October 3rd.

Yokohama City, inside a large studio.

"Sakamoto-kun,You don't seem to have any energy... ”

Yuriko Yoshitaka, who was sitting next to Kiyoshi Sakamoto, handed him the canned coffee in her hand and asked curiously, "Didn't you sleep well last night?"

After taking the coffee, "clicking", opening the coffee, and pouring it violently, Sakamoto Kiyoshi replied leisurely: "Uh, I had insomnia last night... ”

"Insomnia?" Yuriko Yoshitaka also took a sip of coffee lightly, and continued to ask, "Why? The filming has been going very fast recently, and you, the actor, are not under a lot of pressure, right? . . ”

"Uh, I'm still a little worried, after all, the next scene is very important... ”

Kiyoshi Sakamoto didn't tell the truth.

In fact, the reason for his insomnia last night was that he spent another night contemplating content about the future of Nogizaka.

Since the last call with the girls, Kiyoshi Sakamoto thought of the idea of the Nogizaka derivative team, and in his spare time during filming, he would think about the feasibility of this matter from time to time.

Sometimes when I think about it, I get too excited and lose sleep directly...

However, such a bit embarrassing thing is not easy to talk to others.

Therefore, when Kiyoshi Sakamoto faced Yoshitaka's question, he would use the reason of "worrying about shooting" to push back.

He wasn't lying, though.

He was indeed a little worried about the next shooting.

The recent filming progress of "Killing City" cannot be called a thousand miles a day, but it can be regarded as five hundred miles a day.

After filming the battle of the Buddha statues in the first part, Kiyoshi Sakamoto followed the crew to Japan's largest studio, the Yokohama Gigafactory.

Here, the entire "Killing City" film crew is about to start filming the last action scene in the second part of the movie.

The battle between the Gantz squad and the black-clad star's metro battle!

As mentioned earlier, because of the large number of fights and gunfights, it was too hot to shoot on location.

Therefore, the crew specially made two trains with a length of more than 50 meters and exactly the same as the real thing.

And for the next month, the entire crew will be stationed in this soundstage, which is known as the largest in Japan, just to shoot this 15-minute scene.

Generally speaking, the filming of action scenes is very difficult, and the error tolerance rate of action scenes is much lower than that of emotional dramas.

After all, in the case of literary drama, the most difficult thing is nothing more than a crying scene.

Tears are not so difficult for actors who have a very good ability to grasp emotions.

Even if you can't cry on the spot, you can wait until the actor is about to cry before shooting.

However, action scenes are different.

If you make a mistake, the shooting will be interrupted and you have to start all over again.

Especially when shooting a series of fight scenes, for the sake of the beauty of the picture, the supervisor will generally try to pursue one pass.

After all, the intermittent fights, it seems, are not coherent and not very graphic.

Therefore, when filming action scenes, the supervisor will usually divide the intense fight scenes into segments of a few seconds each, and then shoot.

In this way, it not only reduces the difficulty of shooting, is conducive to post-editing, but also allows the actors to make their movements coherent and not fragmented.

This is the filming technique that Kiyoshi Sakamoto learned from Takashi Miike, the supervisor of "Hot Blood High School", and Shinsuke Sato, the director of "Killing City".

It's like the next scene:

In the shaking subway car, the "Genno Meter" played by Kiyoshi Sakamoto wants to start a thrilling heads-up with the leader of the black-clothed stars played by Tsuyoshi Ayano!

And the first shot is Kiyoshi Sakamoto's "sho time"!

First, Ayano Tsuyoshi removed the car door with his bare hands, and then threw it at Sakamoto Kiyoshi.

And Sakamoto Kiyoshi, who was rushing towards Tsuyoshi Ayano, wanted a dashing kneeling to dodge this wave of attacks.

This is only a 1 difficulty move.

One pass, so easy!

However, the next few actions are not so easy to complete.

First, he took the Gantz katana and slashed with Ayano Tsuyoshi for a while, and then grabbed the armrest of the carriage with one hand, turned around and kicked in the air, kicking Ayano Tsuyoshi away.

This series of actions not only requires Sakamoto Kiyoshi to complete in just a dozen seconds, but also cannot use Wia.

This made Sakamoto Kiyoshi fall to the ground because he didn't grasp the handrail with one hand, or didn't kick Ayano Tsuyoshi when shooting.

Of course, there are too many NGs...

When filming these dangerous actions, Kiyoshi Sakamoto will sincerely "greet" someone in his heart.

That is, the action director of the crew, Ichiro Wise!

It is precisely because of his proposal that the action scenes of the actor "Genno Ji" are more gorgeous and chic.

Of course, the difficulty coefficient and the degree of danger also increase exponentially.

These actions, in the previous life of Kazuya Ninomiya version of "Killing City", are clearly not there!

However, what makes Sakamoto Kiyoshi feel relieved is that although the action coefficient is large, the fighting actions tailored for him by Akechi Hayashi Ichiro are very cool, and the shots are also very smooth and shocking.

This is also the reason why Kiyoshi Sakamoto still insists on not changing his actions when he caused multiple injuries when filming action scenes.

All for the movies!

Moreover, I have to say that Kazuya Ninomiya's small body of less than 1.7 meters is not enough to see in front of Kiyoshi Sakamoto's tall figure of 1.83 meters.

In fact, one of the reasons why Kiyoshi Sakamoto took over "Killing City" is also because of this.

He didn't want to look at the very charismatic role of "Genno Ji", and once again let Kazuya Ninomiya, a little man, play it.

Kazuya Ninomiya's acting skills are very good.

Especially in the epilogue of the second part: When the mission is over, Genno Ji is teleported to Gantz's room, caressing Tae's non-existent face, and in a silent cry, he angrily slams his hand to the ground...

This relationship broke out, which was shocking.

However, you must know that this is a movie that focuses on action sci-fi, not the moon nine that focuses on love separation!

The fight scene is the main theme of the film!

In his opinion, although the male protagonist of "Killing City" "Genno Ji" is a high school student in the original book, his height is much shorter than his good friend "Kato Katsu".

However, it doesn't mean that you have to find an actor with a height of less than 1.7 meters to play it, right?!

Even Ninomiya Kazuya's appearance is very good.

The defect of height,Led to the Ninomiya Kazuya version of the "Genno Meter",In the fight scenes that require the explosion of beauty such as strength and speed,,It can't be shown at all.,This character's experience in a hundred battles.,And super combat ability.。。。

And if Kiyoshi Sakamoto plays this role, the picture and beauty of the fight will obviously change a lot.

At least, on the big screen, a tall handsome guy slashes against the enemy, which is much more pleasing to the eye than a short handsome guy slashing against the enemy...

Therefore, after taking over the role of "Genno Ji", Kiyoshi Sakamoto also held on to the idea of letting the light of this role surpass Kazuya Ninomiya's version and work hard!

To this end, he received special training as an action director and also accepted various changes to dangerous movements.

This,Maybe he's paid the most for the role.。。。