man who can bring stability to women.

He was the only Han in the mountain patrol team, and sky burial was not his belief, so he had a more primitive and natural living burial. The sudden quicksand devoured his body little by little, from struggle, fear, to relief, and even smile, Liu Dong begged for eternal relief. And his body, like other lives that have disappeared on Hoh Xil for hundreds of millions of years, has disappeared without a trace.

Ma Zhanlin, on the other hand, is more of a metaphor for the indifferent and ignorant people, he and his sons are not big traitors, but just follow the poachers for a five-yuan skinning fee.

Under the guns of the mountain patrol team, they shivered, grovelled for a cold steamed bun, and when they were driven to fend for themselves in the wind and snow, they survived with their humble and tenacious vitality.

For the sake of small profits, it is shameful to kill lives indiscriminately, but when the mountain patrol team member was injured, he did not hesitate to let his son take first aid measures.

And after the death of the day, he was the only one, standing beside the corpse for a long time, and he couldn't tell whether it was sympathy, pity or something else in his eyes.

They are like most people in this country, they have both a kind and compassionate side, but they also have a philosophy of life that annihilates the bottom line of morality, and can not only stubbornly defeat the violent nature, but also live without dignity in the face of power and robbers.

On the other hand, there are mountain rangers who really have clear values and are willing to give their lives for them, in them, the audience can not only feel the simplicity of Tibetan compatriots, but more importantly, the power of faith.

Compared with the Han people, who have long regarded all their beliefs as bulls, ghosts, snakes, and gods and sent them to the eighteenth layer of hell, the Tibetans' beliefs are firm.

In the wild land on the roof of the world, there are still good men and women who kowtow, and there are pious Tibetans, and many times, faith is the scaffold of a person's morality, and it is the last and highest fear and respect for this world.

Therefore, it is sad and terrible for a people who have lost their faith, or whose faith has become secularized and politicized, who are not afraid of karma and cause and effect, and they can do everything.

Although the Tibetan celestial burial seems to be cruel, it shows the true meaning of life.

There is no need to bother to prepare tombstones and cemeteries, but to actively devote yourself to the metabolic cycle of nature, except for the memories of lovers and old friends, they will never exist anywhere in this world, and the elephant is invisible and careless.

As a member of the sixth generation of directors, Lu Chuan's style is more realistic, but also very romantic and literary feelings, and this style is characterized by "Ke Ke Xili", which is a romantic style of narrative realism and expression techniques and themes.

He not only distinguishes himself from the biographical films with the main theme of glorifying virtues, but also gives the film a vast and ambitious temperament, making the film full of romanticized visual effects.

But it is precisely because of this that after the release of "Ke Ke Xili", many people gave the evaluation that this is a film made for film critics to see, or used for film art research, but it is not suitable for ordinary people.

Therefore, no matter what kind of height "Ke Ke Xili" has been praised by film critics from all walks of life, it can't change the ending of the box office fiasco.

After many viewers walked out of the cinema, the deepest experience was depression, as soon as the scene began, the mountain patrol team members were arrested, watching the poachers hunt Tibetan antelopes and then cut the skin, the angry and desperate eyes pierced the heart, and then he was also mercilessly shot.

Although this story is a real event, the general audience still does not want to believe that such a naked crime has ever happened, which is why many viewers linger in front of the cinema for a long time and finally give up walking in to see it.

Song Zheng is the same, I feel that watching this movie requires a stronger heart than watching "Blind Well", in fact, he likes Westerns very much, likes the vast desert Xiao Suo, likes the dusty dust, and likes the tall and majestic snow-capped mountains.

But this plot made Song Zheng not have the courage to face such a cruel truth, so in his previous life, although he had heard that Lu Chuan had made a divine drama a long time ago, he had always avoided watching it.

In the end, it was because I was curious about what kind of tragic story this would be?

So, I couldn't help but read it.

After watching the movie, Song Zheng was reluctant to speak for a long time, this is too heavy a feeling, the story told by the movie is very simple, roughly speaking, driven by interests, the Tibetan antelope in Hoh Xili was hunted by lawbreakers, in order to protect the Tibetan antelope, the volunteer patrol team led by the captain of Japan and Thailand tried their best to hunt down the lawbreakers, all the way hard, fighting with people and nature, but in the end the captain of Japan and Thailand was killed by the lawbreakers, and the tragedy ended.

In the deserted Hoh Xili, they faced all kinds of difficulties, chasing the murderer all the way, the team members fell ill, the injured were injured, and finally only the captain and reporters were left to chase the murderer, but they were outnumbered, and the captain was shot.

After watching the movie, my heart was heavy because of grief and indignation, grief and indignation at the difficult conditions of the mountain patrol team but persevered, and I was bent on arresting but unable to do anything!

There is also a particularly sad scene, Liu Dong struggled after returning to the mountain to save people from falling into quicksand, and finally turned his back to the sky, and was slowly swallowed up by the sand pit with tears!

This depressed feeling may be the key reason why "Ke Ke Xili" won word of mouth but lost the box office.

In addition to the overall feeling of this movie, in addition, from the perspective of film art, Song Zheng does not think that "Ke Ke Xili" is a very good film.

Art must be an expression of superb artificial skills, art is artificial, and it is an important point for human beings to distinguish themselves from nature. If you win only by peculiar experiences and fresh scenery, it is not a triumph of art, it is a triumph of something else.

Of course, if you don't think that movies are art, if you also think that movies should be classified under the category of art, Song Zheng feels that films that can't win in art, even if they can be famous for a while, they can't stand up in the history of art.

The same is true for other art forms such as novels, where they can attract a large audience without much effort by virtue of extraordinary experiences, exotic or exotic moods, and if they are for making money, of course, they are far from good enough.

Lu Chuan's Why Not "Ke Ke Xili" does show a lot of new ideas, but Song Zheng thinks it is far from being as good as everyone expects.

The beginning of the film is still very expressive, a mountain patrol member is killed, which happens quietly, and just when everyone thinks he will be fine, suddenly there is a gunshot.

Then there's the title, and it's the celestial burial.

The prologue camera cuts are just right, very smooth, and the dull and depressing tone is also very accurate, raising people's illusory expectations.

However, since the beginning of the sky burial, Lu Chuan has become unstable in terms of narrative, and even a little vulgar. Using the reporter as a clue itself is to give the audience a voyeuristic perspective, and at the beginning it was a dazzling scene such as a sky burial, and then Lu Chuan began to covet the majestic mountains and rivers in the west, and used hundreds of antelope skins to shock the audience's vision.

The film begins with an unhurried narration of a hunt, day after day, the rhythm seems to be a little indulgent, and in the middle of the film, the mountain patrol team releases the captive poachers on the edge of the cliff due to lack of food and gasoline, and then the film shows the "atmosphere" that many reviews have said, and the small half of the film from then on is still a little majestic, a little shocking.

Lu Chuan's intentions don't seem to be very single-minded, he seems to have a lot of ideas, but he can't talk about these ideas mixed together, and then show them, so that after reading it, Song Zheng doesn't know what he wants to do in the end.

If you want to use an objective lens to reflect in realism, then why is there a heroic shot of a team member looking up at the sky for half a minute after being swallowed up by quicksand?

If it is said that it is a tense and fierce collision, then the first half of the film is long.

In fact, the sky burial at the beginning foreshadowed the ending of the male protagonist Captain Tae-ri, if you want to show this kind of inspiration and shock, you might as well make a big change to the first half of the film.

If it is said to restore life itself, Song Zheng is more puzzled whether the film really restores life itself, or only the life itself imagined by Lu Chuan, or the life itself expected by the audience in the city?

If you want to document life like neorealism, the big problem with "Ho Ho Xili" is that it is just a record, and the audience doesn't know why they are doing it.

At a certain moment, when they looked at the starry sky of Hoh Xil and talked about the words of the geologist and the beauty of Hoh Xili, Song Zheng thought several times that they were about to say it, but the words disappeared from their mouths.

It's more straightforward to say it, but it's better than nothing.

In this regard, Lu Chuan is obviously not as good as Jia Zhangke, even if Jia Zhangke's movie narrates without leaving a trace, but it makes people feel the inner world behind the characters, and Lu Chuan only gives the audience a world composed of the characters' actions and eyes.

On the other hand, the group portraits in "Hoh Xili" have no hierarchy and lack of personality, and those people in the mountain patrol team, except for a few main ones, can't tell who is who at all, so what is the meaning of their existence in the work?

The poachers' helpers, the captives, are also thin, and the main characters are known to be desperate to protect the Tibetan antelope, and nothing else.

The fullest character in this is the sheepskin Ma Zhanlin, who took his three sons, forced to make a living, broke into Hoh Xili, was arrested several times, escaped on the way to capture, survived the blizzard tenaciously, and finally quietly reminded the reporter how to find the way to the mountain.

Although Ma Zhanlin only has a few brushstrokes, he has experienced twists and turns, and his personality has also shown many aspects, it seems that the creators are not incapable of showing, but why are other characters so thin?

In the end, the scene where Captain Tairi was killed is still very good, especially the shot that was made up, just like the shot that the poachers made up for the Tibetan antelope at the beginning of the film, in the human world, maybe everyone is a Tibetan antelope being hunted.

This has led some people to speculate whether "Ho Ho Xili" is an allegory about life, with no stated purpose and selfless sacrifice of life for this vague purpose, just like life, people keep pursuing, but they can't tell why.

And the purpose of poaching is cashmere, why cashmere is valuable, it is an international fashion, it seems a bit ironic.

And the scene where Liu Dong unambiguously asks for money from his escort girlfriend seems to have a deep meaning, and there is nothing wrong with these interpretations, but if you don't interpret them deliberately, I'm afraid you won't be able to draw these conclusions.

In the end, it came back to that sentence, Lu Chuan has a lot of ideas, but he lacks a little ability to fully display these ideas.

Of course, Song Zheng still admires Lu Chuan very much, because Lu Chuan is a director who is more recognized by the audience and peers among the sixth generation of Chinese film directors.

He is a real director, he is very determined, his desire is very strong, although he does not seem to be that domineering, but what he wants to do, he will never compromise.

Uncompromise is not the most suitable thing to do in life, but it is a necessary means for an expresser, and compromise is an obstacle to expression.

Some people say that he is simple and rude, that's right, strong, cold, and persistent, otherwise the audience can't see the real Lu Chuan's movies.

But as far as "Ke Ke Xili" is concerned, Song Zheng feels that Lu Chuan can do better, but he is bound by his extra ideas.

Of course, Song Zheng didn't think to be ashamed to judge Lu Chuan's "Ke Ke Xili" that he had spent countless efforts filming, the two of them just looked at each other and smiled, said hello, and then fell silent.

This made Zhang Jingchu, who was sitting on the side, a little curious, according to her thoughts, these two people should be sympathetic to each other when they met, and there were endless topics, but it was just a hello, and this was the end!?

If Song Zheng knew Zhang Jingchu's thoughts, he would definitely laugh, but he admired Lu Chuan very much, but it was limited to the current Lu Chuan, according to Lu Chuan's development trajectory, the next "Nanjing, Nanjing", "The King's Feast", if it can barely reach the passing line, the last movie of Lu Chuan that Song Zheng watched before his rebirth directly made him instantly disillusioned with all his good impressions of Lu Chuan.

"Nine-Story Demon Tower", Song Zheng has always felt that he is really cheap, and he bought a ticket to watch "Nine-Story Demon Tower" in his last life.

After reading it, he found out that curiosity can not only kill the cat, but also ruin his good mood all day, before that, because of the "King's Feast", Song Zheng's impression of Lu Chuan was close to freezing, but because I heard out of nowhere that the special effects in "Nine-Story Demon Tower" are not bad, not "five cents" special effects.

So I took the idea of giving Lu Chuan another chance to see, yes, it's not the quality of five cents, but the quality of TM phone bills, and the insults and complaints are the best praise for it.

If you say that before watching a movie, you don't have any expectations, and even watch it with the mood of a big bad movie, generally speaking, the actual content of the movie will earn people some sympathy points.

And "Nine-Story Demon Tower" is a stinky work born to test the audience's imagination of complaining, even now, Song Zheng recalls those scenes, it is like eating a fly, unable to swallow, extremely uncomfortable.

At the beginning, it was very honest to play the slogan "This story is pure fiction", okay, after adapting from "Ghost Blowing the Lamp: The Essence of the Ancient City", it almost ruined the original story, after all, the screenwriter in addition to Lu Chuan, also wrote the name of the original author Tianxia Ba Sing, can you not stop it from ruining your original story, either you have charged a lot of adaptation fees, or it is the water that has been spilled, which is irretrievable, as a loyal fan of "Ghost Blowing the Lamp", Song Zheng would rather believe that it is the second kind.

Many science fiction fans are especially grateful to many film practitioners for making "Blue Bloods" after the adaptation of "Wesley Series", and they have never spoiled "Wesley Series" anymore, because once the special effects that feel good about themselves, coupled with the storyline made up nonsense, it is basically more hateful than engaging in pyramid schemes, and "Wuji", which is also rotten to the point of being at home, is still an original story, and it is understandable that it can be rotten to that extent, and the storyline and special effects production of "Nine-Story Demon Tower" are simply insulting the names of these four words.

The most devastating thing is probably the heroine Yao Dazui, when she first played Yang Ping, she was so acceptable, but later she and Zhao Youting were chased by the "fire bat" special effects, and when they jumped into the deep pool outside the nine-story demon tower cave, the special effects blockbuster of the super-long version of Blue Moon laundry detergent was immediately seen, Yao's big mouth was held by a monster, very elegant, and after a few turns in the water, she seemed to be dragged away with "Hanjiang Monster", and a few years later, Shirley Yang wearing a red "Dream Chaser" brand mohair coat appeared.

It seems that in order to distinguish Yang Ping, Yao Dazui began to use a "facial paralysis" performance method to show Shirley Yang, as for why he gave this name the same as the original goddess, the ghost TM knew!

In the play, Yao Dazui should have tried many different performance methods, maybe wearing a red coat and an olive branch headband is more suitable for the feeling of the village woman in "The Fence Woman and the Dog", that's right, when Shirley Yang first appeared to see Zhao Youting, Song Zheng actually saw the expression of the copperlock daughter-in-law Jujube Flower in a trance, does it mean that Yang Ping disappeared for a few years, and after going to the countryside to experience life for a few years, he became the later Shirley Yang?

The plot has developed in less than 30 minutes, and the relationship between Zhao Youting and Yao Dazui has developed as well as the familiarity after fast-forwarding to 90 minutes.

It's just like this when netizens meet and make an appointment, chat a few words, and directly engage in exciting dramas, which is also the premise of having a bed.

And these two just formed a group to dare to die, and each other's eyes were like TM celebrating the golden wedding anniversary, how many things did Jack and Ruth go through on the Titanic back then, before they dared to look at each other so affectionately, comparing them with such classics, there is really a sense of guilt for tyrannical things.

However, looking at it later, Song Zheng has seen almost all kinds of disaster movies, monster movies, science fiction films, thrillers, red hero films, and so on since he can remember.

"The Walking Dead", "The Chernobyl Diaries", "Prometheus", "Star Trek", "Vertical Limit", "Silent Hill", "The Mummy 1" and "The Mummy 3", "King Kong", "The Day I Left Lei Feng" ~~~~~~~

Well, I'm not afraid of plagiarism, there are a few people who don't plagiarize at this scale in China, but, Director Luda, you should copy it well, even if you change it to your own things, it's also a skill, just 1:1 compare those original works to the next level.

It can be said that from the beginning of the movie, Song Zheng didn't have any expectations, and began to divert his attention, staring at the legendary special effects that were crazy and cool, and found that those who said that the special effects were awesome, whether it was marketing hype or a tap army, if they had a little conscience, they might not finish watching the whole film seriously after they finished saying those bastard words.

The whole film, you can watch the first ten minutes, at least the first ten minutes should be an original plot, and ten minutes later, the nonsense begins.

When Zhao Youting, Yao Dazui and a team of people entered the cave to find out the cause of the previous explosion, they walked out of the cave and came to a snow-covered mountain.

Yao's big mouth and her father, Professor Yang, began to recite the lines backwards, chattering very unharmoniously, saying that the opposite mountain is the gate of the ghost clan, and after it is opened, there will be a lot of secrets coming out, which will destroy the earth and the like, and then a large special effect called "fire bat" flew in, and when people touched it, they were covered in blue fire, and instantly turned into ashes, a giant NB biochemical weapon.

Then a few shots of the monster, in this film, the special effects should not have cost much, because the monster appeared frequently later, and I especially hope to put on a mosaic, because it is too real, if the ghost clan is like a few animals that have been exposed to nuclear radiation, it is really quite brain-saving.

After the monster first appeared, it caused a big avalanche for no reason, and this arrangement should be so that other soy sauce players should die.

Professor Yang led Zhao Youting, Yao Dazui and the company commander to the gate of the nine-story demon tower, he lit a large candle that had been prepared for him for a long time at the door, and the flames "swished" up the mouth of the cave for hundreds of meters, he let Zhao Youting and Yao Dazui enter the demon tower, and claimed that only they could open the gate, similar to TM Call of Duty, Professor Yang was definitely a big boss with a black belly, because he felt that he knew too much.

At this time, the company commander was afraid that the plot would not develop well, and he used his body to cover the flames that burned for hundreds of meters, at this time, he could instantly think of what he had played, Lei Feng in "The Day I Left Lei Feng", and Zhang Side in "Zhang Side", they are all heroes, so people can block the gun hole with their bodies, no, the brave strength behavior of blocking the fire eye, stunned to extinguish the three-flavor demon fire.

The nine-story demon tower was extinguished instantly, and several "fire bats" special effects flew by, biting the "Lei Feng" company commander to death, and the Lei company commander also went to get a boxed lunch, as if it was set, and it should be damned at this time.

Later, the bald big black bull appeared, and began to lie to Zhao Youting that he was the director of the library, and arranged for Zhao Youting to work in a library where no one was, and sent him all kinds of information about the nine-story demon tower all day long, after Zhao Youting read the information for more than three years, the big black bull cast a spell, the library was gone, and they entered a tomb, and then the big black bull said very solemnly, "I am the mausoleum keeper!"

Song Zheng was laughing in the movie theater at the time, was he playing the cosplay of "Run, Brother"?!

There is also a place of extreme thunder, when the big black bull just received Zhao Youting, he returned to the library, because he missed the meal, Zhao Youting proposed to invite the big black cow to dinner, and the big black bull took him to a huge western restaurant.

There was a stage in the western restaurant, and Hu Bayi's companion Fat Man appeared, dressed as Elvis Presley and singing old Chinese songs, and TM sang two songs almost completely.

Even if Song Zheng wants to delete any memories of "Ghost Blowing the Lantern", he still can't solve the question mark in his heart: Is the role of the fat man super soy sauce? Or is the actor himself under Lu Chuan's unspoken rules?

The actor who played the fat man can also recall at a glance that he has played some mentally retarded roles, he was originally a very capable actor, and it happened to be a very interesting role, but as a result, there were many meaningless, similar to group performances, and it was actually a two-word line: "I'll go!", "I'll rely on!", "Niu B", "Help!" is outrageous!

Then, the plot inexplicably continued to develop to the "oil town", in the whole film, probably from beginning to end, the best thing is the art setting and character makeup, of course, the makeup and costume modeling of the group performance is great, and the makeup and costume modeling of the protagonist and supporting roles should be done by interns, and they are tireless to the highest level.

"Oil Town" held a Children's Day singing performance, and the audience below was wearing late autumn clothes, maybe June in it is about to enter the cold season?

The hostess wanted to be funny.,As a result, the monster was attracted.,The monster behind the big red curtain is the best part of the whole film.,Later, due to the frequent appearance of Taishi.,It's like TM playing Resident Evil.,And no matter how you fight, you can't die.。

The final plot is that Zhao Youting and Yao Dazui are not dead, the two of them are lying in the coffin of the prince like fools, Yao Dazui told Zhao Youting that his mother Chen Jin knits sweaters every day, and the knitted sweaters can be worn by his father until he dies and allows him to wear them until he gets married!

And he is still a descendant of the ghost clan, after reaching a certain age, his body will spontaneously combust, because he inherited his mother's genes, his father Professor Yang desperately wanted to go to the nine-story demon tower to find the secret of rebirth.

At the end, the whole film did not explain which nine floors the "Nine-Story Demon Tower" has?

Why is it called that?

What other ghosts are there?

Anyway, none of these problems have been solved, it doesn't matter, anyway, "this story is pure fiction", Lu Chuan made it very clear at the beginning of the film.

In short, the entire "Nine-Story Demon Tower" is like a pile of footcloths, stinky and long, and it stinks unreasonably, and looks lawless.

When Song Zheng saw Lu Chuan, he really wanted to sympathize with each other, but they are all outliers in the circle at present, and they should be able to have a common topic, but when he thought that he actually donated a movie ticket for "Nine-Story Demon Tower" in his previous life, he was full of grief and indignation, and suddenly Song Zheng had no such thoughts.

As for Lu Chuan, people think very highly of themselves, he recognizes Song Zheng, but more of them are not convinced, fortunately, today the two of them can compete with each other, "Ke Ke Xili" and "Assembly Number" were selected for Best Film together, and both of them were nominated for Best Director.

The two most promising directors of China's new generation of directors will compete on the stage of the Golden Rooster Awards today.

Wait a minute!

In case it is a double yolk egg~~~~~~

According to the urine nature of the Golden Rooster Award, it is really not impossible!