Today I read a book review that talked about the logic of the novel. Suddenly I felt a little emotional.

……

I haven't changed it for two days.,Caught in a dilemma in the plot and mood.。

This book, when it was opened, was a little hasty, and it was inspired by a friend, and I wrote it without the idea mature.

While writing, I conceived the plot and perfected the outline.

My friend's name is Thin Mud, and he is the one who wrote "Supreme Red Envelope".

When he wrote more than 200,000 words, he suddenly discovered a natural drawback of red envelope flow, which is estimated to be difficult to write long if this drawback is not properly solved.

This drawback is actually a logical loophole.

Why do you say it, there must be readers who will disdain it, a small white text, something like fast food, also needs logic?

The reader is not wrong to say this, but the author cannot say so.

Writing a book, no matter how innocent or nonsensical it is, it requires a logic throughout.

Even if this logic is very superficial, very naïve, and very unreasonable, the most important point is that this logic must be throughout.

If not, the book can easily crumble.

My red envelope is just a logical mess.

At the beginning, it was an ordinary college student who got a mobile phone with a heavenly court chat group, from which he could grab a red envelope and then change his life's fate.

The logic at this time is very simple, it is a story of a sling counterattack with a gold finger.

The two most important factors here, one is the sling wire and the other is the gold finger.

So before the plot of the opposite village came out, this logic has always been unified.

And after this plot is pointed out, the logic is confused.

Because, at this time, the protagonist is not so much like a sling, or in this episode, there is no description of the image of the sling.

Readers can't quite understand why he is obviously funny than Wang Baoqiang, why he suddenly became handsome Li Yifeng.

Actually, when I was writing, I also felt a little wrong.

However, I always feel that I should be able to hold it, and I should not be able to collapse.

It turns out that I didn't hold it, it did collapse, although it didn't completely collapse, but the logic was confused.

This is also the reason why many readers feel inexplicable.

This also led to a dilemma for my subsequent creations, which logic should I follow?

Continue to tease the comparison, then this section of the opposite village will become a complete failure.

If the logic of the plot of the opposite village is continued, then it is better for this book to be classified as early as possible on the supernatural channel.

The tangle of these two days comes from this.

There may be readers who don't understand, what is illogical, you want to be a eunuch, just say it, what are you doing with so much nonsense.

What I want to say is that if I want a eunuch, I just don't write it, why do I have to type so many words.

It's just that I am very unwilling, I want to finish this book, I want to improve myself, and I want to find a breakthrough direction.

To put it mildly, there is no pressure on me to write a TJ book, especially a book with bad grades. If you can't make money, it just consumes energy and time to write down.

I don't want to give up yet, though.

I can finish it even if I have to bite the bullet, but finishing it for the sake of finishing it is not a pleasant thing after all.

……

Let me give you two examples, I've been reading two books recently.

One is "God-level Lucky Star" by Chen Ji Tang Hongdou God, and the other is "Korean Entertainment: Light and Shadow Interlacing" by Ji Chaju.

The logic of these two books is very interesting, in real life, it is impossible to exist, but in the book, it is so appropriate, so natural.

"God-level Lucky Star", the protagonist is a comic, so his logic is also frivolous, and sometimes even violates common sense in real life. However, there is no sense of hindrance in reading, and there is no discomfort in reading, but I feel that this is how it should be.

Why is that? That's the consistent logic in the book. This logic comes from the lucky dice at the beginning.

A dice can determine a person's luck and bad luck, in fact, it is a gambler's logic in real life.

The world of gamblers is obviously different from ordinary people, it is sometimes rational, sometimes emotional, sometimes calm, sometimes crazy, but also can cry and laugh...... It can be said that it contains all the emotions in the world, and it can also create all conflicts.

With this as a logic, everything that does not conform to the logic of reality in "God-level Lucky Star" is reduced from the expectation of rationality and becomes acceptable.

Therefore, when watching "God-level Lucky Star", it is like watching Zhou Xingchi's comedy, 99% of the conflicts seem excessive, but it is also wonderful, the plot is always on the edge of realistic logic, but it has never collapsed, so it is very exciting.

For example, if the great god of Chenji suddenly one day, the protagonist becomes serious and becomes the righteous and awe-inspiring Guo Jing, or the bitter and hateful Yang Guo, do you still think it is appropriate?

One or two chapters, maybe you will read it as an accident, too much, you will definitely feel uncomfortable. Because the logic from the beginning to the end has been replaced, replaced, and outlawed.

If you order a large plate of chicken, halfway through it, and find out that it is actually made of fish, you will definitely cry out.

Fortunately, the great god of Chenji has not collapsed yet, but his last "Rebirth God-level Loser" collapsed in the later stage, which is a bit nondescript.

Let's talk about Ji Cha's "Korean Entertainment: Light and Shadow".

This book is amazing, not fake.

I know that there are many readers who immediately look disdainful when they hear that it is Korean entertainment, and some people will even scold a traitor or two.

For this kind of reader, I can only say how far I roll, and I am afraid of being lowered by my IQ when I stand with you.

It's no different from those idiots who smash other people's cars at every turn and then shout for a boycott of Japanese goods.

This is indeed a very strange phenomenon, writing about beauty and entertainment, basically no one scolds it.

Writing about Japanese entertainment, although some people scolded, but the number is not much, because there are few people who write it.

As soon as I write about Korean entertainment, if the book review area is not controlled, it is estimated that I will be drowned by scolding posts.

In fact, this is also very understandable, people always worship the strong. Europe, the United States and RB have all wreaked havoc in China, taming a group of fools and their descendants. So some people kneel and lick up, and there is no psychological pressure. South Korea has not been a great power since ancient times, and it has never posed any threat to China. Even in China's weakest modern history, the peninsula was flawlessly weak. However, it is this peninsula country that has caused the Korean Wave to sweep most of Asia. Whether you admit it or not, Hallyu does have a lot of influence in China.

If there is influence, there must be people who make a living from it, and there must be people whose interests have been violated by this influence.

If there is influence, there must be likes and hates.

People who like it, there is nothing to be proud of. But there is no reason for the same annoying people to be justified.

If you have to think that if you hate Korean entertainment, you are patriotic, and writing about Korean entertainment is betraying the country, then your IQ will say goodbye to bicycles.

……

Well, that's a mistake. Let's move on to the logic in this book.

Ji Cha's last Korean entertainment is called "Raging Korean Entertainment", which is a model work of bulldozer flow.

This "Korean Entertainment: Light and Shadow Interlacing" is actually in the same vein as "Raging Korean Entertainment".

Although one is the second generation and the other is the underworld, the logic inside is followed.

Friends who have read these two books may wonder at a certain moment why the female characters in the books are obedient to the protagonist, and when they read it, they still take it for granted.

I've also read novels for many years, and basically all genres are involved.

I found that almost all harem and stallion Wen have an extremely serious logical confusion or even logical collapse.

Because these authors have an inexplicable obsession, that is, trying to rationalize the harem and stallions.

This is a stupid approach, because the two situations of harem stallions are inherently unreasonable, and you can't reverse the social conventions of morality, and it is reasonable for the reader to accept harem stallions.

This kind of mistake is that the author equates the logic of the novel with the logic of reality, and the author tries to give the "harem stallion" a feasible logic through the novel to rationalize it.

I've seen that there are protagonists who join the Arab nationality, so that they can marry four wives;

I've seen that there are protagonists who marry a female protagonist first, divorce and marry another two years later, and so on, until they have a husband and wife relationship with all the harems;

I've also seen that the protagonist directly returns to the mountains and forests with all the beauties, or sails overseas......

There is even the creation of a state, the amendment of the constitution......

These harem texts are all attempts to solve logical loopholes in real life.

Actually, it's not necessary at all.

Look at "Raging Korean Entertainment", the protagonist is a rich second generation and is also very powerful, this is nothing special, a lot of harem texts. The protagonists will all reach a certain height.

What is rare is that Ji Chaju has never thought of using the logic of real life to solve the logical loopholes of the harem stallions.

The logic adopted by Ji Chaju is that "there is only one man in the world".

What does this mean?

After reading his book, you will find a very interesting phenomenon.

That is, except for the male protagonist, he almost never carves another image of a man.

In the raging, there is only one male protagonist, and there is no male or third, only male support, and the male supporting role is still equivalent to the level of scum.

In this way, all eyes are on the male protagonist throughout the book.

All heroines inevitably have to relate to the protagonist, even a relationship.

In "Korean Entertainment: Light and Shadow", in addition to the protagonist, there are many male characters, but none of them have interacted with the female characters in the book.

What men's groups are rarely mentioned, it seems that in the whole world, except for Tang Jinyan, there are only girl groups left.

This kind of logic, put in real life, is certainly unreasonable. Even in the book, there is a feeling of weightlessness.

But Ji Chaju did not waver, but adhered to this logic.

Therefore, when the reader accepts this setting, there will be no objection to the male protagonist accepting women.

Because subconsciously, everyone has formed an illusion that "there is only one man in the world".

Since there is only one man, who does the girls belong to if they don't belong to the male protagonist?

even thinks that the girls don't return to Tang Jinyan, which is the biggest unreasonableness.

Why, because such a man is portrayed in the book.

Even Yunlin is a woman dressed as a man, and she has been playing a pseudo-mother by his side for more than ten years.

……

Before I knew it, I said more than 3,000 words.

If it's the main text, it's enough for a chapter.

About this book, I think I'll keep writing.

In the past two days, I've been thinking about deleting all the plots below the opposite village and rewriting them.

However, if it's too much trouble, you may be wrong.

One final word.

I welcome you to see it.

If I don't like it, I don't want to force it anymore, there's no point.

So, why bother scolding in the book review area, don't think about it, the scolding posts will definitely be deleted.

I wish you all a happy National Day!