When Song Zheng heard that Feng Xiaogang's drama was going to be released in his last life, he was looking forward to it, and at that time, Feng Xiaogang's civilian comedy could also attract the attention of domestic audiences on behalf of domestic films, but after watching it, Song Zheng found out that this Nima is not the civilian comedy that Feng Xiaogang has always insisted on, not only comedy from time to time, but it can be called the best thriller of 2003. Pen, fun, pavilion www. biquge。 info

In the past, the purpose of Feng Xiaogang's filming was to entertain the people, and the entertainment of the people couldn't go too deep, even if it had to be too deep, it had to show absurdity and blackness.

But after the end of "Big Shot", Feng Xiaogang dived for a year, and the latest dedication is neither deep nor shallow, it is basically realism, which makes people feel creepy.

The film "Mobile Phone" gives people a rather tired feeling from beginning to end, and the only story outline that the average audience who pursues short-term visual enjoyment can probably see is how a middle-aged man makes his life collapse alive, which is more terrifying than a horror film and more real than a documentary.

In real life, there are not too few people who live the same life as Yan Shouyi, but too many, which makes this film no longer funny, but critical realism.

What is the specific meaning of critical realism, Song Zheng doesn't know even if he has lived to the present, but, in his understanding, it is to tell a story that everyone can see in daily life, and then punish the protagonist with an extremely tragic fate, in order to achieve the purpose of educating the people, similar to a hell photo.

Perhaps, Feng Xiaogang didn't think so deeply when he was filming this film, and many of the connotations given to the movie itself were withdrawn by film critics, maybe Feng Xiaogang's original intention of making this film was just to explain a very simple truth to his audience, that is, most of the time, the spiritual power of human beings is subordinated to physical needs, and thus causes mental suffering.

In this regard, Song Zheng once thought that it was an example, but now he knows that this is a general explanation, if there is really a so-called loyalty in the world, then the most suitable object of execution is the monk, and as we all know, the monk is not married, even if the physical body guarantees absolute compliance, but the auxiliary road of the spirit will always be stuffed with cars.

Those so-called happy marriages, in the eyes of laypeople like Song Zheng, are more because of habits, because living like this is the same as washing your face and brushing your teeth every day, so it goes on.

In addition, Song Zheng speculated that another very important factor is the power of concentration, focusing on one point, and the rest of the desires will fall one after another, instead of rising, which goes back to the fact that the happiest marriage needs a monk to complete.

In short, Song Zheng was frightened by this film, not because of the result, but because the role choice is in a dilemma, and it cannot be changed, Feng Xiaogang's work that can be called a transformation makes people feel that life is not the worst, only worse, after reading it, it can make the depressed more depressed, and the desperate more desperate.

In short, this film is not funny at all.

However, if you put aside Feng Xiaogang's previous civilian comedy movies and simply evaluate this "Mobile Phone", it still feels very profound, and the movie reveals the psychology of some people vividly through mobile phones, so that one of Song Zheng's friends stared at the mobile phone he just bought in a daze after watching it, and Song Zheng also seemed to be ruthlessly ridiculed.

Many people's comments are extremely disappointed with Feng Xiaogang's movie, just like Song Zheng, who was also disappointed at the beginning, but when he looked at this movie as a main drama, he still thought it was a good movie, it may not be as cool as "Infernal Affairs" and "Party A and Party B" laugh, but those are unrealistic and designed to please individuals.

"Mobile Phone" is different, it ruthlessly reveals the hardships and deceitfulness of the material society, especially the wonderful thing is that the protagonist at the beginning becomes a miner, which is in stark contrast to the subsequent fame and corruption.

And the hoarse and sincere "You can't go home this year" should really cause everyone to reflect deeply on society, which is exactly what Fei Mo played by Zhang Guoli said at the end of the film: Science and technology have developed, material life has progressed, but people's spiritual life is embarrassed.

You can think of Yan Shouyi working hard for life when he was poor, simple and pleasant, and after satisfying material desires, he thought of his own spiritual enjoyment, and the tragedy of this era was born.

Thinking of the harmony of "not closing the door day and night" in the old era, it is very embarrassing, is the society progressing or regressing? !

If you look at the decisive forces of society, it would be a real pity to think about it.

After Song Zheng watched this film, he often thought of Sun Shaoping in "Ordinary World", who was also a miner, and wondered if Lu Yao continued to write, whether Shaoping would deteriorate with Yan Shou.

Speaking of which, through this film, maybe Feng Xiaogang really wants to convey the signal to people, maybe it should be that everyone has a mental state to be alert to themselves, "three times a day", after all, young people are the pillars of the future, and the will of young people will determine the direction of the development of the country and society.

Of course, this is pure!

In short, Feng Xiaogang's film is called "Chinese New Year", but in fact, it is a heavy gift with dignified sorrow to the audience, and his courage is very respectable.

Feng Xiaogang was still talking vigorously, talking about his various extreme views on a single thing, and Liu Zhenyun interjected two sentences from time to time, which can be called the finishing touch.

Song Zheng acted as a listener, laughing while listening, falling into contemplation from time to time, and then smoking one cigarette after another.

As Feng Xiaogang spoke, he suddenly remembered that there was another person in this room.

"Hey!Zhengzi, what's going on!?Didn't you say let's talk about it together?Just the two of us working here for nothing, you're watching a show!?"

Song Zheng was enjoying listening to it, and Feng Xiaogang suddenly cut off the signal, making his thoughts immediately fly out of the original "Mobile Phone".

was just about to be vague in the past, but suddenly stopped, speaking of which, Feng Xiaogang's transformation work "Mobile Phone", the original movie does have a lot of regrets, such as the theme style is too depressing, which can be seen from the tone of the movie, and the irony is not ruthless enough and not thorough enough.

Now that Song Zheng has the opportunity to participate, can he bring a little adaptation to this regrettable work of Feng Xiaogang, at least make it a little more perfect than the original.

Song Zheng thought about it and suddenly laughed.