[Digression (written above): I was in the classroom when I watched this movie for the first time, and I just wanted to complain at that time, because I couldn't understand it, and I couldn't see where the "legal" logic was. Because I don't know much about legal logic, I hope the teacher won't be angry. I don't understand logic, I can only understand that maybe it's some kind of connection, some kind of thinking, in short, it's too abstract.

Then I watched the documentary, and suddenly I started to fall in love, and now I have watched the movie three or four times, and I found that the more I watched it, the more I wanted to watch it, although I still didn't understand it very well, there is a saying that "how deep your life is, how deep Wang's film is", I think my IQ can only be like this. I read a lot of movie reviews on the Internet, and I think many of them are very beautiful and thought-provoking. I have limited knowledge, and when I read the movie review and then pondered the movie, many doubts were solved, and I also learned a lot.

I can't put into my own words how beautiful this movie is, it's the kind that people will miss. The picture is beautiful, the emotions are full, and the things are real.

Zhang Jin didn't say it, he would have known martial arts, Tony Leung, Zhang Ziyi, Zhang Zhen learned boxing for a few years in real combat for this drama, which is self-evident, the boxing skills shown in the play are still very real, because there are countless masters looking at Wong Kar-wai and looking forward to this movie. So I think the actors are still working hard, and they are all trying to reinvent themselves in order to fit into this soul.

I'm not a professional and don't analyze camera acting angles. I can only look at the general coordination. Watch a movie just to see if it touches me, or resonates with me, or if I learn something and change something. 】

If this movie really wants to talk about logic, I understand more from the lines, each line is a wise quote when it comes out alone, which is worth scrutinizing, but it is a seamless combination when put together. If the beauty of the picture is the exquisite and gorgeous packaging of this movie, the lines are the projection of its ideological connotation.

Bringing the lamp in the Buddhist gate to the martial arts made me see the feelings of Wong Kar-wai, a philosophical poet, again.

Ip Man said that every night, no matter how late he came back, she would leave a light for him. Zhang Yongcheng, a well-born, Chen Jing and elegant woman of the Republic of China, has been standing silently behind her husband, leaving a lamp and waiting for someone. No matter how Ip Man goes in and out of the world, or even if he hides flowers in the leaves, he will always come back. This lamp not only retains Ip Man, but also retains a generation of grandmasters. Just as Wong Kar-wai introduced this lamp into the martial arts, if there is a lamp, there will be people, passed down from generation to generation, and someone must be employed, so that martial arts can survive.

When Gong Yutian was retiring, he said to Ip Man, "With one breath, light a lamp, you know, if you don't forget, there will be an echo." Where there are lights, there are people. I think this sentence is the meaning of the "generation" of grandmasters, and it is also the intention of Wong Kar-wai to make this movie.

Gong Yutian wants to use his retirement to create the birth of Ip Man, from him can see the nature of people who practice martial arts, once they start, they can't stop, although people leave the "world" heart but always in the rivers and lakes, worried about the inheritance of future generations of newcomers and martial arts, Gong Yutian is a bright light, illuminating the way for Ip Man to start his journey.

Ding Lianshan has very few roles in the play, but he is the key to the direction of the whole plot. In the matter of the southern fist and the north transmission, Gong Yutian was very urgent and at a loss, Ding Lianshan compared the entire martial arts to this stove fire, and Ip Man was a new firewood, he told Gong Yutian Hengchai into the stove and forcibly pushed it if it would only break this fire, and he should take advantage of the situation. I think this is why Miyahata had the "idea of comparison" when he retired from the Golden Building.

He later said, "In one door, someone has to be the face, someone has to be the inside, the face can't be a little dusty, the blood has to be contained, and if it can't be contained, it leaks to the face, which is a major matter of destroying the faction and destroying the door. This passage is actually a metaphor for the fact that he gave up inheriting his master and fled south for his younger brother to bear the murder case, and lurked all his life to do "ghost" things.

It can be said that Ding Lianshan has not only achieved his own junior brother but also created Ip Man, and he is not a person who lights a lamp in the martial arts.

Gong Yutian and Ding Lianshan created a current situation for Ip Man, allowing him to take advantage of the trend and realize the southern fist and the northern pass, and the integration of the north and the south.

Gong Er is a person who pities Ye Man's heart, Gong Er is fierce, which is destined for her to live with love and hate, her martial arts can only see herself, see heaven and earth, but can no longer see all beings. Ma San realized that Guan Pass was not in charge, but turned back, but there was no way to stop, and Gong Er was not. She entrusted this idea to Ip Man.

Later, Ip Man went north to find Ding Lianshan in order to see the sixty-four hands of the palace family again but to no avail, Ding Lianshan had words in his words, and there was a voice outside the voice, Ip Man never smoked, this cigarette was like the fate of Ip Man, when he took the cigarette from Ding Lianshan's hand, it was like taking this incense.

This trip made him realize the importance of breaking the sect and spreading the martial arts, and after Ip Man poured what he learned to all living beings, the Wing Chun sect was passed down from generation to generation and promoted to the world.

Three days before Ip Man passed away, he also took a video to leave his boxing skills, and he paused in the middle, it is difficult to know whether he is tired or he forgot or he is teaching, but this kind of "never forget, there will be an echo, light the lamp to keep people" The persistence really moved and admired me.

The Republic of China is the last golden age of martial arts in China, from the Jingwu Society to the Chinese Warriors Association in the first year of the Republic of China, the establishment of the Central Guoshu Museum, the establishment of the Liangguang Guoshu Museum in the seventeenth year of the Republic of China, the Five Tigers went down to the south of the Yangtze River, and the North Fist and the South Transmission started from that time, and a generation of grandmasters happened at that time. In the era of martial arts masters and complex times, everyone in the martial arts has abandoned the outdated concept of martial arts and promoted the integration of northern and southern martial arts, such as Gong Yutian or Ding Lianshan, as well as the successors of these countless sects.

Chinese martial arts are broad and profound, but they have lost a lot of things to this day, and many things are no longer there, which is really regrettable. We are often exposed to some performative martial arts, but we know very little about the essence of real martial arts.

This movie mainly shows the four major types of boxing of Wing Chun (Ip Man), Bagua (Gong Er), Xingyi (Ma San), and Baji (A Line of Heaven). Many people watch this movie and think that the fight scenes are too aesthetically pleasing, but I feel that Wong Kar-wai is interpreting another martial art for us in his own way.

Gong Er's gossip palm is feminine and soft, turning into a form of movement, and the palm is transformed into a technical attack, which is beautiful and practical, and Wing Chun must be a close-knit play, so there is a beautiful scene in the Golden Building, and the feelings of face to face are transmitted.

And Xingyi boxing pays attention to beating people to fly, volleying into the air, and leaving the ground, the so-called beauty hanging paintings are nothing more than that. It has something in common with Bagua, and it is really not difficult to imagine what kind of beauty there is in this extremely lethal boxing technique when the two boxing techniques are combined.

The eight poles of the first line of heaven are short fists, borrowing ground power, often kicking the ground and stomping, violent and violent, fast, clean, pay attention to "memory eight meanings, eight shapes of the outside, eight sides of the strength, lead the qi with the will, and promote the force with the qi", a punch method must be domineering.

So the martial arts presented in the movie are not much exaggerated. It's not that fighting and killing is martial arts, in addition to killing martial arts, there are other meanings of existence, which is what Wong Kar-wai is teaching us.

Wong Kar-wai began to cross the north, south and strait to find the grandmaster under Jet Li's master's gang, which originated in Hong Kong and spread to the mainland, successively to Beijing, Tianjin, Hebei, Shanxi, Inner Mongolia, Northeast China, Shanghai, Zhejiang, Foshan, Hong Kong, Macau, Taipei, and visited more than 100 masters of several major schools such as Wing Chun, Xingyi, Bagua, Baji, and Xinyi. Almost all of these masters are over half a hundred years old, but when they talk about kung fu, it's hard for you to pay attention to their age.

Some of the masters have now passed away, and many of them are still learning and teaching kung fu despite their old age, and they always take the trouble to tell Wong Kar-wai about the rituals of their sect, and some even insist on teaching martial arts in the park every night. Many things need to be passed on from master to apprentice, and they all have a sense of urgency to pass it on.

What we can see from these masters is not only kung fu, but also the spirit and integrity of the nation.

They are all lamplighters of Chinese martial arts.

As Ye Zhun, Ip Man's son, said, the real generation of grandmasters is not only good kung fu, the most important thing is to make a sect develop one after another, have influence, coupled with his personality and morality, in order to be called a generation of grandmasters.

Wong Kar-wai's film from the beginning of the construction of a street to a later era, he strives to restore the real era of real martial arts, the rise and fall of martial arts and the spirit of martial arts in that era. He wants to shoot a "generation" of grandmasters, not a generation of "grandmasters"

Some people say that the so-called trick is to do a simple thing to the extreme, Wong Kar-wai said that he opened a door for the inheritance of martial arts, started a head, and hoped that someone would continue to walk, because this road is too charming......

Wong Kar-wai lit a lamp and waited for the lamp to be asked.