It was pitch black in the studio, only a Mercedes-Benz SUV was lit up by the lights, and two cameras were shooting from different angles, aiming at the lowered window, the car did not move, and Alexandra Daddario, who was sitting in the driver's seat, still posed as a car, turning back and shouting from time to time.

"Hold on!"

She shouted to Matthew, who was lying crookedly in the back seat of the car.

Matthew looked a little miserable, and the close-up of the camera captured his face was full of scars, and there were blood stains on his forehead and brow bones.

The Mercedes SUV suddenly shook, Alexandra Daddario turned her head and drove intently, and the camera lens aimed at her instantly turned into a close-up, encircling her entire upper body into the camera.

It's clear that the crew knows very well where Alexandra Daddario's biggest selling point for the film is.

The car shook violently, and Alexandra D'Addario shook with it, and her chest under the white tight T-shirt shook even more exaggeratedly.

Alexandra Daddario then turned back and shouted, "Where do you live!"

"Uh......" Matthew dangled and dazed.

"Where do you live?" Alexandra Daddario shouted again.

Matthew said in a daze, "Washington Square, 11 Washington Square." He seemed to faint at any moment, and finally reminded, "They don't know where I live, don't let them follow us, uh...... Wait until dawn to go back......"

Alexandra Daddario only felt that her chest was shaking and she was about to fall into her seat, and she stopped talking, concentrating on posing as a car, looking forward to the shot and finishing it quickly.

Finally, director Guillermo del Toro's voice rang out, "Stop!

The Mercedes-Benz off-road vehicle immediately stopped shaking, and Alexandra Daddario breathed a sigh of relief and subconsciously touched her chest to see if it was shaken off.

Matthew got up from the back seat, got out of the car and walked to the driver's seat, helping Alexandra Daddario open the door, just in time to hear Alexandra Daddario mutter, "If it goes on like this, it will soon sag." ”

She glanced at Matthew, jumped out of the car, and said generously, "Am I not right?"

"That's right. Matthew said casually, "It's common sense that big breasts are easy to sag. ”

Director Guillermo del Toro's voice rang out again, "Transition shooting, retouch your makeup, and restart shooting in forty minutes." ”

Matthew made his way to the rest area first, followed by Alexandra D'Addario.

Without going back to the dressing room, a make-up artist and her assistant quickly walked over to "treat" Matthew's wounds, and Matthew sat in a chair and left the make-up artist busy.

Alexandra Daddario followed and sat right next to him.

"I heard that the crew is going to fight for a place in the Oscars?" she asked.

Matthew took advantage of the time when the makeup artist wiped the blood off his head and went to get the medical tape, and said, "Warner Bros. is indeed prepared for this, and it is not yet certain that he can get an invitation from the Oscar organizing committee." ”

Now there is still some time before the 79th Academy Awards, and the organizing committee of this year's Oscars has not yet confirmed the rest of the award presenters except for the host Alan DeGeneres.

"I Am Legend" has invested as much as $150 million in production alone, and Warner Bros. must meet the needs of first-line super productions for the promotion of the film, although Matthew is not interested in the Oscars, but he will not deny the promotional role of the Oscars.

Warner Bros. has been planning since before the New Year to make him, an absolute actor, an Oscar presenter, and not an ordinary award, and wants to plan the presenters of the heaviest awards.

More than a year ago, Matthew's own weight was slightly insufficient, but now it is different, regardless of age, his status and fame in the circle are enough even as the guest of honor for Best Picture.

Of course, being too young in front of the Oscars will always be a disadvantage for male stars.

Alexandra Daddario asked in a low voice again, "When will there be any definite news?"

After the makeup artist put medical tape on his forehead, Matthew shook his head and said, "I don't know, but it won't be more than half a month before the Oscars at the latest." ”

"Matthew, please don't move. The makeup artist had to reapply the makeup at this time, reminding, "Don't talk just yet." ”

"I see. Matthew turned to Alexandra D'Addario before applying makeup to the makeup artist, "Generally speaking, anyone invited by the Oscar organizing committee can bring a male or female partner. Anna, if this happens, will you be my female companion then?"

"Really?" Alexandra Daddario touched her chest, her ice-blue eyes full of surprise, "Matthew, may?"

Matthew nodded and said, "Of course you can, but I don't guarantee that Oscar will invite me 100 percent." ”

Alexandra D'Addario understood, and said, "I know!

The makeup artist walked over at this point, and Matthew said to Alexandra D'Addario, "Anna, we'll talk later." ”

"Hmm. Alexandra Daddario nodded and stopped talking.

It took nearly twenty minutes for the makeup artist to finish the makeup on Matthew's face and legs, and Matthew stood up and moved his hands and feet, and it didn't feel good to sit for a long time.

A neutral woman came over with a little girl of eleven or twelve.

"Hello, Matthew. "The middle-aged woman is an agent at an angel agency.

Matthew knew her, had seen her more than once, nodded and said, "Hello, Maggie. ”

A middle-aged woman named Maggie pushed the little girl in front of her and took the initiative to introduce, "This is the little actor signed by the company, Saoirse Ronan." Saoirse, this is Matthew. ”

Matthew reached out and shook the little girl's hand, "Hello, Miss Ronan. ”

The little girl was very polite and shook his hand, "Hello, Matthew." ”

She seemed to be introverted, and after saying this, she retreated to the agent's side.

Maggie then said, "Saoirse is going to play with you in a while, I'll bring her over to get to know you in advance." ”

She then introduced Saoirse Ronan to Alexandra Daddario, who casually greeted the little girl.

Saoirse Lorna has a distinctly introverted personality and is completely different from Chloe Moretz, whom Matthew met some time ago.

Guillermo del Toro's deputy came over at this time to inform that the crew had completed the transition and had several actors enter the venue to prepare for filming.

Matthew and Alexandra D'Addario went to the set first, and when Saoirse Ronan arrived, the three practiced their positioning under the direction and explanation of Guillermo del Toro, and filming officially began.

In a trance, Matthew woke up lying on the sofa, subconsciously touched his forehead, the wound on it had been treated, and then felt that his leg was a little cold, and when he touched it down, he found that his trouser leg was cut open, and the previous wound was stitched together.

Then, he looked further away, his watch and flashlight on the coffee table, and the television playing "Batman: Time to War."

Matthew struggled to get up from the couch, seemed to hear movement in the dining room, crawled to the TV cabinet, opened a drawer, took out the pistol inside, and walked towards the dining room with vigilance.

He came to the front of the restaurant and was stunned for a moment, then saw the little girl who was eating and Alexandra Daddario who was busy standing in front of the gas stove.

Almost at the same moment, Alexandra D'Addario spotted him, turned around, saw the pistol in his hand, and stared at him stunned, as if he didn't know what to do.

Matthew looked at the two women, one big and one small, and made sure they were harmless, walked over to the shelf, and slowly lowered the pistol.

"It's ...... I'm sorry......" said Alexandra Daddario, making a few unconscious gestures, pointing to the frying pan on the stovetop, "the eggs are all powdered. But...... Of course you do. ”

Matthew breathed a sigh of relief and nodded slightly.

"This is for you. Alexandra Daddario showed him the pot, "I found bacon, it's the best thing in the world." ”

She came over with a pan, "I also found antibiotics in the bathroom, next to your plate, your feet are not healed, and if you don't treat them quickly, the injury will get worse." ”

Seeing her put the dishes from the pot on a plate, Matthew asked, "Who are you?"

Although he didn't look back, he was sure that the focus of the camera lens behind him was definitely on Alexandra D'Addario's extraordinary chest.

This is commercial film, and this is also the most typical shooting technique of commercial film.

"I'm Anna. Alexandra Daddario gestured to the little girl with her eyes, "This is Rebecca." ”

Then she asked Matthew, "Aren't you going to eat it......?"

Probably a distraction, when Alexandra Daddario put bacon in the porcelain plate, the bacon fell on the oak table.

"Cut!" the voice of director Guillermo del Toro immediately rang out, "and the departments returned to their positions and resumed filming in five minutes." ”

Alexandra Daddario put down the pan and smiled sheepishly, and Matthew shook his head at her slightly, signaling that it was okay.

Everyone makes mistakes when shooting, from actors to directors to other behind-the-scenes jobs.

Matthew walked over and said, "Relax, Anna. Just like you would if you make yourself breakfast, once you relax, you'll find it easy. ”

Alexandra Daddario nodded, "I will." ”

Perhaps it was Matthew's words that played a role, and after the filming restarted, Alexandra Daddario did not make any more mistakes, but something went wrong on the cameraman's side, and this long shot was shot four times before director Guillermo del Toro announced it.

With Alexandra D'Addario joining the crew, filming really came to an end, and after the scenes in the Los Angeles studio were completed, the crew moved to New York again to shoot the location scenes.

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