After coming out of the jade pagoda, you can go directly to the "porcelain pagoda".

The porcelain tower is the most abundant place in the entire "Chonghua Mountain Museum".

It is also one of the most national treasures.

It's just a comparison between the same type.

Because there is also a large hall dedicated to the collection of legendary national treasures.

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Among the porcelain towers, there are the "Tang Sancai" of the Tang Dynasty, the five famous kilns of the Song Dynasty, and the extremely rare firewood kilns and so on.

Of course, there is also a kind of porcelain that cannot be forgotten, the famous - blue and white porcelain.

The blue and white porcelain enamel is as transparent as water, the fetal body is thin and lightweight, and the white porcelain body is coated with blue ornamentation, which is elegant and fresh, full of vitality.

Blue and white porcelain became popular as soon as it appeared, and became the crown of traditional porcelain in Jingdezhen. Together with blue and white porcelain, there are also blue and white exquisite porcelain, pastel porcelain and color glazed porcelain.

In addition, there are sculpture porcelain, thin porcelain, colorful porcelain, etc., all of which are very exquisite, each with its own characteristics.

Zhou Rui has most of these in his hands.

But it's not all you have.

On the first floor of the porcelain tower, porcelain from the late Qing Dynasty and the Republic of China is placed.

It can be said that among the porcelain towers, the value is the lowest.

The value classification of porcelain is the most obvious.

The value is high, hundreds of millions.

Such as Yuan blue and white.

A few years ago, a piece of Guiguzi Xiashan Yuan blue and white was auctioned for 14 million pounds, and after adding commissions, it was 15.688 million pounds, equivalent to about 230 million yuan, setting the highest auction record for artworks in the world at that time.

And some porcelain, to be honest, is only a few hundred yuan.

During the Republic of China, there were many high-quality imitations.

Of course, the art is even less valuable nowadays.

From the perspective of the art market, the most valuable is the porcelain of the Yuan, Ming and Qing dynasties.

Especially Yuan Qinghua.

This is followed by Song dynasty porcelain.

It does not refer to the five famous kilns.

If the five famous kilns are official kilns, the value will be great.

Especially the "firewood kiln" of the Song Dynasty.

It's not something money can buy at all.

The porcelain of the Song Dynasty is very exquisite, but compared with the number of blue and white flowers of the Yuan Dynasty, it is still more, especially the porcelain of the folk kiln.

The Song Dynasty was followed by porcelain from the Tang Dynasty.

The most famous porcelain of this period is Tang Sancai.

Tang Sancai began to be seen in the Tang Gaozong period, the Kaiyuan period was extremely popular, the utensils were diverse, the colors were gorgeous, and the number gradually decreased after Tianbao.

Tang Sancai was used as a burial object during the Tang Dynasty for burial.

Later, with the increase of people's attention to Tang Sancai, as well as the development of Tang Sancai's restoration technology, people are keen on the display of the study, which is a good gift for relatives and friends.

Tang Sancai was not only popular in the Tang Dynasty, but also sold well overseas. Tang Sancai is also found in more than 10 countries such as India, Dongying, North Korea, Iran, Iraq, Egypt, and Italy.

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This is followed by porcelain from some other dynasties.

There is a big killer of "real-life red envelopes".

As long as you often go to some "antique shops" or auction houses, you can still worry about not being able to make it impossible without cultural relics.

For the porcelain tower, Zhou Rui can be said to be a very attentive one.

Because porcelain is fragile, be sure to be careful and careful.

Porcelain is not like bronze.

Bronzes are bronze, and even if they fall to the ground, there is no big deal.

But not porcelain.

Moreover, porcelain is prone to theft.

Especially some small porcelain.

Put it in your arms, and no one can see it.

Even today's detection extremes are hard to identify.

Therefore, for the monitoring and defense of the porcelain tower, it ranks second in the entire "Chonghua Mountain Museum".

Monitoring facilities, no dead spots to make up all the space.

And in the event of an accident.

The booth inside the tempered glass will automatically hide the "cultural relics".

Don't think that these stands are ordinary.

Made entirely of alloy.

Can be protected against small bombs.

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At the top of the porcelain tower, there are eighteen "coiling dragon pillars".

These eighteen dragon pillars are similar to the twelve zodiac signs in the bronze hall.

It is a place where national treasures are displayed.

At the top of the eighteen dragon pillars, there is a small booth.

There's a lot going on in these booths.

There's a lot of space in it.

At night, the mechanism will be turned on, and then these cultural relics and porcelain will be put into the belly.

Protect it.

In Zhou Rui's hands, there are five famous kilns, including Yuan Qinghua, and even firewood kilns.

When the time comes, Zhou Rui will put them on top of the Coiling Dragon Pillar.

Because they represent a culture, they represent a heritage.

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Pass the Petronas Twin Towers and go all the way up.

Will encounter a palace again.

It is called "Guihai Temple".

This is where foreign artifacts are housed.

The culture of China is brilliant.

But other people's cultures should not be underestimated.

There are also a lot of precious things.

For example, Van Gogh's words, the queen's treasure, the knight's weapons, and so on.

In Zhou Rui's hands, there happened to be a national treasure among national treasures, a holy weapon among holy weapons.

King Arthur's - Sword in Stone.

For the Chinese, this may not be much.

But for Europeans, it's not easy.

King Arthur, a very famous king in the history of Western Europe.

It is very suitable to use this sword in the stone as the treasure of the town store of the "Guihai Palace".

Moreover, in order to set off this "sword in the stone".

Zhou Rui also asked someone to design a special booth.

A booth that is very much in line with European and American style.

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As for why it is called "Guihai Temple".

It is taken from the meaning of "returnee".

The construction of this Guihai Hall is also very large.

Mainly more rooms.

Among them, there is a region in Europe, a region in Egypt, a region in India, a region in the Americas, and a region in Asian countries.

Among them, these rooms are also subdivided.

Take the Asian region, for example.

A place in Dongyeong, a place in Goryeo.

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After walking out of the Guihai Temple, continue to walk backwards.

You will come to the holy place of Chonghua Mountain Museum.

That is, the last hall - the "Temple".

Why is it called a "temple".

Because in the eyes of the surroundings, only the "artifact" can live in it.

Accept the admiration of all people and the worship of all living beings.

Accept the attention of your children and grandchildren.

Let future generations be amazed.

The purple qi donglai bead in Zhou Rui's hand belongs to this kind of artifact.

Secondly, there is the "Five Spirits Bagua Mirror".

This is an amazing "ancient glass" mirror.

Anything that can enter the temple is a masterpiece made with this kind of "lost" craftsmanship and the painstaking efforts of a craftsman throughout his life.

Naming them with "gods", Zhou Rui felt that they deserved it.

Moreover, each of the booths in the temple occupies a room of its own.

Each booth is different.

For example, the "Five Spirits Bagua Mirror".

His booth was a pair of hands, just enough to drag the Five Spirit Bagua Mirror.

It's a sacred feeling.

It's like a mermaid holding water in her hand.

It's just that now the thing in my hand has changed from water to a mirror.

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The decoration of the temple is very atmospheric and very sacred. 20122