Chapter 968: Madman

When Song Zheng saw Li Yang, this madman was filming a scene on the set, and his hair was messy, but in terms of image, even the most ordinary field worker was more decent than him.

Song Zheng didn't rush over, but watched from aside, and when he stayed out of the matter, he suddenly found that Li Yang's work status was really full of joy.

"Stop!"

Li Yang suddenly shouted, elongated his face, and walked into the middle of the scene as if he had been constipated for a long time, and was silent for a while in front of the actor, and then did not lose his temper, but chattered with the actor, in this scene, the emotions that the characters should show.

said that he was an actor, but Song Zheng knew that in addition to the heroine, there were only a few people in the entire "Blind Mountain" crew who could be linked to the profession of actors, and the rest were villagers from this small mountain village, and even women who were really abducted from outside the mountain.

is truly primitive, there are not many directors in China who dare to play like this, and Li Yang is one of the most bizarre.

Just looking at this cast, anyone can guess that this "broken" movie is 100% a money-losing product, before Li Yang found Song Zheng, he also went to others to attract investment, but as soon as anyone saw this story, their first reaction was to refuse.

Song Zheng's reason for choosing to invest is actually the same as his investment in "Looks Beautiful", he met a good story, and he really couldn't bear it!

There is no doubt that "Blind Mountain" is a good story, and although the whole film looks boring, it is full of unparalleled creativity.

Generally speaking, creative films tend to have certain qualities, one of which is always reflected at the end of the film, and compared to a mediocre and lackluster film, it never seeks to be happy or anything that happens in the film can be properly resolved.

Creative movies always make the viewer think about how the character will continue to live after the movie ends.

How will this story develop after the theater lights up?

This is the so-called "cause to think", and Li Yang's two "blind series" movies can be described as domestic masterpieces.

Li Yang, as the director of the "tossing generation" in China, few people know that the two "underground films" "Blind Well" and "Blind Mountain" are actually only a small part of Li Yang's ambitions, although his film is quite difficult to pass the review because of the realistic theme, but the debut feature film "Blind Well" shined at the Berlin Film Festival as soon as it was released.

It is precisely this kind of energy that can be tossed that makes him shoot "Blind Well" and now the second "Blind Mountain", which have thoroughly scanned some social stubborn diseases in the current domestic society.

In Song Zheng's view, Li Yang's "Second Blind" series and the rough style of the sixth generation of domestic directors are the same way, the difference is that it is more avant-garde and more symbolic, and Li Yang's excellent sense of picture can be seen in the first two scenes from "Blind Well".

The first shot is the coal miners gathered from all sides, and a slow panning shot easily completes the scene scheduling, not procrastinating, tasteful; the second interesting scene is the depth shot of three workers going down the mine, and the slow long shot technique makes this picture dangerous, and the so-called "going to hell" of the Chinese is a confirmation here.

But obviously, most fans who know the "Two Blind" series are concerned about the reality of the film itself, "Blind Shaft" is about the murder of money in the coal mine, and "Blind Mountain" is about the hidden abduction and trafficking of women in poor areas in the mainland.

What is gratifying is that even if the "second blindness" does not completely expose the old bottom of this society, it also does not give people too much hope, just like the tragedy of ancient Greece, and the moderate tragedy of the characters will bring people moral shock and washing.

However, "Two Blind" does not focus on the specific people in this film, but on the symbols represented by the characters: the evil of the two murderers in "Blind Well", the good of Yuan Fengming, the mine represents the hiding place of evil, and the big chimney symbolizes the hope lamp that incinerates evil; in "Blind Mountain", Bai Xuemei is knowledgeable and progressive, while the mountain villagers are ignorant and backward, women represent fate and tragedy, and men symbolize dominance and violence.

It can be said that the entire dualistic character structure allows the "two blindness" to develop quickly, even if the character character changes, it is also completed by binary opposition, for example, in "Blind Well", Song Jinming went from being a murderer who killed people without blinking at the beginning, and later sympathized with Yuan Fengming, and then finally killed each other with Tang Chaoyang, which also used the binary opposition of Tang Chaoyang and Song Jinming.

But in the final analysis, these character elements are just "small skills", not avenues, just like in the process of people watching "Second Blind", although they grit their teeth and are more indignant, they don't think too much about the society behind this story and the future of society, Li Yang's means to maximize the effectiveness of these two movies is that he does not intend to let the audience "watch the movie comfortably".

The ending of "Blind Well" is that Tang Chaoyang and Song Jinming killed each other, and finally were accidentally buried by the mine, and Yuan Fengming became the ultimate beneficiary, from the "harm" at the beginning of the film to the final "harm to oneself", the film can be regarded as a circle in terms of story structure, completing a Chinese so-called "good and evil will be rewarded" reincarnation.

But if the movie just thinks like this, then only the banter and ridicule of crime are left, and the stubborn social diseases are completely deconstructed here, such an appearance can only be said to be the creator's obscenity, obviously, the director who only wants to shoot happily and does not seek high tide quality is playing hooligan to the audience.

Fortunately, Li Yang is not a hooligan, but a serious thinker, get rid of this appearance, continue to think about it, you will think about it carefully, that is, a Yuan Fengming is accidentally alive, and made a "windfall", but what about tens of millions of Yuan Fengming?

Do they all have such "good luck"?

It's the same with "Blind Mountain", Bai Xuemei escaped, but what about Sister Chunli, who is the same as Bai Xuemei?

Aren't they still in the mountains?

Rescuing one Bai Xuemei does not mean that all Bai Xuemei can go home safely.

Therefore, the ending of "Second Blindness" is not a simple "reunion" ending, on the contrary, it uses a "small reunion" to drag out thousands of "big separations" and "big tragedies", such a movie is really terrifying, just like a person is wandering in the mountains, hungry and thirsty for several days, and finally catches a rabbit, which can be regarded as a meal, but what about tomorrow?

"When did you come here, Mr. Song, ~~~~~ you!?"

When Song Zheng was thinking about his thoughts, Li Yang didn't know when he jumped in front of him.

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