There is a saying between men and women, which has always been regarded as a wise saying, only tired cows, no bad pears, but this point of view can only be used to prove a protracted war, when it comes to the war of annihilation, men who have an absolute advantage in physical fitness can often still have the last laugh.

After a fierce battle, Lin Xinru fell asleep deeply, but Song Zheng couldn't sleep, thinking that Zhang Jingchu was still living downstairs, he didn't feel a little sleepy.

But at this moment, he couldn't go to Zhang Jingchu, he couldn't fall asleep after tossing and turning in bed, so he simply got up, and urgently needed to revise the script of "Inception".

Compared with the previous "True Lies", Song Zheng's expectations for "Inception", which is known as the most brain-burning movie in history, are obviously much higher.

"Inception" is really not an exaggeration to call the movie the most brain-burning movie in history, the plot is mainly about Cobb and his wife Mel have the ability to create dreams, and the two can live together in dreams, but Mel takes dreams as reality and is willing to live in dreams all the time, but Cobb began to get tired of dreams and tried his best to let his wife return to reality with him, so the thought of "now in a dream" was implanted in her consciousness, and his wife finally returned to reality with him by committing suicide by lying on the track in the dream.

But the tragedy is that after his wife returned to reality, she still retained the idea that "it is now in a dream" in her consciousness, so she asked Cobb to accompany her to continue to commit suicide.

Cobb's wife died, but Cobb thought that the current life was reality and did not choose to die, and after Mel's death, Cobb was wanted as a murderer, so he fled abroad.

Helping other companies use the skills of "Inception" to obtain trade secrets abroad, Cobb was forced to assist one company to bring down another company, and made the heirs of that company make the decision to dissolve the company by implanting consciousness in the dream.

In the previous life, after the original version of "Inception" was released, the interpretation and legend of dreams not only caused a strong discussion among science fiction fans, but even the scientific community was involved, but in the end it failed to give a good explanation.

A dream in reality must be a true reflection of a person's realistic thoughts, or an amplification of the subconscious, just like a plot.

People add and delete a lot of things in a subconscious framework, everyone in the dream is actually a first-class director, but people in reality can't control the development of the plot by implanting ideas like in the movie, after encountering danger in the dream, the human body will send a danger signal, in order not to let the high-speed brain collapse and wake up, according to the movie, waking up is crossing, waking up means death in the dream.

Because in the dream world, only death can cross more thoroughly, of course, there are other ways to cross, the other is to rely on the power of the outside world, so that the body in reality vibrates violently, and the formation of crossing.

Speaking of vibrations, what this movie wants to say is that everyone has crossed over, and almost everyone has the experience of sleeping on the table, or taking a nap, but in a few minutes of that nap, a dream was completed, but in this way, is it considered a dream maker?

People will always wake up when they are about to wake up and suddenly dream of something very dangerous, for example, when they go down the stairs and suddenly step on the air, and their body falls rapidly, they will suddenly wake up. The moment I woke up, my body shook violently, and the table was about to be shaken apart, in fact, according to the movie, it can be regarded as a complete crossing, a successful crossing.

In reality, there is also a situation that a person passes by a place, or sees a certain person or something, and suddenly feels that this scene is very familiar, just like what happened in front of him yesterday, every scene is so clear, it feels like a dream, as if he has implanted a scene in himself, like he has traveled from reality to a dream.

Nolan, the director of the original "Inception", grasped some details in reality, magnified them and put them in dreams, and put them in the movie, presenting a magical viewing effect that makes the audience think deeply about dreams in reality.

In the previous life, after the release of "Inception", many viewers would think after watching this movie, disorientation feels like a dream, will disorientation in reality be another way to travel?

Disorientation is when a person is at the same time, subconsciously feels that he has arrived in a different place, as if he has implanted a thought in himself, he thinks that he is in another place, everything has changed position, the only thing that has not changed is the thing itself, of course, there is still a direction that has not changed.

Of course, the only thing that hasn't changed in the main line in this movie is that it's a word of love.

Love for his wife, love for his children.

Love for his wife,In the end, he hurt his wife because of his wife's loss.,When the protagonist wakes up,Love for children,Let him return to reality.,Because after many times crossing,,He finally at the end,See the child's innocent smiling face forever on his back.。

The meaning of this movie is to tell people that dreams are always dreams, and you can't imprison many bad things in reality, or things that you dare not face, in dreams forever.

The most interesting thing about "Inception" is that it is a movie that makes people want to discuss, and almost everyone who has seen this movie will be eager to share the plot with their friends, whether it is reality or a dream? How many dreams, what is going on? At least in this respect, this movie is a success.

A good movie can arouse the audience's interest in participating, and the audience's brain will also keep running as the plot develops, analyzing the plot and finding out the answers.

Nolan has always been a good player in this, and his previous works, such as "Memory Fragments", "Deadly Magic", "Following" and other films, have also been highly engaged by audiences.

Song Zheng is not a science fiction fan, but he likes the movie "Inception" very much, in his previous life, he walked into the cinema more than once, and he dared to analyze the plot excessively, what really impressed him was that some of the scenes in this movie.

Nolan is truly a genius who, with his brilliant imagination, offers fresh, interesting worlds. This is the real reason why I like this movie in the end, after all, film is the art of images, and a good shot, maybe just a detail, is what really moves the audience.

For example, the weightless bundle in it, this should be the biggest gain of this movie, several weightless scenes are very good-looking, but this weightless bundle should be the most essential passage.

Song Zheng's first reaction when he saw this shot was that this would definitely become a classic, under the premise of weightlessness, several characters would be piled up in a pile, bundled together, flipped and moved at will. Arthur is like a magician, even playing the role of a god. Showing a visual miracle to the audience can't help but remind Song Zheng of the wonderful weightless dance designed by Brian de Palma in "Mission to Mars", which is also elegant and sacred.

There is also the scene of crossing in the water, which is also the first scene in the whole movie that shocked Song Zheng, Leonardo in his dream was pushed down and poured into the bathtub to realize the crossing, in the elegant music, the slow motion of high-speed shooting will show the whole process of this crossing, which is also a ceremonial and soul-shaking shot.

Static blasting, Nolan shows Alan Page, more like the audience, the wonder of this dream space through a set of static blasting shots.

The two sat calmly in a roadside café, watching everything on the side of the street explode and collapse, still in slow motion, still with a strong sense of ritual.

Mirror moment, often watch movies know that the lens is most afraid of looking directly at the mirror, because looking directly at the mirror will see the photographer, and naturally it will be a goof, although the progress of technology has been able to remove the goofs in the mirror, but it is still rare to see a lens that looks directly at the mirror, in fact, looking directly at the mirror often has a very powerful shock, when the lens looks directly at the mirror, it is found that there is no imaginary camera in the mirror, so who is staring at the mirror?

That's right, it's every viewer who watches the movie, of course, the charm of this clip is far more than that, for the whole movie, the mirror is more like a door, opening infinite possibilities.

Weightless fighting, in fact, those few weightless fighting scenes are very good-looking, the constantly flipping corridors, the actors who jump up and down completely ignore the principle of gravity, and they are cross-edited with several other dreams, which adds to the tension and blood.

The erected city, this shot, comes from Alan Page's curiosity, out of curiosity, she flipped the world in her dream upside down, erected, so there is this shocking scene, the erected city is flipped and rolled up, ignoring the principle of gravity, this is the world in the dream.

The collapsed building, in the previous life, this picture has always been Song Zheng's computer desktop, which also shows his love for this scene, Nolan used a lot of scenes to show the instability of dreams, the building that frequently collapsed on the edge of the subconscious is one of them, the solid building is like a sand castle, there is a danger of collapse at any time, and every time the building is destroyed, it will bring some audience amazement. Because everybody likes to destroy, because in dreams. Everyone can be God.

Arthur in the dream, this is the first dream that takes place, everyone is asleep in the van, and the sleeping Arthur is the most interesting one. I can't figure out if it's intentional or if it's an unintentional capture with a high-speed lens. The sleeping Arthur always kept an elegant smile in his dreams, and unintentionally waved his arms as the van swayed from side to side.

I don't know what others think, Song Zheng always felt that this scene was too embarrassing, how could Arthur have such a cute sleeping appearance, like a big doll.

And, interestingly, he is the only easy regulator in this tense movie, and every time he fights with Eames, the disguiser, there is always some laughter, but more often than not, Arthur, who is in a suit, neat hair, and always has a charming smile, is in charge of being handsome.

There is also a spinning top that will stop, like many people, Song Zheng also wants to have such a spinning top, in the end scene, Nolan puts the camera on the spinning top, the moment when it stops, this is a dream or reality, every audience can guess, the open-ended ending also makes the film endless.

In fact, there are many wonderful moments in this movie, such as Leonardo going to find a disguiser, escaping from the pursuit of the street escape, handheld photography, compact, tense, full of presence, I am afraid that many action movie directors are not as good as Nolan.

The movie itself will always give the viewer different enjoyment, some are like mountains and flowing water, refreshing their hearts and spleens, some are like skin kisses, pleasing their senses, and some are like war drums rumbling to stimulate male hormones.

It is biased to use these to summarize the so-called enjoyment of "Inception", "Inception" has not only the novelty of losing a major battle, the lingering compassion of love, the excitement of chasing scenes, the philosophical nature of the discussion of reality and dreams, and more importantly, there is rigorous logic, which cannot be constructed by ordinary wisdom.

Song Zheng still remembers that after the release of this movie in his previous life, countless film critics came forward to speculate that he could win several Oscars, in fact, in Song Zheng's opinion, everyone's praise is really not that they favor Nolan, but that the movie does show the wisdom that a great movie should have. 、

In terms of carriers, the city flip can be called the essence of the imagination of science fiction films, the spin battle can be regarded as a model of a unique way in action movies, there are a few gags that handle the humor just right, the editors intersperse the movement shots of the fight with the slow motion of the car falling in a natural and smooth manner, and the soundtrack still renders the urgency of time with the high-pitched rhythm as always。

However, Nolan never disdains purely commercial films, and you can know from the actors that Leonardo's performance is getting better and better, and the inner struggle shown is meticulous; Marion's acting skills are undoubted, her performance in the movie can be described as the richest layer, and different states are vividly expressed; Alan Peggy's performance space is not large, although it is still a true performance, which reminds people of Juno from time to time, but the style of acting can no longer be concealed; Watanabe Ken's performance is not very liked, but considering the difference between the performance of Zeng Chenglong, who speaks English, and Cheng Long, who speaks Cantonese, this is understandable.

Of course, the true wisdom of great movies is still manifested in having a deep soul, in Song Zheng's view, Leonardo is not the protagonist of the movie, the real core should be Marion Cotillard, because what is shown in her is a philosophical proposition that Nolan wants to expound the most: what is real.

Marion is tragic, she thinks it is real in her dreams, and she thinks it is a dream in reality, but she is always looking for reality, the two suicides in dreams and in reality are both a process of searching, maybe to regret her final death in the real world, but like the spinning top at the end of the movie, who will know if this is real or a dream?

In the eyes of the audience, Leonardo is awake, but as depicted in "Shutter Island", he cannot judge whether he or someone else has mental problems, and in "Inception", he also cannot judge whether he lives in reality.

Therefore, the dream and reality in the movie are just two relative spaces, looking for is the real reality, philosophy itself is mysterious and mysterious, ethereal can not be grasped, but it is an insignificant carrier, it is easier to attract people's brains, the thinking about the movie finally comes down to logic, the interlocking dream relationship of the movie is what really makes it infinitely attractive, so that when the last gyroscopic of the movie turns, Song Zheng also heard someone in the movie theater whispering "Down! Down!"

After this movie, there are various interpretations on the Internet, and after reading it, I feel that there are illogical places, and in general, the whole movie is too complicated.

First, why are the second layers of dreams weightless?

Of course, it's because the first dream is in free fall, but Alan Page said that the laws of physics in dreams can be controlled by themselves.

So why float there?

Because the defender prevented Arthur from detonating the explosives, the timing of the first crossing was missed, and if Arthur regained gravity, it would be very troublesome for the defenders to appear, and it would be laborious to carry those accomplices, so it was better to pack up and float away.

Second, why cross at the same time?

There is a principle in this that the purpose of this layer is to wake up the dream of the next layer, not to return to the upper layer, so that the people on the fourth layer wake up with blasting on the third layer, then if there is no crossing of the second layer, they will be blown up and killed when they wake up, and directly enter the subconscious layer.

The second floor is crossed by an elevator, if the first floor is not crossed, the moment people come back from the third floor, they will also be stoned to death by the elevator and directly enter the subconscious layer.

Therefore, with the same instantaneous crossing, the thieves went directly from the fourth layer to the first layer, waited for the sedative of reality to be overwhelmed, and then woke up together.

Of course, there is another problem here, that is, in the reality layer and the first layer of dreams, the pharmacist used sedatives, so this problem appeared.

Third, why do you want to shock the rich second generation?

One of the issues involved here is that the subconscious layer is an independent space that can be entered from any layer of dreams, and dying on this layer can return to the dreams that exist on any layer, or you can directly return to reality, Ken Watanabe and the rich second generation entered from the third layer of dreams, and Leonardo's last entry should be from the first layer.

At the time of the destruction of the subconscious layer, the rich second generation and Alan Peggy jumped off the building not to cross, but to commit suicide, returning to a dream that exists in a heartbeat, so they returned to the third layer, if he did not shock the rich second generation at this time, he would probably return to the second layer.

Fourth, on which floor did Ken Watanabe die?

Of course, each layer died, and after watching the movie, Song Zheng felt that he finally died on the third layer, because the old state of the final shot shows that the level of his existence is relatively deep, and time is very slow, he can enter from the third layer, at this time the subconscious layer is regarded as the fourth layer, and Leonardo can enter from the first layer, at this time the subconscious mind was regarded as the second layer.

It is not an easy task to figure out these questions, maybe even Nolan himself can't give a positive answer, and all Song Zheng can do now is to try to restore the plot and wait for someone who can really figure out these questions to interpret it anew.

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