Chapter 1083: The Stubble Goes Crazy

There was a knock on the door, Song Zheng had just taken a shower, and he had a bath towel around him, he was going to sleep, but as soon as he returned to the crew today, Ning Hao didn't even give him time to pour jet lag, and immediately let him devote himself to filming.

"Who!?"

Song Zheng spoke, walked towards the door, and heard Ning Hao's voice as soon as he arrived at the door.

"Who else can it be, I'm going to open the door!"

it!

Song Zheng looked at the time, it was almost one o'clock, this guy came over at this point, did he still plan to follow him to discuss tomorrow's shooting plan?

Although full of impatience, Song Zheng still opened the door: "I said you ~~~~~"

Before he could say a word, Song Zheng was so frightened by an exclamation that he quickly closed the door, turned around and went to look for clothes.

"Ning Hao, your uncle, you brought someone here, why don't you say a word!"

As soon as he opened the door just now, Song Zheng found that it was not only Ning Hao who came, but also Tong Liya, who came with him.

When she opened the door again, Tong Liya was still standing at the door, her head bowed, her face was slightly red, obviously the scene just now made her very embarrassed.

Glaring at Ning Hao, who was smiling evilly, Song Zheng hurriedly let the two of them in: "It's this big night, why are you here!"

Ning Hao put the shopping bag he was carrying on the table: "What's the matter, I'm looking for you to celebrate, what's the matter, if we win the Oscar, we won't look down on us!"

"!" Song Zheng opened the shopping bag, which contained two bottles of wine and several kinds of braised vegetables, "You are looking for me to drink!?"

Song Zheng said, looked at Ning Hao, and then at Tong Liya, wondering in his heart, how did these two people come together.

We Chinese filmmakers have been tossing for so many years, and we have finally tossed an Oscar winner, why do you have to let me get rid of it!"

Ning Hao said, he had already opened the wine, and took out three cups from his pocket like a trick, and gestured to Tong Liya: "Xiao Tong, can you have a cup too?"

Tong Liya didn't speak, she pulled a chair and sat down, and helped take out the braised vegetables and put them away, Ning Hao couldn't help but smile when she looked at it.

"It's really done!" Ning Hao said, and began to pour wine, "I was going to call Zhang Xu, but he had a cold for the past two days and had already slept, and I happened to see Xiao Tong, so I brought it." ”

Song Zheng knew that he couldn't hide from this wine tonight, so he didn't excuse himself, dragged a chair and sat down, and looked at the braised vegetables in front of him: "I also won the Oscar, don't you say that you will set up a few tables in the big hotel, just use this to deal with me, and the grade is a little lower, right?"

Ning Hao ignored Song Zheng and handed over the wine: "I won't say anything else, just one word, congratulations, what's the matter, let's go!"

Song Zheng glanced at Tong Liya, and saw that she was also holding a wine glass, a little hesitant, at night, the actresses in the crew were drinking, why is this so awkward!

"Brother Zheng, I congratulate you too!"

Well, it's hard to ride a tiger!

"Then I'll thank you!"

After Song Zheng finished speaking, as soon as he raised his head, a full glass of wine was poured down, Ning Hao naturally didn't have to say, although when they first met, this guy could drink a lot, but he has practiced it for so many years.

It was Tong Liya who surprised Song Zheng a little, after a glass of wine, her face was not red or panting, which was really impressive.

The opening was good, and then naturally entered the established mode of drinking in their group, chatting while drinking, of course, it was basically Ning Hao and Song Zheng talking, Tong Liya sat quietly on the side, and laughed with the two from time to time.

are all people in the circle, and the topic of chat is naturally inseparable from the movie, and Song Zheng is most concerned about now when "Mourning the King" will be completed.

"I guess it's going to be more than two months at the earliest! What's wrong? I can't wait to tinker with your new show now?"

Originally, according to the filming plan, "Mourning for the Heavenly King" should have been completed in March and April, but during the period, the script was changed, Song Zheng was injured, and the progress was inevitably slowed down.

"No, I have to wait until the second half of October to start filming, there is plenty of time, I just want to finish filming this scene and rest for a while, I'm too tired!"

Song Zheng burst into a rough sentence, but this is also his true state at the moment, but he is too tired to shoot "Mourning the Heavenly King".

"Post-production or something, I won't follow the mixing, you can do it yourself according to your own ideas, and besides, I guess when we do this pre-production promotion, my side should also start the film, and when the time comes, I won't be able to come!"

"Not coming? Do you know who our opponents are in this year's Lunar New Year? That's a real blockbuster, Director Feng won't talk about it, they are all a family, Zhang Yimou and Chen Kaige are also busy with new dramas. ”

Although it is still a little early to consider the issue of this year's Chinese New Year stalls, Ning Hao is not unfounded when he brings it up at this time, as for the large number of blockbusters he said, Song Zheng naturally will not be unaware.

Ning Hao's "Mourning for the Heavenly King", Feng Xiaogang's "Tang Mountain Earthquake", and Zhang Yimou's "The Love of the Hawthorn Tree", and Chen Kaige's "Zhao's Orphan".

Judging from this list, no matter how you look at it, it looks like the fifth-generation directors collectively cheated the corpse, wanting to encircle and suppress Ning Hao, a newly rising box office hero.

Feng Xiaogang's "Tang Mountain Earthquake" naturally doesn't need to say much, Zhang Yimou's "The Love of the Hawthorn Tree" is also a strong opponent, don't look at the scenes that Lao Mouzi has filmed in the past two years, one by one, but this time is different.

According to past conventions, if Zhang Yimou wants to make a good movie, it is often adapted from the original works that have already won a reputation among readers.

On the contrary, almost all of them are super bad movies piled up with RMB. It can be seen that Lao Mouzi's ability to control a movie on the basis of a good script is still familiar.

After directing several commercial films that are not proportional to the box office and word of mouth, Zhang Yimou can now be regarded as returning to the old path of literary films that he is good at.

Although this "Love of the Hawthorn Tree" can no longer be the same as its peak classics such as "Red Sorghum", "Red Lantern Hangs High", "Ju Dou", "Alive", "Qiu Ju Fights a Lawsuit", this fresh love sketch can still bring the audience a long-lost touch in Zhang Yimou's movies.

In this play, it is definitely a wise choice for Lao Mouzi to find two little-known newcomers to take the lead.

If any pair of famous stars in China play the role of Lao San and Jingqiu, it will be a disaster!

The performances of these two newcomers are surprisingly clean and simple, and there is no such thing as the blunt and pretentious performance of the imaginary newcomers.

Lao Mouzi found high school student Zhou Dongyu, such a little girl with no acting experience to play Jingqiu, and the estimated value was the innocence and youthfulness in her.

Of course, before the release of this movie in the previous life, many people who had read the original book were disappointed with Jingqiu's appearance. This little girl named Zhou Dongyu is really far from the image of Jingqiu in people's minds, the Jingqiu described in the book has big breasts and hips, and is ridiculed by her peers as "Sanli Bend", and she looks too petite and too thin.

But when people saw Jingqiu appear, the little girl's true performance unexpectedly made many people begin to have a sense of identity. It should be said that from the temperament of Zhou Dongyu, he is already very close to Jingqiu.

And Dou Xiao, the actor of the third child, is almost exactly the same as the image of the original book in people's minds, with an angular and handsome face, white teeth, and a bright smile, everyone who has read the original book has this feeling.

The actor is right, the story itself is also a rare masterpiece, the love described in the story is very beautiful, that kind of emotion is what many people want to have, but never had, of course, the so-called innocence in the film is a little overkill, and whether it is placed in the current world of lust, or in the era when the thought was relatively simple, such innocence seems to be a bit too much to eat the fireworks of the world, but it is in line with the most fundamental and primitive characteristics of love, and Zhang Yimou has achieved the effect of emotion but not sensationalism through the intentional purity of this love, so many people are willing to believe in that kind of pure beauty.

Although the love between the third child and Jingqiu was deliberately purified by Zhang Yimou, this purity is only the purity of the artistic conception, the two dare not hold hands, dare not date and other situations are real, which can be verified from the personal experience of the previous generation, and the kind of emotion between the two that is about to leave and want to talk about it is the basic feature of that era.

When love in reality is troubled by houses, cars, faces, tickets and essences, and it is difficult to simply love and be loved without the slightest material purpose, people really need this kind of innocence to purify their hearts.

Another reason why people like this movie is that although they are physically infatuated with this era, they mentally yearn for the era they have never experienced, the era that seems poor and strong and stupid but lovely, so people are willing to believe in that pure and that beauty.

This movie is not very good, after all, compared with Lao Mouzi's previous classics, this "Love of the Hawthorn Tree" is obviously still a big gap, but compared with the messy movies he has tossed in recent years, this time it can be said to be a rare masterpiece.

As for Chen Kaige's "Zhao's Orphan", although it is very noisy, several large film and television production companies in the industry are jointly produced and invested in famous directors and actors, such a configuration has made "Zhao's Orphan" attract much attention from the start.

But Song Zheng really didn't take this scene as an opponent, of course, Chen Kaige is indeed one of the few good directors in China, although he has lost before, people still have reason to maintain high expectations for him.

But the result?

As the saying goes, the higher the expectation, the greater the disappointment, "Wuji" Chen Kaige also made up a mysterious story, but this time in "Zhao's Orphan", Director Chen painstakingly fried a big pot of glutinous rice.

Because of this, when "Zhao's Orphan" appeared with a flawed and devastated appearance, people were particularly intolerant.

As a movie fan, although Song Zheng in his previous life scolded all the blockbusters made up by big directors, when "Zhao's Orphan" was released, he still couldn't help but run to the cinema, and he was abused again.

The most basic structural problem of a movie, Director Chen Da has not been able to deal with it well, is this TM teasing people?

The structure that should be grasped best is seriously out of balance, the first half of Tu's harm to Zhao and Cheng Ying's rescue of orphans are also grandiose, ups and downs, but unfortunately Chen Kaige only filmed half of the good drama, an hour later, whether it is the plot or the scene, the artistic level of the film has plummeted, and the plot of the loose and boring family indoor drama of the second old man teasing Yi'er has stubbornly supported the film for more than half an hour, so it is really surprising.

Another point that is very inconsistent with the director's reputation and the audience's expectations is that the film does not create a realistic environment for the minimum crime. For example, in addition to the three protagonists, there is no family, no maid, and no family in the huge Tu'an Clan's Xiangguo Mansion, and even when Cheng Ying's father and son came to seek revenge, it was as if they had entered a vacuum, and only the three of them were playing with swords and swords.

The same problem also appeared in the residence of Zhuang Ji in the Zhao Mansion, whether it was when Cheng Ying was in the vein, or when the soldiers were approaching the door, the huge Zhao Mansion was empty, and there were no maids or family members.

This is the case in the city, and the same is true in the field, the scene of Cheng Bo leading his troops to fight, relying on dozens of people and horses rushing left and right in the woods to be perfunctory, Tu Anjia can sit on the mountain and watch the tiger fight without trouble after dozens of meters away, these are really child's play.

If the substandard of the real environment can be blamed on the lack of funds, then the film's logical loopholes are difficult to forgive.

For example, Zhao Shuo, as a commander who had just returned from a victorious battle with his troops, had no troops to help him in the case of a sudden attack.

As for why Tu Anjia deliberately got rid of the Zhao family, although the plot has foreshadowing, the strength is obviously not enough, not to mention that he has to bring the King of Jin to the funeral together.

In addition to the logic of the plot, the inconsistency of the logic of the characters' personalities is more serious. Tu Anjia was a ruthless traitor in the first half, not only killed more than 300 members of the Zhao family inhumanely, but also killed more than 100 babies in the city in order to collect the orphans of the Zhao family.

But in the second half of the film, he suddenly became soft-hearted, even when he knew Zhao Gu's true identity, and even when the other party waved his sword, he hesitated again and again, which may be credible to ordinary people, but it is contrary to normal feelings for Tu Anjia.

What is even more incomprehensible is Cheng Bo's demeanor, when Cheng Ying and Han Ju tell him the truth, the fifteen-year-old child shows an astonishing retardation.

He can not believe Han Ju, how can he not believe his father?

Talking to himself about such important information as a lie compiled by his father is in stark contrast to his maturity when he was six or seven years old when he heard that Tu Anjia's soldiers had killed his mother, and his logic is seriously inconsistent.

In short, this film is thundery, and it can't be said from the perspective of a normal analysis of a movie, because it is not normal at all.

Needless to say, the story of "Zhao's Orphan" itself is outstanding, for so many years, it has been circulated for a long time, and the drama and drama have been done, and all of them have been successful.

It is equivalent to Chen Kaige himself standing on the shoulders of giants to make movies, and the ridiculous things in the movies that can be made, it is estimated that Director Chen himself can't make sense of the logical confusion and details problems, if a movie can't even make sense of the least of these, what the hell is there to talk about!

Is "Zhao's Orphan" called a movie?

Look at those shots, the plot is written, is that called a movie?

Just walk down the street and drag someone who can write to see if you can exceed this level?

I really can't understand how Chen Kaige, as a person who filmed "Farewell My Concubine", could write such a work?

What dramatic tension, contradictions, characters, and audio-visual language are all out of the way, let's just talk about the fact that anyone with a normal mind can see it in this movie, those serious logical flaws that don't make sense, what's wrong with the brains of the people who make this movie, after watching this film, in addition to deeply feeling that Chen Kaige once again cheated the audience out of the money in their pockets, I believe more and more that the excellence of "Farewell My Concubine" that has been circulating in the market has nothing to do with him at all.

The basic morality and shame are gone, of course, this is related to Chen Kaige's consistent "patricide complex", that is, the almost paranoid denial of traditional culture.

In the eyes of the fifth generation, traditional culture is "perverted" and "cannibalistic", so Wang Hechen in Chen Kaige's film has almost no normal people, most of them pinch their noses and speak, neither male nor female, of course, Chen Kaige seems to be particularly fond of "perverted people", except for a few contemporary themes, almost all of his works have perverted characters.

In "Zhao's Orphan", Chen Kaige is just once again using Tu Anjia's mouth to repeat the old tunes of traditional moral hypocrisy such as "courtesy, righteousness, honesty, wisdom and trust".

But the prototype of the story "Zhao's Orphan" embodies the word "loyalty", and Chen Kaige wants to weaken this traditional thought, because in the eyes of a group of people represented by him, "loyalty" in Chinese history is often a foolish and fallacious, and sometimes even a way of behaving that destroys human nature.

Chen Kaige just wants to innovate in this regard, and wants "Zhao's Orphan" to return to the essence of human nature and make him more in line with the values of modern people.

Well, this is barely what a thoughtful director should do and must do, but he has once again gone to the extreme in this crucial part.

If Chen Kaige went to the extreme of ethereal and empty content in "Wuji", then in the part of "Zhao's Orphan", he went to the extreme of being deep and deep, deep and profound, and affectionate and affectionate, and such a result can only be hypocritical one by one.

Accordingly, Song Zheng didn't regard Brother Chen Kai as an opponent at all, and there was a reason why he let himself go, so why did he let Song Zheng look down on him.

https:

Genius one second to remember the address of this site:. Vertex mobile version reading website:m.