After filming an intimate kiss scene, Kiyoshi Sakamoto and Yui Aragaki often stayed together as if they had turned on a switch.

Whether it was waiting for the play or resting, the two basically sat on the side and talked happily.

The strange thing is that everyone in the crew is not surprised by this, and they don't feel that the two have any ambiguous relationship at all, or say "fake drama is really done" or something like that.

In fact, the film "Love in the Sky", in the first half of the film, basically revolves around the relationship between the male and female protagonists, and they are all rival scenes between Kiyoshi Sakamoto and Yui Aragaki.

Therefore, the two who are originally good friends, on the one hand, in order to cultivate the tacit understanding of the couples in the play, and on the other hand, because both of them are the most familiar people in each other's crew, so for most of the day, the two usually stay together, even waiting for the play and resting.

This is a bit "blatant" situation, but the crew is indifferent.

Because, they all think that they are good friends, they are already acquainted, and they are the heroes and heroines who play a lot of roles, so it's not surprising to stay together.

Moreover, the Japanese are introverted and not very curious about the things around them, which also plays a part, and they don't pay much attention to whether the relationship between the two is boyfriend and girlfriend.

After all, they just came to take pictures...

Therefore, in the crew, whether it is a scholar or an actor, they often see Kiyoshi Sakamoto and Yui Aragaki staying together, eating together, chatting together, and laughing together, but they will ignore the intimate behavior of the two of them who are a little "abusing dogs".

However, there was one person in the crew, watching this scene, he gritted his teeth and his eyes were on fire, and he couldn't hold back the anger in his heart.

That person is the second male lead in "Love in the Sky", Keisuke Koide.

As mentioned earlier, Keisuke Koide fell in love at first sight with Yui Aragaki who met for the first time at the crew meeting.

This buddy feels both jealous and envious of the scene where Kiyoshi Sakamoto and Yui Aragaki are tired of being together all day.

He wanted to kick Sakamoto Kiyoshi away and become the one sitting next to Yui Aragaki himself...

However, there is no way.

For Aragaki Yui, he's just a stranger who hasn't known him for a long time...

However, Kiyoshi Sakamoto is different.

Let's not say that Sakamoto Kiyoshi is the person Aragaki Yui likes, no one knows this, only Aragaki Yui himself knows, oh, maybe Sakamoto Kiyoshi also vaguely feels it.

It's just that the two have known each other for three years, and their relationship foundation is very good, and they are also famous relatives and friends in the circle.

This is already a distance that Keisuke Koide can't overcome.。。。

Therefore, even if he was extremely unhappy in his heart, Keisuke Koide couldn't go up directly, and asked the two to stop "abusing dogs" like this in the crew.

can only quietly watch the two flirt there from behind, and the jealousy in my heart is like a weed blown by the spring breeze, growing wildly...

Don't underestimate men's jealousy, sometimes, it will turn a person who is not bad in nature into a crazy person.

。。。。。。

After three weeks, the first half of the film of "Love in the Sky" was filmed.

In the first half, more scenes were filmed in the "Beijun High School" in the play.

Especially in the library inside the school, this place that carries the beginning and end of "Hiroki" and "Mika" has a lot of scenes.

However, with the cooperation of Yui Aragaki who gradually immersed herself in the role, and Kiyoshi Sakamoto, who performed steadily as always, the time it took to shoot the first half of the film was still a little faster than expected.

This kind of efficiency also made the Toho producers on the set slowly smile more...

After entering the filming of the second half of the movie, Keisuke Koide's role will appear, and it will gradually increase.

And Kiyoshi Sakamoto's role is gradually decreasing.

However, in this regard, Sakamoto Kiyoshi is also happy.

After all, I first filmed the high-intensity action film "Hot Blood High School" for more than a month, and then came to Oita from Osaka non-stop, and before my body had time to rest, I had to devote myself to the filming of "Love in the Sky".

The fatigue of the body is okay, after all, Kiyoshi Sakamoto is still young and strong.

And after last year's holiday, the body has also recovered.

However, the main reason was that he was tired, so he wanted to end the filming of the film early and go home to rest.

The continuous shooting, constantly playing other people's lives, made him feel unenergetic somewhat, so in the second half of the movie, his role began to decrease, and he still felt quite happy.

In his opinion, since this "Love in the Sky" is a story told from the perspective of the heroine, and it is starring Yui Aragaki, he doesn't need to be too brilliant in acting, so as not to steal Yui Aragaki's lens.

In that case, as long as he finishes his performance in a decent manner, it's fine.

In this way, he can not concentrate too much, but also take the opportunity to be lazy.

This is also the reason why Sakamoto Kiyoshi's performance in the next step is much more mediocre than his superb performance at the beginning...

Because, he is deliberately lazy.

。。。

After entering the third week of filming, the entire crew of "Love in the Sky" has entered a state of high-speed operation.

The speed of shooting began to get faster and faster.

The busiest part of the crew is not the actors, but the doctors who set up the scenes.

At this time, it was only the end of May, but the film was showing the changing of the seasons.

In particular, there are a large number of scenes that need to be shot in the snow in winter, and they are very important, and they are absolutely indispensable parts of the film, so the doctors are busy with this because their feet do not touch the ground.

Although Oita is a city with four seasons, it is not possible to go against the laws of nature and have a heavy snowfall in May.

Therefore, this requires artificial snowmaking.

In order to shoot the snow scene in winter, the crew specially purchased two snow guns for artificial snowmaking.

Under the guidance of the set decorator, artificial snow was used instead of real snow to decorate the scene.

And during breaks, the actors will also help out.

However, when he was helping, because of the familiar person Sakamoto Kiyoshi in the crew, the giant Lori Aragaki Yui, who felt very relieved, took this opportunity to expose her belly.

When she was helping to set up the snow scene, she deliberately picked up some artificial snow, rolled it into a snowball, and threw it at the back of Kiyoshi Sakamoto, who was helping.

With a "snap", Kiyoshi Sakamoto, who was suddenly attacked, looked at Yui Aragaki with a "provocative" face, and also unceremoniously hugged the snow ball from the ground and began to rub a big snowball.

Looking at Kiyoshi Sakamoto's trick of not playing cards according to the routine, Yui Aragaki who was still looking forward to having a "couple chasing snowball fight" with him, rolled his eyes and looked at Kiyoshi Sakamoto speechlessly.

At this time, Aragaki Yui thought so in her heart.

"I hit you with such a small snowball, just to have a snowball fight with you, but, you wood, you actually rub such a big snowball?!! do you want to stun me?!

However, Kiyoshi Sakamoto, the "Yaga" who doesn't know the girl's heart, regains the feeling of having a snowball fight with Kobashi in Hokkaido at this time.

So, suddenly, the old man chatted with Sakamoto Kiyoshi, who was crazy about his youth, picked up the big snowball that could smash people, and looked at Yui Aragaki with a look of eagerness.

There was a look in his eyes that said, "You're dead!"

And Aragaki Yui looked at him, and really walked towards her with such a big snowball, and she began to retreat backwards, and asked in a somewhat panicked tone, "What do you want to do?!"

However, Kiyoshi Sakamoto, who deliberately wanted to scare Yui Aragaki, how could he let her go so easily...

"You smashed me, let me smash it back, so it's fair... ”

Hearing Kiyoshi Sakamoto's extremely realistic acting skills, the giant Lori who was a little cowardly in her heart turned her head and ran.

Watching the girl run up Yui Aragaki, Kiyoshi Sakamoto, who was snickering in his heart, also held a big snowball and began to chase the Okinawan giantess who provoked the incident...

The two were chasing, and they were still talking.

"Yada (hate)!

"Hahaha... Who told you to smash me first... ”

"I know it's wrong, let me go!"

"Well, no!"

Looking at the hero and heroine who seem to be two children chasing in the snow, it also aroused the interest of the actors and scholars, and everyone began to pick up the artificial snow spread on the ground and began to catch the "fight"...

Even Natsuki Imai and screenwriter Mutsuki Watanabe and others joined the battle.

And Keisuke Koide, who didn't want to join the battle too much, was also attacked by an unknown snowball, so he temporarily let go of the jealousy in his heart and began to have a snowball fight with the surrounding scholars.

The snowball fight, which took about 20 minutes in May, was over.

This snowball fight with artificial snow made the whole crew feel the novelty of playing with snow when it was close to summer.

However, such a fuss has ruined a lot of the snow scene that has been arranged, and if you want to rearrange the scene, you have to get it for a day or two...

However, in this regard, the scholars, as well as the superintendent Natsuki Imai and others, all said that it was harmless.

Anyway, the progress is already quite fast, and there is no hurry, and the members of the crew, because of this snowball fight, are also much more relaxed, and this effect is more conducive to the next shooting.

In addition, Aragaki Yui, the troublemaker, and Sakamoto Kiyoshi, the collaborator, are constantly bowing and apologizing, which also flatters the scholars. . .