Like "Crazy Stone", in the previous life, Xu Zheng, Wang Baoqiang, and Huang Bo collaborated on "The Embarrassment of Thailand", which is also the most impressive domestic comedy film for Song Zheng.

In the previous life, "People in Embarrassment in Thailand" attracted people's attention during the early promotion, and after the release, there was not even a pre-warm-up process, and it immediately showed the momentum of dominating the world.

It can be said that as soon as "Thai Embarrassment" came out, those films about hunger, human nature, history, and philosophy were all let to the side of the road, and they could only watch this dark and sturdy horse in amazement, neighing and running to the pinnacle of Chinese films, refreshing the limits of Chinese filmmakers and movie audiences.

The creation of myths is always inadvertent, and the counterattack of hanging silk is often the basic framework of myths, turning a joke into a myth, which is another interpretation of "People Are Embarrassed in Thailand".

If you want to talk about the success of "People in Embarrassment", it is natural to have a frame of reference, so that you can better understand the success of Thai Embarrassment and Xu Marinated Eggs.

This frame of reference is undoubtedly Feng Xiaogang, a box office celebrity who also came up with new works in the same period in his previous life, changed his previous relaxed and ridiculous tone, picked up a sense of responsibility, tightened his brows, and told a history of unbearable and hungry with Feng's unique bitterness and hatred.

It's a pity that the producer bought it, but the audience didn't, so the producer was bitter and bitter.

Feng Xiaogang can be said to be a benchmark figure in Chinese comedy films, a big name in the film industry, and a big man in the director's circle.

But that's it, what the audience likes to see is the sling counterattack on the big names, and the dark horse has reached the top, so that the plot not only appears repeatedly in the movie, but also must be in reality.

The failure of Feng Xiaogang and "1942" at the box office lies in the theme and story, and the box office myth of Xu Zheng and "The Embarrassment of Thailand" is also the subject matter and the story.

Song Zheng still remembers that in his previous life, Feng Xiaogang said when promoting "1942" that Chinese should not forget this history of hunger, and in this regard, Song Zheng raised his hands and feet to express his complete agreement, after all, the suffering of those years is also part of the Chinese nation.

But the question is, do you really want the audience to spend more than a hundred dollars to go to the cinema to remember the bittersweet and sweet?

To educate the people, don't use such extravagant means anymore, promote human nature, and there is no need to eat your own old books.

If it's just the depth of the subject matter, the most serious thing is that the telling of the story of "1942" is also very disappointing.

There are many clues to the story, and the vague word "many" can only be used, and what is even more precise is that there are several main lines, the landlord's house, the Henan battlefield, the country, and foreign reporters.

This is from small to large, from micro to all-encompassing, the expansion of a person's desire will swallow this person, and the expansion of a director's desire will destroy the whole movie, and there is no scum left.

Feng Xiaogang didn't play well, but it even brought out the low-budget comedy "People Are Embarrassed in Thailand", not only the audience laughed, the director laughed, the actors laughed, and the producer couldn't keep his mouth shut, the audience's laughter lies in the subject matter and type. Maybe Xu Ludan is not a very mature director, but "Thai Embarrassment" is a very mature comedy genre film.

"Thai Embarrassment" is quite similar to Hollywood's burlesque comedy and the combination of silly comedy, burlesque comedy is known for pranks and exaggerated facial expressions, such as Chaplin's "Gold Rush", "City Lights", Keaton's "General", etc., the various scenes in the film are undoubtedly the embodiment of this kind of comedy.

The comedy of the fool is to create a comedic effect with the protagonist being dumb and different from ordinary people, Wang Bao in the film is a typical fool, the fool has his own happiness, and the film will always end with the victory of the fool.

The box office success of "Thai Embarrassment" in the previous life was not only because of the accurate choice of subject matter, there were many movies that chose the comedy genre, but how many were successful?

Song Zheng has always believed that the box office success of "Thai Embarrassment" is more due to the shallowness of the storytelling, which is extremely accurate.

The shallowness of the story is a concept, obviously, it is different from the depth of the story, the story has depth, it is a good thing, but the water is too deep, it is easy to drown people, the story is too deep, it is easy to get tired of the audience, the pool of deep water should be enjoyed by people with good water nature, and movies with deep stories should also be watched by audiences who are deep or think they are deep.

Jiang Wen's "The Sun Also Rises" is very deep, no box office, too normal, and the king of sunglasses' "2046" is even deeper, which can force the audience to commit suicide in the cinema, it is undeniable that this kind of movie is artistic, but if you only tell the story to yourself or a type of person, the meaning of the director does not exist.

Depth, is to have a grasp, measurement, ruler, inch, are arbitrary, but must be accurate, the courtyard is a little deep, must be deep and reasonable.

The shallowness of the story is also to be grasped, it is easy to understand, and it is also a good thing, but if the water is too shallow, people who play in the water will find it boring, the story is too straightforward, and the audience will feel that the movie is all nonsense.

The right depth and shallowness can be the key to the success of a movie's story, such as "Thai Embarrassment", such as "Thirty-three Days of Broken Love" just completed by Song Zheng and Lin Xinru, which are all very successful films that accurately grasp the shallowness of the story.

So, they all succeeded.

When the audience watches a movie, they don't want to think too much, and they don't want to think about it, so grasping the shallowness of the story is now the key to whether a film can succeed in the market.

So, the shallow and very good "People in the Embarrassing Journey of Thailand" was born, and the real monster-level dark horse was born, this Xu's dark horse became a unicorn in the previous life, or a nightmare beast, it is no longer a dark horse in the ordinary sense, but really moved to the level of being able to compete with giant beasts, how many records have been broken will not be listed one by one, it can only be said that Xu Ludan's handsome really won to explode, and when the time and place were favorable and people converged on a small cost, Athena's amazement was released.

Of course, since it can be popular, the basic quality of the movie itself is guaranteed, that is to say, as a comedy, this movie can amuse the audience from the heart, of course, this is only a passing line, or an excellent line, which really makes this movie from a phenomenon to a legend, and it has to be said that this is really at the right time, through the right person, to the right audience, a suitable choice.

What is the right time, who doesn't want to have fun during the Chinese New Year!?

Originally, this heavy responsibility had always been on Feng Dacang's shoulders, but he applied for a leave of absence in a mood, gave up filming New Year's movies, and tortured history instead.

The result is already obvious, history gritted his teeth and did not confess, and Feng Cannon did not really dare to be ruthless, which is just that, but at the end of the year, several blockbusters were deeply rooted, and the obvious side effect was that the audience was dissatisfied.

The year is coming to an end, is there anything more tiring and painful than watching a movie that is more tiring and more painful than real life?

I wanted to go to the cinema to relax, or to spend the discounted movie tickets purchased in the group before they expired, but when they came out, they were all depressed.

Well, once again: cinema is first and foremost a commodity, and its main function is to entertain the audience.

Song Zheng didn't understand this before, and he was still holding the style of a literary and artistic youth, but after being ridiculed by Zhang Yuan, he instantly sobered up.

The function of the Chinese New Year film is actually to make everyone laugh, and then let everyone's eyelashes get wet, and finally add a happy ending.

The left hand jokes, the right hand is warm, the point is to allow the audience to laugh wildly, but the warmth part must control the tears, only allow the tears to roll in the eyes, the girls' small breasts rise and fall violently in the dark, the men cough slightly, twist their buttocks restlessly, the principle is that tears are never allowed to flow!

So, after watching the happy ending, they walked out of the cinema, felt that they had done a full emotional massage, and they were full of comfort to devote themselves to Christmas and New Year's Day shopping, and even recalled the hilarious episode in the crowd of people in the Spring Festival, and suddenly became happy, temporarily forgetting that they had been standing on one foot for N hours.

Xu Zheng didn't learn to pretend to be a big name, but implemented the industrial process of the Chinese New Year film very strictly, and he had everything he should have.

There is a joke, Wang Baoqiang's second forced sunshine youth, head-on encountered the elite pretending to be a young man played by Xu Ludan, and behind the two, there was also Huang Bo, who had been unlucky for 30 years, and chased and killed all the way.

More than 80% of the laughter in the whole film is made by Wang Baoqiang, and Wang Baoqiang's biggest feature is that he can play a young man with scallion pancakes like a pure two-force young man.

His soil, his cuteness, his purity, and his truth all have the energy to make the audience accept and like them, and the other jokes come from the troubles of two other seemingly fashionable white-collar workers.

As a result, the audience can find that the joke of "Thai Embarrassment" is actually to watch the second and the second to force the second, and the white-collar workers are embarrassed.

As a commercial drama, this does not seem to be eye-catching, but the problem is that under the existing review requirements of mainland theaters, because of the hearts of children, domestic movies cannot reveal those things and things that children want to watch but can't see, because of the mood of some leaders, so domestic films can't shoot shootouts, selling bodies, demolishing houses, insiders, anti-corruption, and the heroic deeds of Xiao San'er.

Commercial elements are not easy to join, truly down-to-earth themes cannot be involved, and the voices of the common people cannot be shouted casually, so what is the way out for comedy that takes on the task of decompression?

"Thai Embarrassment" won a huge victory at the box office by making "2B more two, white-collar workers more embarrassed".

A pure two who sold cakes forced to fly to Thailand to commit two crimes, a career man after a series of setbacks, suddenly found that his wife and children were more important, and a second forced to be pushed by the cake seller still felt so cool, and then he laughed at his brother and sister, brother and sister, and all kinds of fairy blame.

There is warmth, whether it is the warmth of Xiao Taohong and Xu Ludan's husband and wife, or the warmth of Wang Baoqiang's mother and son, the movie theater was instantly quiet, and the audience temporarily stopped stuffing a lot of popcorn into their mouths, but breathed seriously and blinked hard.

There is a bed scene, there is really a bed scene, and it is extremely rotten, and hilarious, Song Zheng still remembers that when that part came out, the abdominal muscles of the audience were about to break with laughter.

There are big scenes, Xu Ludan is very sincere in arranging big scenes such as car chases and gangster confrontations, but the total number of cars chasing cars is probably no more than 100,000.

There is a sling counterattack, this is very important, is there anything more exciting in the world than the sling young man's final wish fulfillment?

Of course, there are also some people who talk about depth, thinking that without the background of realism, no matter how noisy the movie is, it is just nonsense, it is rootless water, and it is amusing for fun, but this kind of fun seems very low-level, even imbecile.

But that's all, Xu Ludan's road comedy is indeed very ingenious, in terms of story, this "Thai Embarrassment" is more shallow and unrealistic than "People in Embarrassment", but this is exactly Xu Ludan's cleverness, because he found that if satire can be satirical in the right place, it would be good, but the problem is that under the circumstances at the time, it was impossible for a director to pop out and let go of the satirical problem.

Xu Zheng himself also discovered that it is difficult to make fun of social problems, and it is not necessarily pleasing to him, and it is also risky, so it is better to take personal problems as the main line.

It is difficult to talk about the stability and unity of society, it is not good to say that it is not good, but taking care of the family and honoring the parents are always the universal values of mankind.

In addition, the laughter of the film itself is very soft, relying on the helpless atmosphere of Xiucai meeting soldiers, chickens and ducks, rather than, pee, fart, or antics to lay the foundation for Xu's comedy.

Some people also say that Xu Zheng is simply imitating Feng Xiaogang, but in fact, Xu Zheng is really not competing for a job with Feng Cannon, because Xu's atmosphere is really different from Feng's language.

In the previous life, after "Thai Embarrassment" broke box office records one after another, some people asked for "analysis of the reasons for the success of "Thai Embarrassment" on the Internet, although it looks quite funny, it reflects the ferocious momentum of this movie from the other side.

When a group of seemingly sane people become crazy or stupid because of someone, something, or something, it is enough to show that this person or thing or thing has a very great influence.

The success of "Thai Embarrassment" has created a kind of madness and a lot of stupidity, but in any case, a very clear conclusion has been drawn, that is, it has indeed succeeded.

At least at the box office, that's how it goes.

So what are the factors that contributed to the success of "Thai Embarrassment"?

In the sense of the movie itself, "Thai Embarrassment" does not have very good conditions, and in terms of the level of film production, it does not have such outstanding highlights.

But the interesting thing about the movie is that there are no rigid standards to constrain the definition of excellence, and sometimes, as long as the film can bring the viewer some kind of intuitive feeling, it is a good movie.

And when it comes to contributing to this intuitive feeling, laughter and crying are often the most important manifestations.

As a comedy, "Thai Embarrassment" made people who watched it laugh and experienced the most intuitive feelings, so it became.

The world seems so complicated, and sometimes so simple, and in the process of dedicating this simplicity, what makes it stand out in the end is its down-to-earth throughout.

The huge impact of this down-to-earth approach to comedy is easy to think of "The Hangover", an American comedy that has also created a lot of box office myths.

Some people even put on the title of "Thai Embarrassment" as "the Chinese version of "The Hangover", which cannot be said to be completely wrong, but it is obviously completely different.

The biggest thing that "The Hangover" and "Thai Embarrassment" have in common is their down-to-earthness, and the biggest difference is also in their down-to-earthness, the former is connected to the American land, and the latter is connected to the Chinese land, and the cultural differences between the two make the laughing fruit different.

But it is undeniable that the success of "Thai Embarrassment" is obviously due to the creator's simple and serious creative concept, and it is the down-to-earth spirit brought by this creative concept that makes this Chinese New Year comedy easily enter the hearts of the audience and make them happy.

Every comedy scene, every line, and every action in "Thai Embarrassment" can happen in a very coincidental situation in life.

Whether it's about the funny struggles in the workplace, or about the wonderful encounters in the journey, or about the beautiful misunderstandings in marriage, or about the internal and external differences in the aesthetic perspective, or about the stupidity in the process of pursuing interests, they can all be touched in a solid life.

Movies are movies, but movies come from life, and the audience can walk into movies, movies can go into life, people watch movies like they are watching life, watching life like watching movies, there are differences between the two, but the two can be connected.

Movies like "Thai Embarrassment" are a part of life, so they have become intimate and familiar, so every comedy that is made up can bring the most heartfelt and hearty laughter, because life is not like this!

But that's the case, after the release of "Thai Embarrassment", it still attracted a lot of scolding, some reasons for scolding the street, people couldn't help but be speechless, what can't be found in postmodern thought, it does not reflect realistic criticism, the logic is not tight, the connotation is not profound, there are no handsome guys, the style is not small and fresh, and it does not involve elements such as emptiness, ambiguity, fashion, and palace fighting.

OMG！

In fact, the biggest original sin of "Thai Embarrassment" is that it suddenly became too popular, but it does not have the line of "three days, five hours, eight minutes and 53 seconds after the car accident, I went to eat the cone again, but this time, I didn't want taro flavor", because its popularity can be understood by everyone, and it can't be like "Youth Pi", "East Evil and West Poison", "Lost in Tokyo", after reading, you can drink coffee in Spartacus while writing an article to explore the unbearable weight of life, loneliness can only be comforted by loneliness, faith and freedom, ", " "Thai Embarrassment" can't make some people's bloodlines noble, can't make some people become melancholy and sad, cold and deep, "Thai Embarrassment" can't even make everyone understand what are the evolutionary similarities between the end of the forelimbs of the shallow sea skin shrimp in the Persian Gulf of the Middle East and the front end of the hind limbs of the Erligou crayfish in Nangu Village, Xiangtan County, Xiangnan Province.

These people can't even listen to others say that this movie is good, a dish, if you don't like to eat it, you can't allow others to love it? The diners who eat this dish are all dehumanized, lose their conscience, bring disaster to the country and the people, and die innocently?

That's really unreasonable, after all, it's hard to reconcile, if you don't like it, you won't allow others to like it?

If you buy a fish-flavored eggplant, you have to eat the taste of 1949 mixed-race Peking duck and the taste of fried steamed buns with Shanghai crab roe, why bother!

It's just a movie, it doesn't have to be so sublimated.

In fact, "Thai Embarrassment" is really amazing, there are so many trash comedies in China, how many can really make the audience laugh?

After all, the audience is the real judge.

Of course, there are indeed some flaws in the whole movie, some places to complain about, for example, in the second hotel Wang Bao was forced to see who the "spy" was, but he didn't figure out which room it was, and as a result, the plot of Xu Lang going to the wrong room was similar to the plot of Xu Ludan being beaten because of Wang Baoqiang's snoring and going to the wrong room in "People in Embarrassment", which is a bit vulgar.

In this part of being bitten by a snake in the jungle, Song Zheng felt that it was better not to, this is very similar to the plot of being bitten by a snake in the movie "Gambler vs. Las Vegas", which is a bit of plagiarism.

In addition, Song Zheng felt that in the part of Muay Thai, Xu Lang shouted "Thai Legend", which was really evil, and Wang Bao used Xu Lang's shoulder as a pedal, and the kick that kicked down made people feel strange, and it felt like Wei Ya didn't get it right.

There are also the related plots of Xu Lang's guilt for Wang Bao after reading Wang Bao's letter, as well as his own reflection, which is indeed a little too much.

There is also the appearance of Fan Xiaoye at the end, many people say that it is a highlight, probably because Song Zheng himself is not very interested in Fan Xiaoye, and he feels that the appearance of Fan Xiaoye makes him feel a little funny.

Of course, for a comedy, these plot flaws can be ignored and will not affect the joy of the overall film.

In general, Xu Ludan still became a Buddha in his previous life with the movie "People in Embarrassment", which Song Zheng is looking forward to, but before the braised egg is opened, Song Zheng must also do something, and he can't let the wild horse in Xu Zheng's heart run away.

In the previous life, after the fire of "People in Thailand", people's expectations for Xu Zheng have increased, and their expectations for this theme have also increased.

Then there was the later "Hong Kong Embarrassment", but this time it was not the protagonist in the story who was embarrassed, but Xu Zheng himself.

Frankly speaking, Xu Ludan's later "Hong Kong Embarrassment" is an entertainment blockbuster worth watching, but I have to admit that the audience's disappointment in this film is far greater than the surprise.

Song Zheng also walked into the cinema with full expectations for Xu's comedy in his previous life, and then left with three points of satisfaction and seven points of disappointment.

The first point is that Xu Ludan wants to express too many things in this movie, youth obsession, first love, mid-life crisis, dreams, Hong Kong film feelings, action, Xiangjiang music, family conflicts, family kidnapping, thrilling, reversal, pile of jokes, meat jokes, and so on are mixed in the same movie, but Xu Zheng himself does not have enough ability to control these, so it is stiff and embarrassing.

"Thai Embarrassment" won the box office championship in the history of Chinese films as a super dark horse, and the debut female film had a bumper harvest in word-of-mouth and box office, which suddenly pushed Xu Zheng to the altar and stood on the top of Mount Everest.

To make money and earn like this, a sequel is a must, but Xu Zheng also knows what kind of expectations the people of the whole country have for him, the so-called high place is unbearable, and the next movie must have a lot of surprises and jokes to make people satisfied, otherwise, the surging scolding must be unprecedented, as the so-called, the higher you climb, the more painful it hurts to fall.

Therefore, Xu Zheng chose the three major weapons of Hong Kong film feelings, first love feelings and chicken soup for the soul, all of which are popular with the audience, plus two of the most classic Cantonese songs are inserted from time to time, every time I want to scold, the most beautiful singing voice in my memory is in my ears, and I am reluctant to open my mouth in an instant.

Xu Zheng's wishful thinking is very good, it is simply exquisite, and it does not leak, but unfortunately, Xu Zheng, as a rookie director, does not have enough ability to control the combination of so many elements.

As a result, several times when it transitions from a funny casual scene to an expression of feelings, or a discussion of serious social issues or the meaning of life, it seems very stiff and unnatural.

In addition, no less than ten old Cantonese songs are inserted into the film, each of which is a classic that has been widely sung, with the intention of arousing the feelings of the audience from time to time.

Song Zheng himself admitted that there were two or three episodes that were indeed in place and moved him, but most of the others seemed deliberate and blunt, and the intention of flattering was very obvious, which made his impression of the episodes very bad.

The second point is that the starring lineup is lower than expected, and their performances are also very bad, and the Hong Kong familiar actors in the supporting roles have done their duty, Ge Minhui, Li Canchen, Lin Xue, Yuan Qiongdan, etc., and even Wang Jing, all appeared in the movie with their classic images, achieving the purpose of nostalgia, which made Hong Kong film fans very useful, but that's all.

The performances of the protagonists can't be looked at directly, Xu Zheng is still the image of an unlucky guy as always, although there is no breakthrough, but it is passable, unless the audience is tired of watching it.

Supermodel Du Juan honestly played the role of a vase, Xu Zheng did not pick the wrong person, her temperament and her own role are very compatible.

But as the director, Xu Zheng did not play a good role in training, so that this character was only reduced to a qualified vase, and there was a lot of room for several emotional scenes, but from Du Juan's body, he did not see the waves of feelings, no eyes, no expression, just a delicate poker face.

Bao Beier's performance is very excessive, compared to Wang Baoqiang in "Thai Embarrassment", but that kind of over-the-top is not as natural as Wang Baoqiang's performance.

Whenever I say some jokes, the feeling of reading the lines is very serious, and it seems deliberate and grandiose.

In fact, it's not just Bao Belle, there are countless paragraphs inserted in the lines of the whole movie, most of which are unnatural, and even feel even more unnatural than the paragraph in "After the End".

Especially in the front of the movie, there is a scene where the family eats in a restaurant, and they make jokes with each other, which reminds Song Zheng of the bad scene in "I Am a Passerby" where the group actors talk about their dreams in the restaurant.

Anyway, all the actors in "Hong Kong" are professional actors, and the feeling of reading the lines during the dialogue is about to lose to those group actors, which is really unacceptable.

Do you want to read a joke if you are not TM?

The point is that it's not funny yet.

If the performance of the previous person is not good, or poor, then Zhao Wei's performance is simply a disaster.

As a good sister of her daughter-in-law, Song Zheng does not deny that Zhao Wei is a good actor, and her performance in "Dear" also proves that she is fully worthy of the Golden Statue Queen.

The appearance of such a disaster performance in "Hong Kong" can only be said to be a problem with the plot setting, the logic of the plot itself is unreasonable, and the actors can't bring themselves into the role to think normally, so of course they don't know how to act, and in general it is a problem with the movie itself.

The third point is a super bad ending, which is very deliberate and contrived, which does not conform to the logic of normal people, and even actors have no way to substitute themselves for the role to perform.

When Song Zheng watched the movie in the cinema, he could even feel Zhao Wei's dilemma, it was not good to bring in the acting, and he was not stupid at all. B will do that, it's really tangled, so I can only make do with it.

Generally speaking, in the movie "Hong Kong Embarrassment", it can be seen that Xu Ludan's ambition is not small, he wants to not only be funny, he wants to demonstrate to those vulgar youth films, he wants to make a sentimental blockbuster that resonates with people of all ages, and he wants to discuss personal emotional, psychological and social issues, but unfortunately, Xu Ludan's talent really can't keep up with his own ambitions.

Before Song Zheng was reborn, he also heard that Xu Zheng was preparing a movie called "Yin Yi" again, and it could be seen that he planned to go on this road all the way.

If he can go well, recover the points lost because of "Hong Kong", and create a real Chinese comedy film brand, it is also a good thing, I am afraid that he will be obsessed and do not want to continue to be superficial, so he has to play depth in the movie.

This is also why, when Song Zheng agreed to invest in Xu Zheng's film, he proposed a reason for him to be an assistant choreographer and director of Ning Hao's crew for two years.

A person can't become a talent if he doesn't sharpen it, Xu Zheng is talented, but unfortunately, in his previous life, he lacked an opportunity to polish his talent.

After Xu Zheng now worked as an assistant choreographer in Ning Hao's crew and directed "People in Embarrassment" himself, Song Zheng believes that the current Xu Zheng is at least much stronger than in his previous life.

However, Song Zheng didn't think about investing in filming immediately, after "People in Embarrassment", he planned to give Xu Zheng a year to prepare well and polish the script.

Because Song Zheng knows very well that "People in Embarrassment" will definitely succeed, when the time comes, if Xu Zheng floats up all of a sudden, and then wants him to land smoothly, it will be difficult, at this time, the best way is to press it down and let him settle down by himself.

Just like Song Zheng treated Ning Hao at the beginning, after the two movies "Crazy Stone" and "Crazy Racing", Song Zheng could feel that Ning Hao was already a little bit about to fly at that time, so he simply gritted his teeth and supported Ning Hao to shoot "No Man's Land", and then what!?

At this time, Ning Hao, who was making up the filming of "No Man's Land", must have been completely stabilized.

Perhaps because of this precipitation, Ning Hao's "The Great Gold Robbery" will be able to tell a different story in the future.

The next day, Xu Zheng slept until nine o'clock before waking up, and when he opened his eyes, he saw Song Zheng sitting on a chair next to him, writing and drawing on a pile of paper.

"Holy, you couldn't have slept here yesterday, did you?"

Song Zheng saw that Xu Zheng woke up, and was about to speak, but who knew that the braised egg head actually came to such a sentence, and he was immediately tired of choking: "Get out! What good things do you want!? I just came over, how are you? ”

Xu Zheng smiled bitterly, struggled to sit up, and touched the bedside table for a long time, and said, "Is there any smoke?"

Song Zheng turned out the cigarette in his pocket and threw it over, Xu Zheng took out one and lit it, took a deep breath, and immediately felt much better.

Tilting his head and looking at Song Zheng, he said for a long time: "Have you seen it?"

Song Zheng knew that Xu Zheng was talking about the framework of the story "Thai Embarrassment", of course, Xu Zheng didn't think of this name yet: "Yes! It's a bit interesting, although it is the same routine as "People in Embarrassment", but new wine in old bottles can also contain new things!"

Xu Zheng's idea also came out not long ago, and this story outline was also written by him when he returned to the hotel after finishing work in the last two days.

"You really think it's good!? But I think this story is still a little thin, nothing