Li Zheng signed the contract with the crew of "Tui Nu" very quickly, one is Lang Youqing, the other is the concubine intention, plus after Li Zheng communicated with Park Chengde and the company, the requirements for the salary are not too much, far lower than the psychological bottom line set by the crew of "Tui Nu" at the end, so the contract was negotiated very smoothly, and the steps were completed in only one day.

But after Li Zheng signed a contract with the crew, he did not immediately enter the crew for two reasons.

First, Li Zheng's appearance in "Tui Nu" is an emergency, before that, Li Zheng has other pre-arranged advertising shooting and promotion activities that need to be completed, even if some work can be slightly delayed after consultation and coordination with advertisers, but some work needs to be completed in the near future, therefore, it will take at least a week to deal with it properly, and even after entering the crew, Li Zheng also needs to find time to complete other postponed work schedules.

Second, the crew also needs time to respond to the media and the audience. After all, Jang Hyuk was injured in an accident because of filming, if Jang Hyuk had just been hospitalized, and the crew would announce a new actor on his side, it would be too indifferent and too utilitarian, and it would easily attract controversy and dissatisfaction in South Korea, a country with a superficial moral purity.

Therefore, even if the two parties have signed the contract in advance, it will also take time to make overall arrangements and move forward step by step.

The day after the contract was signed, Lee Jung went to Jeju Island to shoot commercials and photographs.

Sitting on the plane, waiting for the plane to take off, Li Zheng flipped through the script of "Tui Nu", and recalled in his mind what the acting teacher taught him when he was studying acting in an American acting class.

"In a play, if you want to have a deep understanding of a character and resonate with the character, you must have a sufficient construction of the character's background. Because a person's educational philosophy, growth environment and life experience determine what kind of three-dimensional personality the person will have.

To take the simplest example, a person who was born in a wealthy family and grew up with fine clothes and food, then he will rarely think about money. From this point of analysis, according to common sense, at least within his character, there should be very little stinginess and pettiness. But if a person's life has been poor and hard since childhood, then this person will definitely not be as lavish and indifferent in terms of money as a rich son.

Of course, what we are talking about is based on common sense, and in fact it is not absolute. Because the formation of a person's character, in addition to the growth environment, is also related to the educational philosophy and life experience he received since childhood.

But in the script, most of the time the writer will only give you a rough setting, and the specific psychological journey of the character needs to be constructed and filled in by the actors.

For example, in Balzac's classic novel "Eugenie Grandet", in this book, Eugenie Grandet's father, Grandet Sr., is one of the richest and most prestigious businessmen in the French city of Somo, but he is extremely stingy, and in his eyes, his daughter and wife are not as good as his coins.

Greed and miserliness are his main character traits.

However, when we analyze a character, we must not only see the two characteristics of greed and stinginess, but must comprehensively analyze all aspects and then find out why this person has such a character? What kind of environment and philosophy led him to form such a character? And what is hidden behind his greedy and miserly character?

If these problems are not clarified, it is impossible for the actor to form a three-dimensional image of the character in his mind.

Simply grasping the two manifestations of greed and stinginess, without knowing the reason for the character's character, the actor will be superficial when acting, and will not be able to truly resonate with the character.

When building a character, the more the actor's energy is focused on the environment surrounding the character, and the more complete the understanding of the character, the more relaxed the actor will be when performing. And the better the actor and the clearer the understanding of the character, the more specific the situation will be.

To use an analogy, a play is like building a building.

The writer is the architect who is responsible for designing the exterior of the building, the emotions of the characters are the bricks of the drama and the necessary materials for the construction of the building, and the actors are the builders, and the building can only be built magnificently if the bricks are placed in the right place.

However, although emotions have commonalities, they also have their characteristics when it comes to each character. The same emotion or action will vary depending on the character's personality, and changes in tone, lines, expressions, and every aspect will produce a wonderful chemical reaction. When performing, the more complete and specific the actor's background structure of the character's character design, the more comprehensive the understanding of the role, the more comprehensive the character, the more in-depth the integration into the role......"

Thinking back to the past teachings of his acting teacher, Li Zhengzheng was sorting out his understanding of the characters in the script, and a tactful and mellow voice suddenly interrupted his train of thought.

"Hello, please excuse me, my seat number is by the window. ”

"Ah, I'm sorry, I'll get up. ”

Li Zheng came back to his senses when he heard this, hurriedly closed the script, apologized, and then stood up and let the other party in.

After Li Zheng stood up, the other party looked at Li Zheng's face wearing sunglasses and was suddenly stunned, and then seemed to notice the surrounding environment, didn't say anything, turned sideways and walked to the window and sat down slowly.

The other party also wore sunglasses like Li Zheng, with long hair fluttering, a slender figure, and a height of about 1.68 meters, Li Zheng glanced at it casually, without thinking much about it, and after the other party went in, Li Zheng sat down and opened the script again, and his mind was refocused on the script.

After a while, it was time for the plane to take off, and under the flight attendant's radio reminder, Li Zheng closed the script and waited for the plane to enter the high altitude.

After entering the stratosphere, the plane gradually stabilized, Li Zheng opened the script and was about to continue pondering, but the voice next to him suddenly sounded again.

"Just finished a series, and now there's a new script?"

"...... only"

As soon as the words came out, Li Zheng suddenly reacted, he turned his head to look at the side, with doubts in his eyes: "You know me?"

After finishing speaking, he suddenly felt that this sentence was a bit redundant, he was wearing a mask and sunglasses before getting on the plane to avoid being recognized, but after getting on the plane, he took off the mask and only wore sunglasses as a disguise.

However, when he turned his head to look at the other party seriously, although the other party was also wearing sunglasses, covering most of his face, but looking at the other party, Li Zheng had a familiar feeling, as if he had seen it somewhere.

"Why, you won't recognize me after more than a year of not seeing me. As he spoke, the other party took off his sunglasses and smiled at Li Zhengyingying.