In the office, Uncle Ishida's report continues...

"What about Dongbao? How much does it cost? Are they willing to help us contact the relevant film crews?"

One question after another, like a rain of arrows, shot at Uncle Ishida.

And Uncle Ishida seemed to have been prepared, opened the document he had been holding, and handed it to Kiyoshi Sakamoto, who was sitting opposite.

"Toho has expressed concern about your role as a director, but you are also the main officer of the film at the same time as the director. Speaking of this, Uncle Ishida paused before continuing: "Your previous record as the main soldier is really gorgeous, causing Toho to have great confidence in you, even if this is your supervisory debut... ”

"So, they contributed 40 million!"

"As for dividends, they want 20 percent. ”

"Hmmm... Sakamoto Kiyoshi groaned and nodded, "Yes." ”

"As for the manpower of the film crew, Dongbao was very generous to help us contact professionals who have participated in the filming of films such as "Just Loving You", "My First Love That Belongs to You", and "Love in the Sky". ”

"Oh, that's fine, with a professional, I may make fewer mistakes... ”

A complete film crew with six major divisions.

In addition to the screenwriters who do not belong to any department, they are divided into the director group, the production team, the drama team, the photography group, the art group, and the recording group.

The preparation of the crew of "Those Years", in fact, so far, except for the director and screenwriter who have been determined, the manpower of other departments has not been scratched.

Therefore, Kiyoshi Sakamoto will use Sony's face to ask Toho to help recruit the crew.

Toho is Toho after all, and as Japan's largest film company, it releases eight films every year, if not ten, but also eight, so of course it has a veteran film team that is handy.

After all, as a rookie directing for the first time, Naoki Kitagawa was afraid that Kiyoshi Sakamoto wouldn't be able to handle it, so he specially invited him, and the senior crew team under Toho was just to press him!

Pull up Toho, that's for that!

If Sakamoto Kiyoshi had been left to prepare alone, it would definitely not have been so fast.

。。。。。。

A few days later.

Shinagawa-ku, Tokyo, SMA.

In a spacious conference room, Kiyoshi Sakamoto, under the introduction of Naoki Kitagawa, got to know the heads of several crew departments one by one.

"Sakamoto-kun, this is our producer, you should be very familiar with it... Naoki Kitagawa pointed to a middle-aged man who had cut a scab and introduced.

"Of course!" Sakamoto Kiyoshi hurriedly got up and greeted the middle-aged man sitting opposite: "Morikawa-san, long time no see, vitality?"

"Tosakamoto-kun, your blessings, it's okay... Morikawa also smiled and nodded.

Masayuki Morikawa is one of the producers of "Love in the Sky" and an old acquaintance of Kiyoshi Sakamoto.

"Then this time, I'll leave it to you, Morikawa-san. ”

"Don't worry, I'll do my best. ”

After a polite gesture, Sakamoto Kiyoshi continued to get to know the next person in charge under the introduction of Naoki Kitagawa.

"This is the photographer Ichihashi Ori Jiang-san... ”

"Hello Ichihashi-san, I like your "Paris" very much, and the mild Japanese atmosphere in it makes me unforgettable. ”

"Uh... Thank you for the compliment. In the face of Kiyoshi Sakamoto's enthusiasm, the gentle big sister Ichihashi Orie, who looks like she is only in her twenties, is a little flattered.

However, Kiyoshi Sakamoto's enthusiasm is not just flattery and politeness, but full of surprise and sincerity.

Kiyoshi Sakamoto didn't expect that Sony would also find himself Ichihashi Orie!

This celebrity in the photography industry is not only active in Japanese magazines and advertising, but also has shot print advertisements for many famous brands such as McDonald's and Uniqlo, and is a very popular female photographer today.

In particular, Ichibashi Orie's works present a quiet and peaceful atmosphere.

Due to her habit of taking pictures with a film camera and her processing of negatives, her works all present a unique pale blue and pink hue.

In addition, her works also give people a sunny and warm feeling, which makes people want to jump into that wonderful world.

Such a warm photographic style is very close to the sense of picture that Kiyoshi Sakamoto wants to express in "Those Years".

Therefore, when he saw the city bridge weaving river, he was also overjoyed.

A good cinematographer can make the image in the mind of the film director more concrete.

And Ichibashi Zhijiang, is such a photographer...

"This is art director Morishita... ”

"Please advise!"

"This is Maeda, the coordinator of the crew... ”

"Please advise!"

Soon, after the heads of several major departments were introduced, producer Mayuki Morikawa asked.

"Sakamoto-kun, I heard that the script of this movie adaptation is from your pen?"

"Yes, that's right. ”

"Then do you have a general idea of this movie?"

As the main investor, and as a supervisor, screenwriter, and main servant, Sakamoto Kiyoshi has the absolute right to speak in the entire crew.

Therefore, even if he is a rookie supervisor who has not produced any works, Morikawa Masayuki and others value his opinions very much.

"That's right, the reason why I got the idea to make this movie was the original book I watched. Kiyoshi Sakamoto picked up the original book of "Those Years" on the table and began to explain.

"This is a youth that I feel very emotional, with a touch of regret, it is a love story that everyone who has ever had youth will resonate, and, compared to the imperfection of pure love, the ending of this story is in people's hearts, and I can't help but be moved. ”

"I believe that if this film is made, it will definitely trigger a new wave of youth films!"

Of course, this movie, in the final analysis, is still a campus romance film, the selling point is feelings and youth at your fingertips, and there is no large-scale and special effects, so the shooting fund of 200 million is enough. ”

"I would have liked to have a lot of publicity for this film. ”

"In addition to normal publicity methods, I think that learning from the successful example of "Love in the Sky" can make this "Those Years" let more audiences enter the theater. ”

"Oh, "Love in the Sky"? So what are you going to do?" In the conference room, everyone's curious eyes focused on Kiyoshi Sakamoto.

"I'll find a publisher to translate this original book of the same name into Japanese, and then three months before the movie is released, we'll make it hot first!"

"Finally, at the hottest moment, the movie was released with this momentum!"

"The two-pronged approach to the movie will inevitably cause a topic, and in this way, the movie is already halfway there!"

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