"Zhengzi, what do you mean by saying that to those two children? Do you think those two children are good, and you plan to cultivate them?"

Yang Zi and Zhang Yishan are now both members of Huayi Brothers, and they are the same as Zhang Hanyu, but Zhang Hanyu's seniority is much higher than the two of them.

Song Zheng smiled when he heard this: "I don't mean that, so many newcomers in our company can't be trained, how can I have the heart to help you train newcomers! I just think that ~~~~~~those two children are really good, and they are rare to put in the younger generation of actors!"

Zhang Hanyu also smiled: "It's still a young generation, as if you are old, don't forget that you are only thirty-two, by the way, isn't there a word called ~~~~~~ little fresh meat now, by the way, little fresh meat, you can barely be regarded as little fresh meat now!"

Zhang Hanyu's words are indeed compliments, but why is Song Zheng so awkward when he listens!

Xiao Xianrou, in the eyes of some people, this is indeed a curse, especially for actors.

"When you find out how devastating the young actor you play against you is, you will know how rare a good young actor is!"

After Song Zheng finished speaking, he quickened his pace, turned around and walked towards the classroom where they usually attended.

Zhang Hanyu didn't understand what Song Zheng meant, and of course, he didn't have a chance to understand, because "Lao Paoer" had already made Song Zheng toss it out in advance.

Otherwise, according to the normal process, a few years later, Zhang Hanyu will also play the role of Bo San'er in "Lao Pao'er", and then follow Li Yifeng and Wu Yifan to play, and you can see how aggrieved he is through the screen.

And the reason why Song Zheng said that sentence with Zhang Yishan and Yang Zi is precisely because in the future of China's entertainment industry, there are really not many young actors who can act, act, and act well, and the two of them are definitely rare species.

No one has noticed this problem yet, but the trend is very obvious, more and more film and television dramas have begun to use those well-known traffic stars to take the lead, and the males among these traffic stars have a collective name, that is, the word Zhang Hanyu just said, one by one, a little fresh meat.

The so-called little fresh meat was supposed to refer to young people, but later it was regarded as a young, handsome, and muscular new generation of male idols.

Before Song Zheng was reborn, in the film and television dramas in the mainland, they had basically been dominated by these little fresh meats, and when they turned on the TV, the male protagonists were all "white and beautiful", and they almost won the heroine, which was almost comparable to the anti-Japanese drama of the hand-torn devil.

Without an old drama backbone, just rely on a few handsome faces that are difficult to distinguish between male and female to support a TV series?

Isn't that!

Speaking of which, there were also small fresh meats in film and television dramas more than ten years ago, but those small fresh meats that have now evolved into old drama bones show the audience the masculine vitality, refreshing and non-greasy of men, and the women are gentle and elegant, delicate and lovely.

However, today's young actors show a lot of femininity and lack of masculinity, while women are insidious and vicious, and what kind of "work" is added.

If you really have acting skills, it's nothing, people yearn for beautiful things, since you can enjoy high-quality film and television dramas at the same time, and you can watch handsome men and beautiful women, why not, but the question is, acting, do those little fresh meat really have?

The acting skills are not good, and it is not good to practice, and if you don't cultivate to be strong, you will be pretentious, and with a sky-high salary, more than 30 stand-ins will be used in one play. I keep posting on Weibo, my hand is broken, I fell and hurt, I am in the water in winter, and I am wearing a big leather jacket in summer, you TM is not good at this, your profession is this, and now you still regard this as dedication, and actors should suffer like this.

But there are unjust bosses who willingly wave checks and ask those little fresh meat to act, but in stark contrast to the high salary, it is the clumsy acting skills of some of these actors, whose acting skills can be said to have reached the level of anger between people and gods.

In Song Zheng's view, those little fresh meat are not actors at all, at best they can only be regarded as stars, actors and stars, this is essentially different, eating with faces, teachers in any art school have never taught, if only by face, the drama academy simply changed to maintain it.

But what investors who pay sky-high salaries want to buy is not Xiao Xianrou's acting skills, but a face, and use this face in exchange for their own fan traffic.

If these words are said, those fans of Xiao Xianrou will definitely not dare, and they will definitely refute it vigorously to prove that their idols have acting skills.

People who say these words had better understand what acting is, the so-called acting skills, the first criterion should be relaxation, of course, relaxation is not relaxation, let alone eternal expressionless extreme calmness, otherwise Miss Angela Barbie must be a good hand at relaxation, and the relaxation in acting skills is actually closer to what people often say "natural".

A good performance is "released", not "pretended", and every move of a good actor on stage or in front of the camera is not deliberate, and he never thinks about questions such as "should I frown, should I shed tears, should I shout", he is just in a state of relaxation, allowing what should be said and what should be done to happen naturally.

From the audience's point of view, it is easy to judge whether a performance is natural or not. Just ask yourself if you believe the actor is going through what the characters in the play are going through.

For example, even if Miss Angela Barbie didn't cut out the picture and didn't use a stand-in, who could believe that she experienced a miscarriage, whipping and the loss of a lover in "Song in the Clouds"?

If you can see that an actor is pretending, then this actor is definitely not qualified.

As long as the basic skills are solid enough, it is not difficult to perform that seems to be fake, but "looking like the real thing" is only the minimum requirement for relaxation.

Excellent actors can make a deep and contented relaxation, and the most intuitive feeling that this kind of performance gives the audience is surprise.

In other words, the audience will be surprised when they see the performance, but they will not feel false at all, unexpected, and reasonable, which is the highest level of relaxation.

A simple relaxation can eliminate many traffic stars, but that's not all there is to the performance.

In order to attract the audience, the actor also needs to integrate himself into the world created by the drama or the film, and relate himself to the situation of the character, which is the second evaluation criterion.

For example, in the movie "Sweet Honey", Zhang Manyu contributed a wonderful performance, which perfectly interpreted the relationship between the character Li Qiao and his surroundings. Through the transformation of laughing first and then crying, Zhang Manyu put Li Qiao's "feign in front of strangers", "memories of the first time I saw Brother Leopard's Mickey Mouse tattoo", "the upheaval and displacement experienced with Brother Leopard", and "the grief of losing Brother Leopard".

It is especially important that an actor has a real connection with the other actors in the play. For example, you have to really look at the other person, not just look in the other person's direction, you have to really listen and think about what the other person is saying, not just waiting to say your own lines.

There is a simple way to judge whether an actor is related well, that is, to observe his performance when he has no lines, especially to see if the actor who plays opposite him affects him when he speaks, a good actor must be a good listener.

The little fresh meat is especially bad at association, and they are often separated from the role because of excessive self-attention. So there is an inexplicable cuteness, staring, being cool and facial paralysis, especially the last reaction, the little fresh meat is almost about to fall collectively.

Of course, this is also a common problem of idol actors, when Liu Tianwang was still a little fresh meat, he also loved to make similar mistakes. Otherwise, Du Qifeng would not often ask him: "Do you have to put your hands in your pockets and pose before acting?" Do you have to comb your hair neatly to be handsome?"

In addition, there is also a standard for performance called the goal, speaking of which, we must talk about Song Zheng's own affairs, why he has been unwilling to praise his daughter-in-law, in fact, it is not that he does not praise it, but he can't hold it at all, Lin Xinru's path has never been on the right line.

Many people have watched "Huanzhu Gege", and Lin Xinru is indeed popular all over the country with Xia Ziwei in this play, but is she really good at acting?

There is a scene in the play, Mama Rong played by Teacher Li Mingqi pinpoints Xia Ziwei played by Lin Xinru in the secret room, and there is a scene in which Teacher Li Mingqi approaches Lin Xinru's face with a needle, the old lady's expression at that time is simply amazing, her grinning mouth is slightly distorted, her eyes are squinted and looking at Ziwei and the needle in her hand at the same time, and the fingers pinching the needle seem to be tight, with the meaning of play.

All of this is showing that she is trying to make Ziwei scared and thus give in to her. On the other hand, Lin Xinru, from her performance, is not very clear whether Ziwei wants to escape.

What Lin Xinru lacks here is the goal, every performance of an excellent actor can make the audience understand what the character wants to do. In the case of a plot that is not tight enough, a performance without a goal will be difficult to understand, let alone resonate.

A bad actor can never figure out what a goal is, thinking that the goal of a certain performance is to say lines, move positions, and make expressions, in fact, the goal of the performance is always in the plot, not outside the plot, and the effect to be presented will always appear naturally in the process of completing the correct goal.

It looks very profound, but as long as he works hard, any actor can do it, Wang Baoqiang is grassroots enough, he has never gone to school, he has never learned acting, although some people criticize him for his embarrassing acting skills, but at least he knows how to act.

And now those little fresh meats, it's really ~~~~~~~~ alas!

This is why Song Zheng encouraged Yang Zi and Zhang Yishan, after all, scarcity is precious, and the mainland film and television industry will still rely on these young people to support it in the future, and it is always good to have one more performance.