When Liu Bin heard Xu Weizhi say that Tian Huang without red rib lines turned out to be the best in Tian Huang, he couldn't help but be stunned, and his face showed a little regret, because it had always been his wish to collect a piece of high-grade Tian Huang. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Ning Fuchen heard that Emperor Qianlong stamped the palace maid's body, but he didn't think so, thinking that it was just a lace story performed by later generations, which was quite gossip.

Unexpectedly, Xu Weizhi said: "In the secrets of the Qing Palace, there are many legends about this seal.

You see the record in this book: In April of the sixth year of Qianlong, Shangshu E of the Ministry of War was good at drinking flower wine in Kyoto, and saw that a woman was talented and chose to sleep with her.

See the mark on the woman's leg: Enshi Yulu, full of flowers, still forced to have fun, and was ordered by Emperor Qianlong to commit suicide. ”

When Ning Fuchen heard this, he hurriedly took out the Tian Huanglong button seal and gave it to Xu Weizhi for careful consideration.

"Yes, yes, it's exactly this, you see, this is a five-clawed golden dragon, five-clawed only emperors can wear it, princes can wear four-clawed dragons, and folk dragon patterns are generally three-clawed. ”

"And this kind of exquisiteness?"

"Yes, in the feudal period, this kind of attention was very strict, if the people found that someone was wearing a five-clawed golden dragon ornament, then I don't know how many people's heads moved. ”

"Okay, let's not talk about this seal for now, if you make money, you are compensating Teacher Liu. ”

"Master Ning, don't take me lightly, just say that it is a little money, even if it is fate, it is not as good as my Lao Liu's credibility. Liu Bin was a little anxious when he heard it: "Besides, this seal is related to you, if I don't see that he is too new, I won't give it to you, I think it's just a Tianhuang at most, I haven't thought about it at all, it's still ancient, I tell you, it's a modern Tianhuang stone, it's worth this price." Besides, I see that you have the aura of the emperor in you, and you are suitable for collecting this imperial gold seal. ”

The three of them laughed in unison, and Ning Fuchen also put away the seal: "Old Xu, I heard that you have gained a lot from this trip." ”

"Mr. Toning, I received a few things, and I am satisfied. ”

Xu Lao called Mr. Ning and called Ning Fuchen to stand up from the stool: "If you always call me Mr. Ning, I can be anxious with you, you will be called Xiao Ning, Xiao Ning." ”

Xu Lao took out a scroll from the counter with a smile and said: "In the antique industry, the master is the teacher, you have surpassed us a lot, and I still have this bit of self-knowledge." ”

Before this scroll was opened, Ning Fuchen had already felt a faint aura, judging from previous experience, it was as big as four or five hundred years, but this aura was mixed with some relatively new fresh breath, about a hundred years of breath.

I'm afraid this painting is weird.

Xu Weizhi cautiously opened the scroll, only to see a woman in the painting, lying on a banana leaf, looking at ease, next to the inscription is "Tang Yin", and the word "Bohu" is clearly visible on the seal.

Xu Weizhi said happily: "Tang Yin was a famous literati painter in the middle of the Ming Dynasty, with outstanding achievements in landscape, figure, flower and bird painting, and was known as the four masters of the Ming Dynasty along with Shen Zhou, Wen Zhengming, and Qiu Ying.

His portraits of ladies are gentle and moving, soft and delicate, which not only conforms to the aesthetic requirements of the times, but also has the aesthetic taste of literati paintings in the Ming Dynasty.

The faint melancholy of the women in his pen conveys his sigh for his rough life.

You see, this is his true handiwork, no doubt whether it is from the paper, ink, or cinnabar, style print, there is no doubt. ”

Ning Fuchen approached the scroll, and his divine sense sensed that the upper and lower scrolls of this work and the silk paper framed around it were indeed the aura of four hundred years ago, but the painting in the middle, the aura emanating from the paper was not strong enough, and it was mixed with these rich aura, and the aura was obvious.

Ning Fuchen was a little embarrassed for a while, if he told the truth, he would have hit Xu Weizhi too hard, and if he didn't talk about it, he would not be in line with his character. He pondered for a while and said: "As far as I know, Tang Yin's contribution to painting is mainly to break the view of the portal, and from the brushwork, momentum, brushwork and color, the different sources of the north and south schools are promoted and avoided, and they are fused together.

He absorbed the advantages of Yuan painting, and finally formed a unique style with rigorous structure, strange bones, elegant brushwork, dripping ink and ethereal artistic conception.

His paintings, which have both the profound skills of Song painting and the bookish spirit of literati painting, have made great contributions to the rise of the Wumen school of painting and to the promotion of the tradition of literary painting.

In addition, the organic combination of his poetry, calligraphy and painting.

Tang Yin is not only a famous painter, but also has a deep knowledge of poetry and calligraphy, and has also made new contributions to the organic combination of poetry, calligraphy and painting.

The consistency and harmony of his style of calligraphy and painting, and the interest of calligraphy and the taste of painting are very similar, because both emphasize the reproduction of personality and true feelings.

I have seen photos of his works in the book, his characters are not so weak, and the lines in the paintings are not smooth, although they are very similar to the Wu School painting style, but they reveal the style of the late Qing literati copying ancient paintings, and there are many pauses with the brush.

However, this wood-handled scroll and framed silk paper are indeed from the Ming Dynasty, and the painting in the middle is only afraid of being dropped. “

When Xu Weiyi heard this, he was immediately anxious, and hurriedly found a magnifying glass to take a closer look, and sure enough, at the interface of the mounting, traces of modern mounting technology were found, and then looking at the lines in the painting, there was indeed a flaw that Ning Fuchen said.

Liu Bin also looked at Ning Fuchen in surprise, not to sigh at his level, but to be surprised that he dared to speak directly.

You must know that standing in front of them is Xu Weizhi, who is known as the first person in calligraphy and painting!

"Mr. Ning is really sharp-eyed, he has suffered a big loss this time, even if he buys a lesson. “

"Haha, as the saying goes, if you eat a trench and grow wise, it is a blessing to suffer a loss. Ning Fuchen comforted.

"It's just that this loss is a bit big. Xu Weizhi hung his head and said.

"What else have you gained?" Ning Fuchen wanted to change the topic and said busily.

"Don't mention anything else, they are all calligraphy and paintings of the late Qing Dynasty, but there is one painting that is more peculiar. With that, he took out another scroll.

Ning Fuchen saw that this was a remnant painting, with a gap in the middle, as if it had been torn.

The upper half of the painting looks like something of decades, but the lower half exudes a strong aura, but the whole painting is in the same vein.

Ning Fuchen is strange, it is obviously a thing of two eras, how can it be so coincidental?

"This is a Song painting, Xu Lao has picked up a big leak now. “

"I think it's also a Song painting, but it's inconsistent up and down, although it looks like it's the same person's handwriting, it's a whole, but the depth of the paper and the pen and ink are not the same period at first glance. “

"You see that, too?"

"Of course, it wouldn't be so cheap. “

"I don't think so, this painting of the Song Dynasty must have been divided into two halves, maybe during the Republic of China, it was continued by a master painter to the other half, so that the fame of the two people is superimposed, but I am afraid that the value will be higher. (To be continued.) )