On the third day of Kiyoshi Sakamoto's role, the list of qualified members for the second phase of AKB48 was also newly released.

However, for Kiyoshi Sakamoto, it's none of his business.

Because, after he finished finishing, he buried himself in the bed at home, turned off his mobile phone, and fell asleep.

The five-month shooting, so that Sakamoto Kiyoshi has been under great mental pressure.

As the most important protagonist in the whole movie, under the condition that the supervisor is very demanding of himself and himself, Sakamoto Kiyoshi can be said to have dedicated the most serious and rigorous attitude in his history to the filming of this film during this time.

Finally, he no longer had to hear the "chatter" of the superintendent Shusuke Kaneko, and Kiyoshi Sakamoto instantly felt that the whole world was quiet.

Although it is a good thing for the supervisor to talk to himself, you can imagine that after the filming of every scene, even if Kiyoshi Sakamoto has acted very well, he will still be pulled by the nagging Shusuke Kaneko to his side and say a few words.

It's like this every day, which is a bit unacceptable to Kiyoshi Sakamoto.

Therefore, in the later stage, in order to avoid the "nagging" of the supervision, Sakamoto Kiyoshi often found various reasons immediately after filming a scene, such as "stomach hurt" and "going to the toilet", and quickly left the sight of the supervision, not letting him catch him.

However, these tricks worked well at first, but after a while, Shusuke Kaneko also figured out his routine, and immediately after shouting "OK", he shouted "Sakamoto-kun!" and called him over.

In this way, before Sakamoto Kiyoshi had time to find a reason, he was caught aside and continued to be attacked by mouth cannons from the overseer...

Not only that, while Sakamoto Kiyoshi was fighting wits and courage with the supervisor, he was also making waves in the crew.

If you want to say who is the most prodigal in the entire "Death Note" crew, it is none other than Kiyoshi Sakamoto.

As the youngest, it is normal to be cared for by older siblings.

For example, when eating together, the crew will put vegetables in Kiyoshi Sakamoto's lunch box.

Miss Hikaru Mitsushima, in the play, is the younger sister of Kiyoshi Sakamoto, but, outside the play, she is like a big sister who takes care of him.

But also, Sister Hikaru Mitsushima, who was born in 85, in addition to Kenichi Matsuyama, is the oldest one in front of Kiyoshi Sakamoto, Toda, and Yuyu Kashii.

However, it is also interesting to say.

The youngest of the entire "Death Note" crew is only twenty years old, and the youngest is only fifteen years old.

And the two biggest, Kenichi Matsuyama and Hikaru Mitsushima, were both born in 85.

In the play, Kiyoshi Sakamoto, a fifteen-year-old boy, actually wants to play the brother of Hikaru Mitsushima, a twenty-year-old girl, which is also one of the topics that Kiyoshi Sakamoto and Hikaru Mitsushima have been ridiculed by Toda and Matsuyama.

However, it may be because everyone is young, and they are all newcomers, and in the fighting, the feelings of several people are also deepening over time.

After five months together, Kiyoshi Sakamoto and several people have long become good friends.

And Hikaru Mitsushima, a young lady who is five years older than him, Kiyoshi Sakamoto also gave her a nickname, "Light Sister"!

The meaning of this nickname is, on the one hand, because in the play, Hikaru Mitsushima plays the role of the night god Hiroshi, who is the sister of the night god Yue played by Kiyoshi Sakamoto, and on the other hand, it is because of Hikaru Mitsushima's face.

No matter how you look at it, it's a girly little face, and big watery eyes, no matter how you look at it, it looks like a high school student, not an adult who is already twenty years old.

When Sakamoto Kiyoshi called out this nickname, Matsuyama, Toda, and Kashii all felt that it was very appropriate, although Hikaru Mishima was a little uncomfortable with being called "Hikari Mei" by a boy younger than himself, but, seeing that everyone liked this title very much, he also thought it was very good, so, in the end, this nickname was decided.

Later, this nickname was also passed out, and the nickname given by Sakamoto Kiyoshi to Hikaru Manshima was also recognized by Hikaru Mitsushima's fans.

Therefore, when "Light Sister" was on the show, the host would ask about this name stalk, and later let Hikaru Mishima often call Sakamoto Kiyoshi and complain about him, why did he give her such a nickname, it's embarrassing.

Of course, that's all for later.

The current Hikaru Mitsushima, because of this nickname, is also a lot closer to the "elder brother" of Sakamoto Kiyoshi.

And Toda, since the last "Elevator Horror", has become good friends with Sakamoto Kiyoshi, and Kashii Yuu seems to have a little affection for Sakamoto Kiyoshi because of the kiss scene in the play.

This is the picture of three flowers, in the crew, who often takes care of Kiyoshi Sakamoto.

Although Sakamoto Kiyoshi said that he didn't need to pick up the vegetables for himself, it was enough to eat, but they still looked at Sakamoto Kiyoshi with big eyes, as if to say, "If you don't eat, you just hate me?", so, there is no way, every time Sakamoto Kiyoshi eats at noon, his stomach is about to burst...

This kind of treatment also made Matsuyama, who was sitting on the side, very envious, jealous and hateful.

This small group of young people, after the finale, all exchanged contact information with each other, and made an appointment to come out for dinner together next time they were free.

Compared with Kiyoshi Sakamoto, an all-round artist, they all focus on the profession of actors, so when there is no filming, they are all idle.

The question is, when will Kiyoshi Sakamoto, who is very busy, be free.

Regarding this question, Sakamoto Kiyoshi was also stunned and thought about it.

"I don't seem to have taken a long vacation since my debut... ”

。。。。。。

Winter goes to spring.

Spring is here again, and it's the season of mating again...

March 5th.

"Qing, TBS TV called us and said that the "Love Continent" that I followed you before will be broadcast at 11 o'clock tonight. ”

"Oh, I see, I'll take a look at it in the evening. ”

Listening to Uncle Ishida's words, Kiyoshi Sakamoto responded to him while standing up from the chair on his desk.

Stretching his waist, Kiyoshi Sakamoto continued to hold the mobile phone in his ear, and asked the uncle on the other end of the phone, "Uncle, how is the number of viewers of this show?"

"Well, as far as I know, the ratings of this show are still very good, and quite a lot of people watch it. ”

"Oh, I haven't seen it yet, but under the camera, I usually look like I'm funny. At this time, Sakamoto Kiyoshi turned on his computer and searched for the "Love Heat Continent", and the first one he found was "Fukuyama Masaji Chapter of the Love Heat Continent"

"Uncle, I won't tell you, I found something interesting, I'll hang it first. ”

"Hey, you... ”

Drip!

Uncle Ishida looked at the phone that had been hung up in his hand, and looked confused.

Putting the phone on the table, Kiyoshi Sakamoto immediately clicked on the "Fukuyama Masaharu Chapter of the Continent of Love" with the mouse.

Twenty-five minutes later, Kiyoshi Sakamoto finished watching this documentary about his teacher, Masaharu Fukuyama.

"Professional vs. amateur" is the theme of Masaharu Fukuyama's documentary.

In just twenty-five minutes, Kiyoshi Sakamoto saw a completely different Masaharu Fukuyama from the one he knew.

Kiyoshi Sakamoto was very surprised when he heard the news that his teacher's first single at the time of his debut sold only 2,800 copies and could not sell at all.

Unlike his first single, which shipped 20,000 copies, Masaharu Fukuyama did not sell as much as people thought when he first debuted.

However, it took Fukuyama two years to sell 300,000 copies of his single, and it took four years for his first million-dollar single to appear.

As soon as Kiyoshi Sakamoto debuted, his first single sold millions of copies, and all the subsequent singles and albums exceeded one million sales.

In contrast, Sakamoto Kiyoshi, a disciple, has much better grades than his own teacher.

However, Kiyoshi Sakamoto did not rest complacent, because he knew that his great success was entirely due to his own future hits, coupled with Sony's strong support.

And the real effort I put in is the music knowledge and theory that I learned from Masaharu Fukuyama.

He often thinks that if there is no "Bole" of Masaharu Fukuyama, no matter how much ability his "thousand-mile horse" has, it is impossible to become an instant hit.

Therefore, Sakamoto Kiyoshi has always been deep in his heart, and he is very grateful to Fukuyama for his support and training.

And after watching this "Fukuyama Masaharu of the Hot Continent", Kiyoshi Sakamoto is also a little looking forward to the "Kiyoshi Sakamoto Chapter of the Hot Continent" broadcast at 11 o'clock in the evening.

"Am I as handsome as my teacher when I look on camera?" thought a narcissistic guy.

Everything is known at eleven o'clock.

。。。。。。

"Oh my god, my image!!" There was a wail from one of the apartments.

Time: 11:30 a.m.

Location: Kiyoshi Sakamoto's apartment.

Character: Kiyoshi Sakamoto.

I saw Sakamoto Kiyoshi standing on the floor of the living room, with only one slipper on his feet, his face was indignant, his eyes were staring at the TV, his hand holding the remote control, and his muscles were bursting out, these details can be seen that Sakamoto Kiyoshi was sad and angry at this time!

The broadcast of "Love Continent" on TBS has been broadcast, and Kiyoshi Sakamoto went from being excited and watching himself on TV with interest at the beginning, to seeing the anxiety in the middle of the show, and finally to the end of the face like ashes.

The changes in his expression can form a set of emojis.

Why was he so surprised after watching his documentary?

Because, from the documentary, what Sakamoto Kiyoshi sees is not the handsome side of his creation, and the serious side of his work, but he sees himself in a state of comic and convulsions, and, most importantly, at the Fuji Music Festival, the video recorded by Sakamoto Kiyoshi "confessing" to Kyoko Fukada was also cut into the end of the documentary.

The reason why Kiyoshi Sakamoto wails is exactly that.