Since you have decided to act, you must devote yourself to it, and perform this play well, at least it must surpass the original version, Lin Xinru followed Lu Yi to act, and they all became a couple on the screen, the two of them acted, how could they have more life, and they could not act that kind of taste?

When he got home, Song Zheng asked Lin Xinru for the script, plunged into the study, studied it attentively, and after reading the script twice from beginning to end, he suddenly felt that this script was really well written, although those parts of love and love still made Song Zheng look at it all over, but from the perspective of the plot, character setting, and the complex and contradictory relationship between people and people and society reflected in the whole story, this is definitely a work of conscience. Pen, fun, and www.biquge.info

Several main characters in the play, the male protagonist Qiu Shi, a typical machismo, was furious because his girlfriend forgot to pick up the plane, although when everyone sees this role, the first thing that comes to mind is that they feel worthless for the heroine, but how can they not be like this, but in the end, in order to pursue a happy ending, the screenwriter calmed down Qiu Shi, or put love in the main position, moved God, and let him find his beloved at the airport, such a huge place.

The heroine Sula, this character is not the standard white lotus in general idol dramas, she has a strong personality and excessive self-esteem, which is an advantage, but there are also obvious flaws, obviously she went to meet her ex-boyfriend on her birthday, it is indeed her own fault, but when she confessed her mistake to Qiu Shi, she was still so arrogant, and she even asked Qiu Shi to sell a car of roses and say I'm sorry, there are still such women in the world?

Jing Sa, an image of the eldest sister that is standard in many urban romance dramas, can still treat life calmly when her love life suffers setbacks, give birth to a child, and refuse the sympathy of her former boss when it is so difficult, and start a business together with Sula, her personality can be described as extremely stoic, she treats Sula and Xiaofang as her own sister, enlightens and helps from time to time, and her affection for Zhao Lei is also handled properly, and her calmness is far beyond her age.

Yan Ruyu, the heroine's college classmate and best friend, but this character has a bad heart, attaches too much importance to fame and fortune, and can forget the deep friendship for a mere 20,000 yuan, which can be regarded as her ability, and after the ups and downs she finally experienced, she can see through right and wrong and devote herself to education, which can be regarded as her making up for her bad deeds.

Yin Shan, the heroine's predecessor, this person is too insidious, sinister, and has a revenge mentality from beginning to end, in fact, he did a very good job in the strange stone company, and was appreciated by Qiu Shi, sitting firmly in the second position of the strange stone company, and finally deserved it, but also retribution, he also has a weakness, he can't grasp women, whether it is Sura, or his wife, let them leave him.

Zhao Lei, the hero's buddy, it's just that this policeman seems to be a bit of a wretch, and he can accept a woman's past without reservation, which is not comparable to ordinary ordinary people, probably when the screenwriter created this role, he couldn't help but be moved by his own writing and character setting, and in the end, it was not easy to climb up from the hands of death after being robbed.

Liu Haodong, this is a model of a successful man, probably many people will think that men should be like this, have their own careers, have a happy family, have an affair, family breakdown, remarriage, and then be able to find their true love life, with a home, many times he has shown extraordinary magnanimity, donating liver to his daughter is indeed deserved, but it is not unusual to be able to leave his hard-earned career to others twice.

In terms of character setting, the screenwriter did not simply delineate the distinction between good and evil for everyone, even if it is the main character, not all men are kind and responsible, rich and handsome, women are gentle and lovely white lotus, everyone has character flaws, which is much more real.

In addition, in terms of plot, the story can firmly grasp the hearts of the audience from the beginning, just because of the truth, the screenwriter did not deliberately create an illusory world for people's attention, but focused on the vast sentient beings in today's society, which is obviously easier for the audience to have a sense of substitution, unlike most idol dramas, which are detached from reality and full of dreamy bubbles.

The background of the story is the real society, a contemporary China with uneven development in various regions, two girls from the vast central region and underdeveloped areas, Yan Ruyu and Sula, a year after graduating from university, their hukou was sent back to their hometown, and they have not been able to find a job.

No hukou, not a local, ridiculed as a "township", no hukou to find a job is restricted everywhere, not a local, even if they are beautiful, they are frequently dumped, struggling every day in the big city of the magic capital, running around on the subway, looking forward to being accepted by the city, but this kind of falling days don't know when there will be an end.

This is the real society, unemployed after graduating from college, in Yanjing, the magic capital of these big cities, I don't know how many wandering outsiders, uprooted from their hometowns, no hukou, no stable job, no house, no love, running around by subway every day, the prosperity of the city is in their eyes, but they do not belong to them.

Of course, if the plot is simply developing towards the single line of wanting to survive in this big city, this drama should be renamed again, such as "Sister and Sister Break into the Demon City".

Therefore, after the background is laid completely, the story begins to substitute in another direction, adding an element that no one can resist - love.

However, the screenwriter seems to be reluctant to be vulgar, unwilling to simply take love as the main proposition of the whole story, he wants to express more things, such as about the place of love in life.

Just like Qiu Shi, the male protagonist in the story, his career has improved and he has achieved a certain success, and he began to think about his spiritual life.

Indeed, when there is a certain achievement in his career, under the pressure of his career and the huge contrast in his heart, he begins to put this most important part of love in his life on his agenda.

Of course, it is not that only successful men are qualified to talk about love, but when life reaches a certain level, or under a certain pressure, they begin to get involved in this aspect, consider their lifelong masters, and find someone to share the joys and pains of life with them.

Although this will inevitably have some snobbery and the loss of some purity in love, adding some practical considerations to love should be a lot more secure for entering marriage in the future.

Therefore, this can at least enlighten many people that in love, it should not be exactly the ideal color, but also should add some practical life content.

In addition, there is also about ideals and reality, there will always be a certain gap between ideals and reality, which everyone understands, but when it comes to how to deal with the relationship between these two aspects, everyone may have different ways, for example, Sula and Yan Ruyu in the play should be two different ways.

After Yan Ruyu left the university, she was quickly assimilated by society and the world, giving up her ideals, while Sula has always adhered to her original choice, trying to find the combination between ideals and reality, in reality, still maintain loyalty to her ideals, and eventually achieve something.

At the very least, this should enlighten the graduates who have just stepped out of school, strive to adhere to the combination of ideals and reality, grasp reality in ideals, and realize ideals in reality.

There is also about love, and the love shown in the play can be described as varied, true, fake, evil, and ugly.

Regarding the circumstance between Yan Ruyu and a series of men, taking love completely as the weight of his future material enjoyment, harboring ghosts, and putting his own material interests at the top of love everywhere, and finally ending up with such a result, it should be said that it is inevitable, what else?

For Sura, it is completely different, for her, although love is not her whole life, but at least she always puts her inner feelings, or her own feelings, first when dealing with the problem of love.

What the screenwriter wants to show is that in love, one's inner feelings should be the most important, followed by those external material things.

In the end, Sulla can get the true feelings that truly belong to her, which can be regarded as a reward for her loyalty.

In fact, in this film, everyone has their own love ideals and opinions, such as Zhao Lei and Jing Sa, and finally the love between Qiu Shi and Sula, Song Zheng personally thinks that kind of love is very real and suitable for the situation of modern society, especially the love between Su La and Qiu Shi.

For love, in fact, the love between Zhao Lei and Jing Sa is a little idealistic, Zhao Lei's generosity and self-sacrifice, and a little shadow of ideal heroism, but it can also be said to be a little realistic.

For Qiu Shi and Sula, Song Zheng feels that they are gradually growing up, for Qiu Shi, many people may think that he is a successful man, and Sula should be very happy to have a boyfriend like him, but in fact, for Sula, this is not the case.

They are indeed very compatible together, just like the name of this play, male talent and female appearance, this should be the most suitable in the eyes of the Chinese, but Sula is different from traditional Chinese women, she does not want that kind of life- Outside the male protagonist, inside the female protagonist, she wants to have her own career, but Qiu Shi can't tolerate this one, so, on the surface, they seem to be very harmonious, in fact, this fundamental difference in lifestyle is a big obstacle in front of them, and Qiu Shi has not noticed, although Sura has mentioned it many times, but he has not paid attention to it, and eventually led to the tragedy of Sulla's escape, which should be a heavy blow to Qiu Shi, but he has never come to his senses, and has always thought that he is right, Sula should not be so unwilling to choose such an act, but he never understands how much harm he does to a girl like SulaHe didn't want that kind of life, which would make her very miserable. In the end, it was Zhao Lei's words that made Qiu Shi seem to understand.

Qiu Shi seems to love Sula very much, but in essence, he is selfish, everything he is involved in is planning for himself, and he has not thought about Sulla's feelings at all.

"To love someone is to make her happy!"

Zhao Lei's sentence should give people some enlightenment, for the current family, the division of labor between men and women should be more flexible, not necessarily follow the original model, two people can negotiate, choose a way that is acceptable to both people, this is the best.

Another rule is that when people think about problems, they should not always think from their own unilateral point of view, but also think from the other person's point of view.

For Qiu Shi, he is indeed good for Sula, he feels sorry for Sula, and he doesn't want her to maneuver in this turbid world, but Sula prefers this, so it leads to conflicts between the two people.

In fact, in reality, people may have been doing these "thankless" things, as long as you think about it from a different angle, maybe there will be a lot less such things.

If it weren't for Zhao Lei's enlightenment, Qiu Shi would really miss holding hands with Sula because of this, which would be a great regret and Qiu Shi's biggest loss, maybe he wouldn't understand it in the end.

And then there's about men and women, men and women are definitely different, and in this film, you should be able to see this from these intricate plots.

For example, Sula and Qiu Shi, in the play, this pair is the central character of the whole play, and it is also the highlight of the whole play, from the moment he first met Sula in the subway station, Qiu Shi's whole mind moved to this innocent girl, it can be said that he has never left from beginning to end, this is a man, or a typical successful, or a somewhat idealized man.

Such a man must exist in reality, and this so-called love at first sight is not a fool's dream, sometimes at a certain moment, the moment you see a certain person, all emotions will be mobilized, and there is really a feeling of "suddenly looking back, but that person is in the dim light".

People have always felt that only women's intuition is very powerful, but in fact, men also have intuition in this regard, and it is with this intuition that they will continue to go until the moment of success.

For women, it may be a little different, they believe in intuition, but often after intuition, they have to carefully re-examine their original intuition, constantly revise and supplement, and even constantly deny themselves.

Sulla's initial feelings for Qiu Shi didn't seem to have any special impressions, but she also didn't have any disgust. It's just that, in the continuous contact, Sula constantly revised his impression of Qiu Shi, and finally after that tourist accident, he was moved by Qiu Shi's true feelings, and finally made a qualitative leap in their relationship, maybe Sula is just one of the women, but there is still a certain typicality.

Then there is vanity, in fact, everyone has vanity, but the degree is different, or the occasion for use is different.

Just like in this story, the two characters of Sula and Yan Ruyu, their use of vanity is very different, in fact, for women, vanity is like clothes, and proper use can show more women's taste and women's coquettishness, but if it goes too far, not only can not bring out the charm of women, but will give people a sense of frivolity and debauchery.

In the play, both of them have vanity, but their performance is different, for Sula, her vanity is mainly manifested in rebelliousness and informality, sometimes it is obvious that she is not, but she is also unwilling to bow her head, maybe beautiful women are like this.

In fact, the most fully expressed vanity is the character of Yan Ruyu, who was actually very good when she met the man in the bodybuilding center at the beginning. But it was her vanity and concealment of her true identity that eventually led to the East Window incident and lost that opportunity.

And after entering the stars, it was also driven by vanity that she coveted the position of manager all the time, and finally took improper means to force out her best friend and make herself get her wish.

There is also something that has always been in her heart, about the golden beetle son-in-law, what kind of person is not good, what kind of golden beetle son-in-law has to be found, and finally I got one, but what can I do, in the end, it is not empty?

Looking at the piece of paper on the desk that was inadvertently written and painted by himself, Song Zheng felt incredible, he actually read a script, and he could still see so many doorways.

Maybe most viewers can't have the same experience of these things that Song Zheng felt from this script, but this feeling itself is subtle.

Originally, I just thought that this was a brain-dead urban idol drama, but after watching it carefully, Song Zheng found that this script was not as popular as he originally imagined, and the relationship between people and society reflected in the play was still very profound.

It is no wonder that the original version of "Talented Men and Women" in the previous life can be warmly sought after in the domestic youth drama market, which has always been sluggish, and it can be seen from these aspects that the charm and influence of this drama are indeed extraordinary.

Thinking about Qiu Shi and Sula in the play, and then thinking about himself and Lin Xinru, Song Zheng suddenly felt that in many places, he made the same mistakes as Qiu Shi, and he really didn't say it, but, in his heart, he didn't want Lin Xinru to be a traditional wife, husband and children at home, and everything was centered on him.

Perhaps, Lin Xinru also felt that all of them would secretly work hard for their own careers under the pretext of wanting to film with him.

Thinking of this, Song Zheng couldn't help but smile bitterly, maybe his machismo was more serious than Qiu Shi in the play.

All right!

Why not cooperate with it!

Since Lin Xinru in her previous life could finally work hard to make a career, then now let her go to the good side.

got up, opened the door, went downstairs, and looked at Lin Xinru, who was still trying to lose weight on the treadmill, Song Zheng smiled and said loudly: "Daughter-in-law, you are in this play, let's discuss which actors should be invited!"

Lin Xinru was stunned, almost fell off the treadmill, and finally stood firm, looked up at Song Zheng, and said in surprise: "You are really not embarrassed!?"

Song Zheng smiled: "It's not difficult at all!"