"This is not good, it's too motherly, it shouldn't be able to hold up in ancient costumes, this one can't do it, he's too tall, it's hard to find an actress to play with him, this ~~~~~~"

The actor information collected was made by Lin Xinru, and she picked and chose at will, in short, she was not satisfied, and after picking one night, there were few who could be sure that they could audition.

Song Zheng leaned on the head of the bed, holding his mobile phone in his hand and swiping Weibo, from time to time he glanced at Lin Xinru, if Lin Xinru asked for his opinion, he would say a few words casually, in short, he didn't take it seriously.

"Husband, what do you think of this? I think her image is quite suitable for Snow Kite, do you want to notify her to come over and audition!?"

Song Zheng was stunned for a moment, and didn't pick up the resume in Lin Xinru's hand, and said, "Didn't you give the snow kite to that Yang Mi!?"

When Lin Xinru heard this, she glanced at Song Zheng and said, "It's so hard that I can't see it, you don't like her!"

Song Zheng was told by Lin Xinru, and he didn't know what to do for a while: "I~~~~ Why don't I like people anymore?"

Lin Xinru pursed her lips and smiled, moved to Song Zheng's side, and the two of them lay side by side: "Husband, in fact, I think Yang Mi is not bad! ”

Now Yang Mi's acting skills are indeed still online, especially after starring in "Wang Zhaojun" and "The Legend of Sword and Fairy III", among these new generation of Xiaohuadan in China, Yang Mi even has to suppress Tong Liya, and Tang Yan can still be ranked in front of her.

Almost all people in the circle feel that Yang Mi's future is indefinite, at least a powerful Da Qingyi will definitely not be able to run, in his previous life, Song Zheng was also very optimistic about Yang Mi's development, but who would have thought that Yang Mi's next development trajectory would collapse so completely.

Nima, even a big bad movie like "Little Times" is accepted!

If you want to select the top ten bad movies in the history of Chinese film development, Guo Xiaosi's "Little Times" series will definitely be on the list, and it is still four in a row, even if it can't dominate, it is almost dominant.

In his previous life, the overwhelming publicity before the release of this broken movie, the water army bombarded the Internet indiscriminately, but that's it, Song Zheng didn't have the slightest intention of wanting to see it, but in the end, he couldn't stand the stalking of his girlfriend at that time, and finally walked into the cinema with the tragic mentality of "my life is not bad for this bad movie".

Five minutes later, Emma, Spicy Eyes, what the hell is this Nima!?

If you want to make an evaluation of "Little Times", it is very simple, this is an out-and-out bad movie, with zero nutrition and no height.

After nearly two hours of chopping, I only saw the protagonists tearing up because of a little thing, and the problems that can be explained clearly in one sentence are biased towards each other, greasy and crookedly entangled.

This is a nouveau riche and Italian lust to youth, and this is also a rhapsody mixed with copper smell and sissy incense, which is not only extravagant on the outside, but also surprisingly decayed on the inside.

is this kind of broken film that has reached a new height, Yang Mi actually filmed four in one go, Nima, four!

Don't say that she is Yang Mi, she is the Oscar-winning actress Sanlianzhuang, and it is estimated that she can defeat her character.

If Yang Mi is not so eager for quick success, this kind of film should be as far away as possible, "Little Times" itself has a very big flaw, that is, it lies in the story itself, and continues to the audio-visual image expression of the film.

Guo Xiaosi is not a master storyteller, he is good at using illogical twisting techniques to make the public think that this is an art, this public refers to the post-90s generation of people who love his articles, to use a relatively unflattering term is "brainless powder".

One of the slogans played by Guo Xiaosi in "Little Times" is "This is our little era", which seems to show that Guo Xiaosi wants to present a young era to young people through his story.

The concept of "era" conveyed by the movie itself is only completed by relying on the "Sisters of the Times", "Modu Times Middle School" and the "era" spit out by the monologues of Lin Xiao, Gong Ming and others, and the interpretation of the concept of "era" in the whole movie is based on fans' belief in Guo Xiaosi himself.

Guo Xiaosi's own life is extremely luxurious and pompous, and if psychology is assumed to have such a theory, he is using this luxury to make up for his physical disadvantages.

Guo Xiaosi's life is 108,000 miles away from the lives of ordinary girls today, but he just wants to use his life to tell others that this is the "era" of young people, which is a paradox in itself.

The era presented by Guo Xiaosi in or in the movie is far from the era of young people. Life is carefree, with a sad personality and a look up to forty-five degrees. It was just Guo Xiaosi's era alone, he wrote his own era and his own life exaggerated and flashy, filmed it, and made the group of young girls who didn't understand life and reality their own times.

However, one is willing to fight, the other is willing to suffer, and no one knows why.

What kind of era is it told in "Little Times" and the movie?

At this point, it seems that Guo Xiaosi's own statement cannot completely convince the public, and in the propaganda process, Xiaosi fans said that Guo Xiaosi wrote their inner emotional world, which seems to be only based on excessive personality worship.

In terms of the exaggerated world described in it, whether it is the grassroots Lin Xiao, the arrogant Gu Li, or the indisputable Nanxiang, they can match the characters in life, so the young girls can compare them one by one and imagine themselves as the characters here, but the practices, behaviors, habits, life experiences, thoughts, and words of these three girls seem to be too "sunny and snowy", and it is impossible for all people in life to speak and do things like that, only such characters are true portrayals in life.

Maybe it's because the students' lives are too boring, their lives are not turbulent, and the progress of the times has made this generation of young students lack the maturity of faith, culture and aesthetics, so they are just a group of people with a high IQ and garbled EQ.

So Guo Xiaosi seized the point and wrote the characters they wanted, so the girls began to worship wildly, Guo Xiaosi became a god, in fact, he just seized the gap of the times, just like the campus folk songs in the 90s, taking the opportunity of the times to literature and art.

Therefore, if "Little Times" really wants to tell an era, it is just a portrayal of the special life experiences of Guo Xiao and the four people, to fictionalize the illusion of such an era, with the help of young students' cognitive virginity, to make money alive, and to make themselves a god.

The era in "Little Times" is not real, it is fundamentally different from the current era, if society is really created by God. Guo Xiaosi is the God of "Little Times", but in that world, there is no one, only a few handsome men and women who have established the fate of the characters, and there is no life.

The background relies on the story of Yi and lewdness, the content is naturally empty, the movie "Little Times" is 115 minutes, and the whole film revolves around the friendship story between Gu Li, Lin Xiao, Nan Xiang and Wanru, plus the love story between Jian Xi, Gu Yuan, Xi Cheng, Gong Wei, Sogo and Wei Hai. The film does not involve family stories, because this type of story does not sell money. The friendship story has become the core, the love story has become the seasoning, and the main line of the story is Lin Xiao's rookie master.

The focus of the movie is on love and friendship, but Guo Xiaosi is showing love and friendship, because of the lack of dramatic impetus and the lack of character composition, there is almost no touching place for love and friendship in the whole movie.

The fundamental reason is still Guo Xiaosi's idea of "full spirit" perspective, in his pen, he said, "You have to have love, so there is love; Lin Xiao, your love is like this, so Lin Xiao's love is like this", his characters lack soul, is the lack of the spirit of the characters themselves, no matter what the character is, these characters are too literary, high, and artificial, these characters are originally dolls fabricated by Guo Xiaosi, with a bright shell, but in fact empty and reckless.

From the perspective of storytelling, Guo Xiaosi made a major mistake, that is, he ignored the balance of the film's narrative, and in order to make the film show a strong visual impact, he forced so many characters into the movie.

He uses the technique of writing to make films, which is a paradox in itself, the way the film is told is dramatic, audio-visual, and the aesthetic art lies in the reader's second imagination, intuitive art meets fantasy art, and the essential difference makes the story of the film impossible to be so scattered.

The plot point of the film's narrative, according to the requirements of drama, is that the relevance of each plot to each other must be solved, and another important technical point is that the dragon cannot see the beginning and the end.

Guo Xiaosi did not do these two points, although the film is based on Lin Xiao's work process as the main line, but every plot point related to work does not seem to be integrated into the main line, from the perspective of the play, these plot points are still only showing an emotional state, not a driving force of events.

Throughout the story, the emotional entanglements between men and women are too "hypothetical" and give little motivation and reason.

In the short viewing process, this kind of hypothetical, illogically driven emotional change of the characters lacks power.

Any normal person will think that Sogo, who was originally a big supporting role, stripped naked and ended with a weird expression on the camera, what is the significance of this movie. And what Gong Wei said was that Lin Xiao saw the "beauty" on her body without wearing high heels and gave her a pair of shoes, which is not directly related to the previous article.

Guo Xiaosi also made a relatively big fatal mistake, that is, he gave clues without ending or explaining. Lin Xiao interviewed and imagined the intimate contact with Gong Xiao, and at the end of the day, he didn't explain whether Lin Xiao really fell in love with Gong Xiao or just a nymphomaniac's fantasy; The ring that Gong Xiao gave to Lin Xiao appeared twice in the middle, once Jian Xi discovered, and once the Christmas conflict broke out, which was a good drama line, and the end was also lost by the warm scene of the snow in spring and snow, and he didn't give a reason when he arrived.

Another problem with the film itself is that there is almost no change in the fate of the characters. The predetermined fate of the characters, there is no prehistory, there is no inducement for the formation of character, everything is mainly hypothetical, which is Guo Xiaosi's creative technique, from his "Phantom City" to "Little Times", almost all the protagonists involved in it have no action explanation.

Guo Xiaosi is like a god and said: "Gu Li should be like this, so Gu Li is like this, Nanxiang is like this, so Nanxiang is like this", the beginning of the Bible is written like this.

Throughout the film, everyone's stories seem to be told by Lin Xiao's voiceover, and in the hands of a director who is not a master, so much use of voiceover is indeed the best proof of a director and screenwriter who can't tell a story.

From the side, Guo Xiaosi can't tell stories, which makes him really a "small and faint existence". Therefore, if you take Guo Xiaosi or the portrayal of the characters in the movie to find faults, it will definitely be difficult to write, but if you are Guo Xiaosi's people and treat him as God, then there is no problem with the characters in his pen.

Guo Xiaosi still doesn't know how to tell stories in the way of movies, and the logical mistakes in the finished films, as well as the errors in the emotional performance of the actors, all make people see that this writer who has never been so authentic has turned to the big screen is immature and lame.

Of course, the picture of "Little Times" is definitely the most exquisite in domestic small and medium-cost films, and in the movie, you can see that Guo Xiaosi uses the lens language quite complex and changeable, which seems to be Guo Xiaosi's eagerness to prove that he is indeed a professional and knowledgeable director, not a show.

But the performance is too obvious, behind these gorgeous mirrors, what is reflected is not how professional Guo Xiaosi is, but even more ignorant of it.

"Little Times" can almost become a textbook for photography majors, push-pull, pan-heel, far-all, medium-near, long-lens, montage, backlight, silhouette, focus, scattering, slow motion, fast cut, it seems that the techniques that should be used in film shooting and editing can be found in the movie.

Guo Xiaosi used a more modern video method in "Little Times" to express this more modern story. This modernization is only manifested in the four-frame picture and the fast-cut MTV editing technique, and does not form a stylistic approach to implement in the film.

The overwhelming variety of luxury images, just reflects the rift between the image and the narrative, and the crack is outrageous, the use of slow motion and rocker seems to have become the biggest highlight in the movie, relatively speaking, Guo Xiaosi's significance of magnifying the visual image in the film is mainly to show the visual grabbing effect of the whole film, because for his fans, the meaning of the story itself is not very big, the important thing is the luxurious and exaggerated feeling, he wants to use these and the story itself to detach from the great visual impact to reproduce the falsehood that the fans have been fantasizing about for five yearsThe grand scene of "small times".

Perhaps for the little four fans, the pleasure brought by the narrative itself has long been digested by the more narrative.

Commercially, "Little Times" has succeeded, which is completely due to Guo Xiaosi's developed business acumen, "Little Times" has achieved complete commercial incomprehensibility in terms of packaging, cast selection and equipment, image style, and slogans. Relying on his more than ten years of fan accumulation, he can also call this kind of commercial gold absorption "the awakening of youth" in a high-sounding manner.

However, the hypocrisy and hypocrisy of "Little Times" in nature make this movie inevitably the same, it is impossible to leave a name in history, and it can only be left behind for 10,000 years.

The values and social refractions conveyed by the film itself are all separated from the present, and through the scenery full of mountains, it tells you a beautiful lie.

To put it simply, it is a piece of, the essence cannot be changed, it will not become chocolate because of how twists and turns this, and it will not be discharged because this piece of has been stored in the stomach for a long time before it is discharged, and there is jade in it.

is!

Yang Mi's road to Da Tsing Yi was basically ruined by the of "Little Times", of course, there are also her personal reasons, if an actor doesn't seek progress, no one can stop him, after all, Guo Xiaosi's body is impossible to cross Hawick Lau and tie Da Mimi to the crew.

After Song Zheng was reborn, he changed the fate of many people, but if a person has to go to the end of his life, he has no hesitation, why should he pull it.

Lin Xinru saw that Song Zheng didn't speak for a long time, and asked curiously: "What's wrong?"

Song Zheng thought for a moment, and knew that he was distracted, so he hurriedly smiled and covered it up: "It's okay, the character's affairs, you can make your own decisions, Yang Mi is popular now, if she is willing to act, it will also be good for the work "Beauty Scheming"!"

Lin Xinru nodded noncommittally, she could hear that Song Zheng was very unkind to Yang Mi in her heart, but she was quite optimistic about Yang Mi, and even had the idea of poaching Yang Mi to the company, but since Song Zheng didn't like it, then forget it, but the role of Snow Kite, Lin Xinru still planned to give it to Yang Mi.

Oops!

Song Zheng could naturally guess what Lin Xinru thought, if she just wanted Yang Mi to play a role in "Beauty Scheming", there was no need to bring Da Mimi home.

"It's okay to ask her to act, but don't think about signing her to our company!"