According to the Fuchun Mountain Residence Map, Huang Gongwang began painting at the age of 31, and due to the ups and downs of his encounters, he did not concentrate on the creation of landscape painting until he was about 50 years old, that is, after he was released from prison.

Because of his love for nature, he has a more comprehensive cultural accomplishment, and in the early days, he has cultivated profound skills in copying many ancient masterpieces, and has accumulated broad and profound knowledge in his chest, so that one of them has shown a high style of art from the beginning.

Based on the painting method of Dong Yuan, a great painter of the Northern Song Dynasty, he absorbed the strengths of other famous artists, integrated the nutrients obtained from the cultivation of the teacher's method, and gradually created his own artistic outlook.

There are roughly two styles of his landscape paintings: one is light red, with rocky mountains and majestic brushstrokes; A piece of ink, with fewer wrinkles, and a simple and far-reaching brushstroke, fully reflected

The idea of "pinning on painting" and

The pen and ink effect of "rich Huazi". Huang Gongwang had close contacts with his contemporaries Wang Meng, Ni Zan and Wu Zhen, and gave poems and paintings to each other, discussed with each other, and often enjoyed cooperative landscape painting.

Not only did they create their own unique painting styles, but they also devoted themselves to the organic combination of artistic conception and poetry, and painting, and jointly advanced Chinese literati painting to a new world

The honor of "Yuan Ji Four Families". And Huang Gongwang especially stood at the peak with his outstanding achievements, which had a huge impact on the painting world of later generations and was promoted

"The head of the four Yuan families". Huang Gongwang has an indissoluble bond with Fuyang. He traveled all over the famous mountains and rivers, but he was only fond of Fuchun landscapes, and settled in Shauki Spring on the bank of the Fuchun River (now in the Huanggongwang Forest Park in the eastern suburbs of Fuyang City) in his later years, where he spent the most glorious period of his life and left a large number of masterpieces.

Since then, Huang Gongwang's name has been closely associated with the beautiful Fuchun River, which is the cradle of a generation of masters that made him a generation, and he has also added dazzling brilliance to the beautiful Fuchun River.

"Fuchun Mountain Residence" was created by Huang Gongwang when he was 79 years old. This 33 cm long scroll with a length of 636.9 cm is a masterpiece launched by him living in Fuyang and taking the Fuchun River as the theme.

In order to paint this painting well, he worked tirelessly on both sides of the Fuchun River all day long, observing the strange changes of smoke and clouds, appreciating the victory of the rivers and mountains and fishing beaches, and carrying a pen and paper, encountering a good scene, sketching at any time, many mountain villages by the Fuchun River have left his footprints.

In-depth observation, real experience, and rich materials have given him a solid foundation for the creation of "Fuchun Mountain Residence", and his perfect pen and ink techniques in his later years, so he writes calmly.

Thousands of hills and thousands of rolls, ravines, the more strange they are, the mountains and mountains are stacked on top of each other, the deeper the more wonderful, which not only vividly reproduces the beautiful appearance of Fuchun landscape, but also swayes the characteristics of its essential beauty to the fullest.

It took about seven years of painstaking work to complete this monumental work shortly before his death, and it was the crystallization of the painter's blend with the landscape scene of Fuchun.

The unfolding painting presents us with the early autumn scenery of the Fuchun River: the hills are undulating, the peaks and loops are turning, the river is fertile, and the sand town is flat.

Clouds and smoke cover the cottages, and the water waves infests the fish boats. Near the trees are green, sparse and dense, the streams and mountains are far-reaching, and the flying springs are upside down.

Pavilions and small bridges, each with its own place, characters and birds, vivid and moderate. precisely

"The scenery moves with the people, and the people move with the scenery", to achieve the artistic effect of considerable steps by step. The layout of this landscape painting Changfuchun Mountain Residence Appreciation (detail) [4] The layout of the volume is widened from the plane to the depth, and the space appears extremely natural, making people feel real and cordial, and the brush and ink techniques contain the strengths of the predecessors, and have their own creations, and use a light ochre color as color, which is the first creation of Huang Gongwang

"Shallow Method". The whole painting is concise and bright, virtual and real, with

"Clear water out of hibiscus, natural carving" wonderful, concentrated on Huang Gongwang's artistic characteristics and spiritual realm, was praised by later generations

"Orchid Pavilion in the Painting". Today, when people enter Fuyang from Hangzhou against the Qiantang River, full of green mountains and beautiful waters, and the scenery is picturesque, they will naturally associate the "Fuchun Mountain Residence Map" with the scenery on both sides of the strait in terms of shape and temperament, and praise the author from the bottom of his heart to understand life, grasp the essence of the object, and then refine and summarize it into the great ability of artistic image.

Since the Yuan Dynasty, calligraphers, painters, collectors, connoisseurs, and even feudal emperors and magnates have all highly respected the "Fuchun Mountain Residence Map", and it is an honor to be able to witness this authentic work, making this treasure map not only highly praised, but also experienced vicissitudes.

In the process of circulation, it has caused interesting things in the Qianlong period

"Fuchun Mystery Case" made Emperor Hongli fascinated and misjudged the authenticity; It was also burned and disfigured by collectors.

Today, its front part is treasured in the Zhejiang Museum, and the back part is in Taiwan. The descendants of Yan and Huang at home and abroad are all looking forward to the reunification of the motherland and hoping that the treasure map will be combined as soon as possible.

Editing this paragraphThe creative process of "Fuchun Mountain Dwelling" was first painted in the seventh year of Zhizheng (1347) and completed in the tenth year of Zhizheng.

It is a famous painting of Huang Gongwang in the Yuan Dynasty, and it is the crown of Huang Gongwang's paintings. It is an ink painting on paper, 33 cm wide and 636.9 cm long, which is a masterpiece of Huang Gongwang in his later years.

Huang Gongwang, the word is long, the number is a peak, calligraphy, Tongyin law, good poetry, few ambitions, young and promising, middle-aged people were implicated in prison, full of hardships, over fifty years old secluded on the bank of the Fuchun River, learning from Dong Yuan, Ju Ran, devoted himself to learning landscape painting, when he became famous, he was already over eighty years old.

Huang Gongwang put it

"Lifelong savings" are integrated into the creation of painting, painstaking efforts, lasted several years, and finally completed this long scroll that can be called the highest level of landscape painting - "Fuchun Mountain Residence" at the age of eighty.

In the form of a long scroll, it depicts the beautiful scenery of early autumn on both sides of the Fuchun River, the peaks and mountains are stacked and green, the turquoise stone is quite beautiful, the smoke trees of the cloud mountain, the Shating cottage, the layout is dense and compact, the changes are endless, with the clear brush and ink, the artistic conception of simplicity and distance, the vast and continuous Jiangnan landscape is vividly expressed, and it has been achieved

The realm of "mountains and rivers are thick, and plants and trees are blooming". Huang Gongwang (Zijiu) was the most famous painter in the Yuan Dynasty and had a great influence on the history of painting.

In his "Landscape Jue", he explicitly mentioned molding. He said:

"Put a pen in the leather bag, or in a good place, see the tree is weird, and write it. "There are not many works of Zijiu that have survived, and the best one is "Fuchun Mountain Residence Map".

In order to create "Fuchun Mountain Residence Map", he was in

When "appreciating the victory of fishing beaches",

"Carry a pen and paper in your sleeve, and whenever you encounter a scene, you will be a model." The painting was first painted in 1347, when Zijiu was nearly eighty years old, and the inscription in the painting indicates that it took him three or four years to observe and figure out the painting.

Zhang Geng recorded Dong Qichang's praise for this painting in "Picture Essence Consciousness",

"Zijiu painted the four families of Guanyuan...... Such as Fuchun mountain roll, its charm is super easy, the body is prepared with the law, detached and melted, and does not fall into the path. "The process of editing this paragraph has changed hands several times in the process of inheriting the "Fuchun Mountain Residence Map", which is more than one foot high and about two zhang long.

This picture shows the scenery of the Fuchun River: the peaks and slopes on both sides of the Fuchun River are like the scenery of early autumn, the trees are green, sparse and dense on the banks of the mountain river, and the villages, flat slopes, pavilions, fishing boats, small bridges, etc. are scattered among them.

Dong Qichang praised,

"The exhibition has been overwhelmed. "It really feels like it's a thousand miles away. This kind of landscape painting, whether it is the layout, the brushwork, or the use of the method of intention, makes the viewer breathtaking.

As Yun Nantian said,

"The flat sand bald peak is extremely reckless. Dong Qichang also said that when he looked at this painting in Chang'an, he actually felt

"The heart and spleen are open". In 1350, Huang Gongwang gave this inscription to the useless Venerable. "Fuchun Mountain Residence Map" has its first owner, and since then it has begun its bumpy journey in the world for more than 600 years.

At the beginning of this painting, it was useless for the Venerable Master

"There are scheming predators." Unfortunately, he said that Shen Zhou encountered this picture during the Ming Dynasty

"Clever pickers". Shen Zhou asked someone to inscribe on this map, but it was hidden by this person's son and lost. Later, this picture appeared on the market and was sold at a high price, and the honest Shen Zhou was difficult to calculate and unable to buy, so he had to memorize a volume to comfort him.

Later, it passed through the hands of Fan Shun, Tan Zhiyi, Dong Qichang, and Wu Zhengzhi. During the Shunzhi period of the Qing Dynasty, Wu Hongyu, a child of the Wu family and a collector of Yixing, was even more cherished.

Yun Nantian's "Ouxiang Pavilion Painting" notes: Wu Hongyuyu

"When the country changed", he ignored his family's hiding, but took with him the "Fuchun Mountain Residence Map" and "Master Zhiyong's Thousand Character Writings" to escape.