Chapter 763

The audience, who suffered from the visual fatigue of "The City Full of Golden Armor" the day before, now finally has the opportunity to sit quietly and watch a complete story.

Yanjing people all know that Lao Pao'er is not a good word, to put it bluntly, it is "old rascal", "ruffian", and "gangster". There are a lot of people in the old Yanjing Hutong, and they just wander around the neighborhood every day, and most people can't see through what they rely on for a living.

Compared with other ordinary people who keep to themselves, most of the old guns belong to the poor class, but I don't know why these people seem to be living so vigorously.

I don't seem to care about everything, but I have a spirit of 120,000 points in the right thing, don't bully people, but I can't bully me, you move me, I fight with you, sometimes use force to solve problems, but absolutely abide by the rules of "disaster is not good for family", "no matter how big the matter, you can't go into other people's homes to arrest people" and so on, cynical on the surface, out of character in the rules.

At the beginning of the movie, Lao Pao'er showed his unique side, many people have encountered this kind of thing in daily life, but whenever they encounter this kind of thing, most people will choose to protect themselves, after all, it is none of their business, but Lao Pao'er has to be nosy.

First shouted to the thief, asked the thief to pick up the ID card and send it back to the owner, after the thief threatened, Lao Pao'er was not only afraid, but also calmly deterred the thief, and finally let the thief go.

What did Lao Pao'er do?

Why?

Does this scene have any other meaning?

This scene is actually very important, echoing the important plot, as an ordinary person nowadays, in the face of this kind of thing, 99% of people will turn a blind eye, lest they avoid it.

The general mental journey is: What does it have to do with me being stolen, I just need to be careful, thieves are a bunch of people, don't be nosy, let people know to retaliate against me, steal well, these grandsons owe money if they have money, why am I so happy that he was stolen.

Someone who stands up is courage, but who has the courage?

In the face of the darkness at the bottom of society, what happened at the door of their own home, most people don't have the courage to squeak, let alone stop it!

The moral models must not be able to bear it at this time, and they will have a seemingly very reasonable question: why only ask for ID cards, and why not catch the thief, why not ask for the money back?

And then there is the conclusion of the models: the old cannon is a bastard, and he is a person who is a person with this gang of thieves, and he sympathizes with the thieves!

Song Zheng is obviously reluctant to have a regular meeting about this kind of doubt, because the movie reflects the "most likely thing" in the real world, not those made-up righteous and courageous and kung fu films.

This is the maximum "justice" that an ordinary person can do in the face of this kind of crime in the real world.

The next thing is for the cyclist to ask for directions, and the words are disrespectful, and the old cannon hurts him, and then helps him.

This plot directly reflects the lack of rules for interacting with strangers, which is "rude" to put it bluntly, and this plot echoes the plot at the end of the film.

The treatment between father and son is completely different, Lao Pao'er reprimands and derogatories, but in the end he still speaks to help, and Lao Pao'er's son is calm.

It seems that Lao Pao'er is a problem, and his son is more inclusive. In fact, this is about the insistence of a city residents on the good things of local culture, and with the development of the times, this insistence is gone, and the result is that the conflicts between people are reduced, but the culture, rules, and etiquette are lost.

There is also a strange prop interspersed in the middle of the story, an ostrich one by one.

Many people probably have to ask, why do you want to intersperse such a plot in the main line?

First of all, the ostrich is raised in a deep house compound, and the person who looks at the yard evaluates the owner of the compound as "this is also a corner", and then the owner comes back with a few seconds of flashing, and through the dialogue, it can be judged that it is a character who is "in charge of money and power", and the people who can live in the courtyard of Houhai are either rich or expensive.

Later, the ostrich ran out onto the street, coinciding with the old cannon going to the meeting alone, walking all the way, and the two scenes that echoed before and after had both superficial meanings and profound reflections.

On the surface, the rich raised ostriches, but later the ostriches ran away, but in fact, they reflected the ruling class and the people at the bottom of the society.

Isn't it like an ostrich running on the street, fighting for a chance to survive?

And the vast majority of people at the moment are ostriches that bury their heads in the sand, pretending not to hear or see!

At the end of the story, Lao Pao'er faces the threat of his life, or he still has to corrupt officials, this plot echoes the beginning of the thief plot, as a person who adheres to certain "rules", Lao Pao'er's behavior has never changed.

On the other hand, it also reflects that as an ordinary person, the most you can do is to have the courage to expose and report, and you can't do anything by yourself to turn the evil to the ground, but at least you don't flinch and cowardice, and you don't go along with it.

There is also the scene on the ice at the end, which is not presented in front of the audience is not a ruthless and vicious ruffian, not a loser in life, not an ordinary grass people.

It is a person who dares to live according to his own heart, a person who has persistence and character, a person who dares to fight against the real "evil" of this world, an ostrich who runs with his head raised, a person without a mask, and a person who has been doing it.

To put it more bluntly, the sixth master is a person who lives according to his own rules, his rules are no matter how small, everything must be done according to the rules.

First of all, let's start with the subtle and daily rules, one is the title, the old and the young are orderly, there is a difference between respect and inferiority, the sixth master does not even let go of the little couple who are lost in the alley and asks for directions, the other party just shouts "Hey", the sixth master does not care about you at all. The sixth master's son's roommate was "neither big nor small", but his little finger was about to be broken, so he knew how to shout "uncle".

The second is to respect cigarettes, which also reflects the respect for the elders and the young, the son lights a cigarette for the father, and the younger brother lights a cigarette for the eldest brother. However, the rules are not exactly the rules of doing things, there is an expression of "love" in the rules, such as the sixth master lighting a cigarette for the old man at the entrance of the alley. Those who have smoked know that it is difficult to light a fire in the cold wind, and it is easy to extinguish the fire. In the shot, the sixth master first took a cigarette himself, took a puff and lit it, and then stuffed it into the mouth of the old man with impaired mobility at the entrance of the alley. This ritual between an old man and an old man naturally does not meet the standards of hygiene, and it is not easy to occur among people who are estranged from each other. However, under the plot setting of the sixth master's farewell to the Hutong world, Song Zheng wants to use this kind of intimacy, which is close to the relationship between father and son, to contrast the solemn atmosphere of "the wind is sluggish and the water is cold".

In addition, the rules of the sixth master are reflected in the mediation of disputes, for example, at the beginning of the film, the chengguan wants to confiscate the things of the "lampshade" that is set up on the street, slap the old "lampshade", and confiscate the tricycle of the "lampshade" "reasonably and legally".

At this time, the sixth master came forward, and the result of his appearance was to slap the big cap back by talking about "reason". This slap took place in full view of everyone, which is equivalent to breaking the prestige of the quasi-public officials of the state, and the latter did not dare to fight back.

In the story, the sixth master first inquired about the origin of the conflict between the two sides, and found that the "lampshade" not only operated without a license, but also broke the rear headlight of the chengguan, although the "lampshade" muttered that he was unintentional.

So, he cut the whole thing into three "yards". The first code admits that the "lampshade" is operating without a license, and admits that the tricycle has to be taken away, that is, acknowledges the authority of the law.

The second yard, the sixth master paid out of his own pocket to compensate for the loss of the headlights, through this yard, Lao Pao'er established a kind of fairness in the hearts of all spectators, and won the support of the onlookers.

The third code, using the authority gained in the temporary audience when solving the first problem, based on the principle of "if I break your lamp, I will compensate", advocates that "if you slap the face of the lampshade, the lampshade will slap your face".

The onlookers applauded, at this time, the big cap was stunned, and then Lao Pao'er used an almost flirtatious way to slap the chengguan, you know, this kind of light abuse is more embarrassing than the effect of heavy abuse, and the latter is afraid of the pressure of the masses and the authority of the temporary judge of the sixth master, and does not dare to fight back.

Although Lao Pao'er had to pay out of his own pocket to buy a new car for the "lampshade", and although he also asked the chengguan to confiscate the vehicle, he gained fame in the alley by slapping outsiders in the face.

This kind of reputation is not entirely generated by force, but in the process of conflict resolution, there is actually a shift from "legal principles" to "rules" or "principles" of the old guns.

This is this kind of rule, so that the image of the sixth master in the movie is completely out of people's general impression of "Lao Paoer", not an old ruffian or an old gangster at all, but a hermit who returns to the mountains and forests, a chivalrous man who sees uneven roads, and is a rebellious ostrich who runs wildly at the end of the film and is unwilling to be overtaken by the traffic, and is a myocardial infarction patient who sees the chaos of the world and wants to hate blood vessels at any time and has difficulty breathing.

In fact, there are people like the sixth master around him, who have squatted in prison, carried things, are anxious, righteous, and not stingy. It's okay to walk in the alley, even if you don't hold a birdcage in your hand, you can catch two walnuts. Open your mouth and close your mouth to think that back then, sometimes a person in the courtyard sipping a small wine and smashing the taste, most of the time it was quite a decline to look alone.

Occasionally, because he is not used to seeing some things, everything is forced, others respect him in front of him, and he is actually not angry in his heart. Speaking of friends of this kind of person, there are really not many people who have a heart, a cat and a dog's little bastard occasionally nods his head and hunches his waist, and who else is willing to touch him, but there is really a sense of depression that is old and helpless, and most of the concubines are old and yellow.

The sixth master is not very good, he opened a deserted commissary in the alley, continued to abide by the rules of his youth, and was not convinced that he was just over fifty, how did he become what others called "an old man over half a hundred years old".

The story of "Lao Pao'er" is simple, the lonely old rascal meets the little rascal of the new era, and also kidnaps his son, and the old rascal has to take a few old brothers back out of the rivers and lakes.

Isn't this story a little familiar, a bit like "Classic Car", a bit like the middle-aged and elderly version of "Crazy Boy".

Mature genre movies are there, and Song Zheng could have mastered them, but fortunately, he didn't.

The reason why "Lao Paoer" was not made into a kitsch genre film is that the key is the word moderation.

At the beginning, the sixth master's brother lampshade sold pancakes at the mouth of the alley, operating without a license, and the chengguan wanted to collect the car.

The lampshade was in a hurry, and pushed the chengguan, and the chengguan was also anxious, and he backhanded a big mouth in front of the neighbors.

When the conflict was about to escalate, the sixth master appeared, asked the ins and outs, and said that the car should be taken away, but the chengguan also had to apologize to the lampshade.

The legal principles should be taught, and the human feelings and morality of not bullying honest people should also be taught.

The sixth master patted the chengguan twice on the face, which was regarded as seeking justice for the lampshade, and the chengguan was stunned, collected the car and apologized and left, which did not cause the social version of the news.

The movie did not kill the black city management, it not only made it clear that their law enforcement was reasonable, but also beat them for their roughness in law enforcement, and between the movie and reality, it set the tone of moderation, which is higher than the discipline of many media today.

The protagonist of the sixth master is also restrained, he keeps telling not to let children get involved, children don't know how serious they are, children will make a lot of trouble, and in the end, he didn't pull a group of people to vent for himself, and he didn't let the audience breathe.

If it is put in Xiangjiang, it must be the bloody streets of the gangsters, and if it is put in Hollywood, it is "Red Flame Battlefield", a group of unwilling retired agents sweep all over the AK47, and at the age of sixty or seventy, they are still angry like children.

However, the sixth master did not, so the scenes that directly showed violence in the film were also very restrained.

All the audience was probably looking forward to the scene of Zhang Hanyu's killing, but the appearance was gone, Zhang Hanyu couldn't bear to rush to the auto repair shop with a group of children, but he pounced. In the end, I finally made an appointment, and the audience was full of thoughts that the birds were dead, this time the sixth master should help us teach the corrupt officials a lesson, but they still didn't see a big scene.

So the question comes, not to mention Zhang Hanyu's grievances, ordinary audiences who are accustomed to Hollywood-style battles between good and evil are also aggrieved, so why do they stand up and applaud it when the movie ends?

The reason is actually very simple, it is to tell the story in a down-to-earth manner, without deliberately exalting or deliberately belittling, and everything that everyone does is within the reach of real people.

Unlike those so-called chivalrous people flying around, nor like those Rambo who carry an infinite bullet gun in his hand, the sixth master is a living being, and all his actions are within his ability.

Not abrupt, not fake, real and credible!

It is precisely because of this plainness that this story has entered people's hearts, and they began to worry about the fate of the characters as the plot progressed, and there was no need to worry, the sixth master suddenly shouted "The small universe burns", put on the holy clothes and kill the Quartet.

Looking at the audience who left the screening hall with a calm face and satisfaction, Song Zheng was down-to-earth, in fact, during the filming process, he almost failed to control the rhythm several times, but fortunately, he held back, so as not to let such a movie destined to become a classic collapse.

The box office on the first day was 60 million, and "Ink Attack" got a box office of 26 million, with an obvious gap, as for "The City Full of Golden Armor", although the box office on the first day was 60 million, it quickly dived to 11 million the next day.

The box office was a hit, and the comments on the Internet were also full of praise, some people said that this movie made the youth of their parents, and some people said that the feelings presented by this movie made people who had not experienced that era very touched.

Of course, there are praises, there are derogatories, and some people even exclaim loudly like a frightened little girl: Why is this person so a hooligan? Dare to take off his pants to play in broad daylight.

This point of view can be described in one sentence, pretending to be stiff, commonly known as pretending to be forced.

Those who curse the old cannon to engage in women during the day, how many action movies do not have 100G on the computer?

How many people are not stupid and jerk themselves off to the screen?

How many friends who see their wives and husbands don't ask to change a few more postures and play some flowers?

It's like never seeing, seeing, thinking, or doing it.

Those who ridiculed Lao Pao for making bad friends, how many of them grew up in Yanjing Hutong?

How many didn't steal chickens and dogs in their own village when they were young, how many didn't fall in love and skip class in school, and how many dared to say that the friends they made were all high-ranking people?

An old man in his fifties is respectable to fight hard with others with a knife for the sake of his son.

As for the deposits, it's not worth mentioning, with millions of deposits and a small two-bedroom in the Sixth Ring Road that has not yet repaid the loan, driving a small broken car of 120,000 yuan, do you think you are superior?

People who rush out to scold Lao Pao'er may really feel that they have a correct outlook on life, a lofty ideological realm, a successful career, and no desires.

For this kind of person, Song Zheng only has one sentence to offer: Roll your milk, milk, calf, stay where it is cool.

There was a lot of feces in his trouser pockets, and he pretended to be a decent gentleman, accusing others in an official tone, and fighting with this kind of person, Song Zheng felt that his identity was lowered.

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