In just one month, "This Killer Is Not Too Cold" was all filmed.

This is probably the fastest "big" movie in Hollywood history, right?

The reason why it is big is entirely because of Li Zhifan's name, which has attracted the attention of many parties, and it has made many audiences look forward to it from the beginning.

Unlike low-budget films made by lesser-known rookie directors.

Even the cost of "This Killer Is Not Too Cold" is low, which is probably unique.

One day in mid-November.

Los Angeles has been snowing lightly since the morning, and the whole city is shrouded in white, and the snowflakes have cooled the weather a lot.

Today is the first screening of the finished film after the post-production of "This Killer is Not Too Cold", and in addition to some media reporters, the main people invited to watch it are mainly high-level people from Oriental Entertainment.

But even so, there were only about 20 people in total.

Li Zhifan busily beckoned everyone to sit down, and after everyone arrived and quieted down, he directly started the screening.

The entire screening room went dark.

When a beam of light hits the screen, the music plays.

The melodious violin, cheerful with a hint of melancholy, bright with a hint of sluggishness, seems to be playing in the bottom of people's hearts, once again making the screening room quieter.

Then, subtitles began to appear on the screen.

It is different from the general direct black background and white characters, but with each subtitle, there is a still life as a foil.

These still lifes have round black sunglasses, a pot of greenery, all kinds of guns, and a black hat with no brim...... And these things will appear in the movie later.

Next, there is the staff list and cast, in which Li Zhifan's name shines particularly brightly and appears many times.

Soon, the picture shifts to a close-up, a pair of sunglasses.

Behind the sunglasses is half of the face that can't be seen.

"Are you sure you're going to do him?"

A somewhat sluggish voice without any undulations in intonation, it was Leon's voice.

A hand with a solid gold ring holding a cigar is seen.

This is a hand that you can know at a glance that it is a person who has the advantage of money and is pampered.

"This Maloney is honestly asking me for trouble, you teach him a lesson and tell him to get out of this place. ”

Immediately there was another special effects shot, a pair of strong hands holding milk cups.

"Then are you going to be him?"

It was still the same voice, clumsy and mechanical.

"Your task is to teach him a lesson. ”

On the screen, it is a mouth with a cigar in its mouth.

The film begins with a series of close-ups that make many people in the screening room straighten up.

The use of so many close-ups in the opening scenes of the film is rarely seen in recent films.

However, such close-ups obviously attract the attention of moviegoers even more.

Next, the film consists of a close-up, and suddenly a panoramic shot of a group of people in black suits and sunglasses walking into the door of a hotel.

The camera followed, and after the gang entered the hotel, they went on a rampage, and then walked into the elevator, and walked in the front, a guy who seemed to be the boss of the gang, turned his face to the camera.

The man was dressed in a black suit, with a waxed head and a cigar hanging from his mouth and a snow-white scarf hanging from the front.

When this guy grins at the camera, he looks even more evil.

The men exited the elevator, entered a room, and then opened the boxes and busily sorted the contraband.

Maloney pulled a woman's hands and feet.

And at the door of the hotel, a pair of feet enter the frame, and the camera moves up and gradually pulls away.

Leon is out!

He carried an old suitcase in his hand, wore an exaggerated tweed coat that didn't fit well, a pair of round sunglasses, and on his head was a ridiculous-looking little hat with no brim.

Upstairs, in a curtain in the hotel, the phone rang, and Maloney entered the picture shirtless and grabbed the phone.

Downstairs, one of Maloney's men shuddered to tell Maloney that someone was looking for him, and was shot in the head by Leon.

In the movie, Maloney rushes out of the bedroom in his pajamas and tells his men that someone is not doing well, and a group of his men act quickly.

Several shots are crisp and neat, switching freely, and flowing smoothly, so that everyone in the screening room who watches this movie for the first time can't help but applaud.

"Fool, what a fool, did you deliberately report to the enemy in the end?" one reporter couldn't help but shake his head.

"If it were you, what would you do?" asked another reporter on the side.

"If it were me, of course, I would go straight in with two handfuls of money, go all the way, and meet one collapse and another!" The previous reporter shook his arm and gritted his teeth.

However, another reporter on the side laughed and said: "You are wrong! This is not stupid, this must be a top master, a killer who is completely different from ordinary killers!"

The previous reporter was still unconvinced, but the following movie completely confirmed the latter's words.

Maloney's men blocked the elevator door, guns pointed at the elevator door, and the elevator kept displaying numbers. A little closer to this floor.

Bite!

The elevator rang and the door slowly opened.

Maloney's men fired into the elevator.

There was a spark on the elevator, and then a group of people suddenly stopped firing and opened their eyes wide at the elevator.

Somewhere was Leon inside, the one that Maloney had arranged downstairs had been beaten into a sieve.

Next, a wonderful killer show was staged on the screen.

One by one, Maloney's men were killed by Leon in various ways, shot, thrown from the stairs with their ties, and strangled to death...... The last four remaining men walked to the balcony, and then the roller shutter on the balcony suddenly fell, and there was no sound at the sound of a gunshot.

In the room of Nodadi, Maloney was the only one left.

Cold sweat rolled down his forehead, and his eyes widened as he stared at the perforated curtains on the balcony.

A peeking eye peeked out from a hole.

Maloney frantically shot at the shutter, draining all the bullets.

The curtain slowly rose, and in front of Maloney's eyes were corpses, all of his men.

Next, it's all about hand-shot subjective shots.

The picture shook as a heavy pant sounded.

Such a shot vividly shows Maloney's panicked psychology.

Maloney stepped back a little, stepped back to a cabinet, and began to pick up the phone next to him to call the police.

At the moment when the phone was connected, a knife came deep into the darkness of the cabinet and rested on his neck.

Bang Bang Bang!

More than 20 spectators in the screening room couldn't help but burst into warm applause.

"It's wonderful!"

"I've seen a thousand killer movies, if not 800, but a thousand, and none of them can make a killer so charming!"

"Good!

If this scene is a vivid interpretation of a top killer, then the following shot suddenly transforms from violence to peace.

The film music has changed from tense at the beginning to very soft, it is a serenade-like music, jumping and smart.

When Leon got home, as he walked up the stairs, he saw a pair of feet hanging from above.

The camera shoots up, and the owner of these feet finally enters the screen - a little girl about ten years old, it is An An!

She wore a short skirt with ear-length cuts, a bruised face and a cigarette lit in her hand.

The lonely look when she smoked was very inconsistent with her age.

At only ten years old, she was able to uniquely express the inner world of a character who was full of disappointments in life just by looking at her. Among Hollywood filmmakers, even many movie stars who have become famous cannot compare with it.

A subsequent shot made the atmosphere of the movie tense again, a fat man walked out of the door of the ground behind An An, and he was followed by a few people dressed in Hei society.

One of them was holding a Touch phone in his hand, with this earphone in his ear, leaning next to him to listen to music.

The fat man and several others argued about contraband.

Apparently, the fat man got into trouble.

But what interested the audience was not the fat man, but the person who was listening to music with headphones inside.

It is Ole - the second male lead in this film, who plays the bad cop Stanfini Finney!

On the screen, when the fat man insisted that he had not stolen contraband, and his helpless subordinate told Stanfini Fini played by Ole that the fat man refused to cooperate, Stanfini took off the headphones lazily and just said, "Oh." ”

Then, with a smile, he walked over to the fat man.

Everyone thought that the fat man would be killed with one shot, but Stanfini Finney didn't, he just walked up to the fat man, held the fat man tightly in his arms, and then sniffed the fat man a little bit and asked.

Then he told his men that the fat man didn't take it, and then told the fat man that he would come back by twelve o'clock the next day.

With a few looks, a few words, and a few expressions and movements, Ole played a cold-blooded, paranoid, eccentric, and somewhat neurotic character to the advantage.

After the tension has passed, the soft clarinet sound rings out in the movie.

Peaceful, calm, and warm inside.

The next shot allows the audience to see a Leon who is different from the beginning of the movie.

He leaned against the wall in the shower and closed his eyes to let the water hit his body.

He was lost in thought to the glass of milk on the table.

He ironed his clothes under the light leaking from the windowsill.

He carefully tended to a pot of verdant greenery.

He is not the killer with amazing killing skills, his movements are wooden and clumsy, there are almost no expressions, his actions are somewhat mechanical and even a little childish, those big eyes, there is no sharpness in them that a killer should have, but there is a trace of innocence that only children use.

Facing Leon on the screen, there was silence in the hall.

The audience was a little overwhelmed, but after an extreme amount of time, many people began to look at the screen with their eyes shining.

They see the true inner world of a killer, not a tool for indifferent killing, but a living person with a rich emotional world.

Such a killer is fundamentally different from the male protagonists of many previous Hollywood killer movies.

Just as people are immersed in the wonderful personal world of Leon, the movie suddenly picks up pace.

A clock hung on the wall, indicating that the time was eight o'clock.

The fat family is getting up, this is a somewhat chaotic family, the father is a non-professional guy, the mother is an addict, the sister is domineering and arrogant, and only the younger brother who is only a few years old has an intimate relationship with the little girl.

Leon went out in his exaggerated black clothes, and when he passed the little girl's door, he heard the sound of scolding and the little girl's wailing coming from inside.

He stopped, turned to his neighbor's door, then stopped abruptly, thought for a moment, but chose to walk away.

Leon walked into the cinema.

The story of Hollywood, the first musical and dance film, is being screened there.

Leon stared at the screen seriously, smiling, dancing, humming along with the protagonist on the screen, like a child.

After watching the movie, Li Ang happily returned home and met An An, who was beaten and bruised.

The two of them chatted on the stairs for a while, and An An jumped down to buy milk for Li Ang.

Then, suddenly, a symphony sounded.

The music was like a volcanic explosion, and of course the calm atmosphere just now was completely shocked, and when Stanfini Finney, who was holding his mobile phone, appeared on the top of the stairs, many people around him shouted.

Stanfini put his phone on the windowsill in front of the fat man's house, then took out a box containing pills from his pocket, and after taking a pill, he exercised his body very enjoyably, and then he slowly raised his hand and said to a subordinate next to him, "I like the calm before this storm." ”

Ji Zhe's raised hands suddenly waved down fiercely, and at the same time, the symphony also entered the high-tide part.

Rumble!

A gunshot rang out, and the door to the room collapsed.

In the midst of his passionate musical life, Stanfini dances and walks into the room with a smile on his face to begin his massacre.

One by one, the fat man's family died under Stanfini's gun, and the room was filled with bullets and blood splattered.

Such a scene of slaughter, presented in the symphony, seems so meaningful.

Stanfini didn't seem to be killing someone, but like an artist creating, like a symphony conductor directing his orchestra, when the fat man was the only one left in the room, Stanfini, who was holding a gun and carrying a standard tango, walked up to the fat man, and actually put his arm around the fat man's shoulders and pulled up with the fat man.

This guy who had just killed the other party's entire family was friendly like an old friend at this time.

"We said it was noon, and it was already a minute past my watch. ”

Stanfini smiled, pointed at the fat man and said, "You must not like the symphony, you don't know how many wonderful things you missed." The opening of this work makes me feel comfortable, so powerful, so exciting, but after the opening, everything is boring! That's why I didn't kill you now. ”

"You must be a rock enigma, and I like pop music, but they are not deep enough, especially when the musicians are showing off. Let me tell you, the real music is so rich and progressive, like a sunlit forest! I really want to suggest you listen to it, but you may not have the chance. ”

Stanfini in front of the camera is more like an artist, an artist with deep thoughts and a unique understanding of music, rather than a killer.

But the more he did this, the more people were about to have a chill down their spines.

The fat man resisted, picking up the gun hidden above the partition in the wall and wounding Stanfini.

Stanfini was very annoyed that the fat man had opened his favorite suit, and after he had turned the fat man into a hornet's nest, he continued to strafe until he ran out of bullets.

At this time, there was a sudden slow-motion on the screen.

An An, holding milk, appeared on the stairs.

Little by little, she walked in the doorway, heard shouting from inside, and then she saw her brother, who was only a few years old, dead by the door.

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