"Wang Ming, 37 years old,"

The director of the psychiatric hospital took Wang Ming's information and looked at it again, then looked up at Jia Hongsheng, "Can you tell me why they sent you here?"

The movie leaves little room for thought, the plot goes on quickly, and the audience knows through the scene that it is obvious why a criminal came to a psychiatric hospital, this guy was sent here for treatment because he was pretending to be crazy to escape the heavy labor work in prison.

So far in the film, it is obvious that Wang Ming played by Jia Hongsheng is the protagonist, but this is a criminal, a criminal who cheats and cheats, a criminal who pretends to be crazy in order to escape the labor camp, such a character full of stains on his character is actually the protagonist

Ye Lin was not surprised by this: Du An, the director's urine, she figured it out in the pretty woman, in it, he used a prostitute as the heroine, the director never liked to use some tall and complete symbolic characters like other directors, he preferred to use some characters full of various flaws as the protagonist, but it is precisely because of these defects that his protagonist has always been so real and credible, just like someone who does exist around us, An Chan to control the poisonous dragon.

Wang Ming, who was officially admitted to the hospital, began to live in an insane asylum, and participated in his first symposium, at which several main characters left the country, and their different speech and demeanor showed their respective character personalities.

This scene is relatively gentle, and it is a rare opportunity, so Duane secretly turned his head, raised his body slightly, left his seat, and roughly swept behind him: God willing, through the light projected on the screen, you can see that the audience in the theater is still black. There were no large-scale departures.

"You're nervous too"

Jia Hongsheng next to him noticed his actions and asked.

"Of course,"

Duane did not deny it. Graciously admitted.

Due to his unauthorized stance, this premiere of Flying Over the Asylum was the first time he watched his own movie at the premiere and observed the audience's first reaction. In addition, he didn't completely follow his dreams in this film, and added a lot of changes, so it was natural to be nervous.

This time it was Jia Hongsheng's turn to comfort him, "Don't be nervous, shoot well." ”

"It's still up to the audience, and it's still going to wait another ten minutes. ”

Duane said this, sat up straight, and looked at the screen.

According to the law. The audience departure usually occurs within half an hour of the beginning of the film, and if the audience has not left the stage for more than half an hour, then they will basically finish the film.

But who will leave

The story is interesting.

Wang Ming, a prisoner who entered the mental hospital, was like a catfish thrown into a school of sardines, which seemed out of place in this environment: he used naked female playing cards to lure the mentally handicapped patient Mani so that their daily game of cards could not be carried out; he blatantly organized a gambling game, sat in the bank by himself, and used cigarettes as chips to turn the mental hospital into a casino; he also wanted to challenge the daily order of the mental hospital, and asked the head nurse Li Hui to turn off the music quietly. But it ended in failure.

These things make the audience feel very new and interesting: before that, all films about the mentally ill treated this group as a special group, showing this group from the perspective of humanistic care and rescue. But under Duane's lens, these mentally ill people are no different from ordinary people except for their different personalities, and the director does not show the slightest pity for this special group, but treats these people as if they were the same people.

And Wang Ming's blatant organization of gambling and turning a mental hospital into a casino made these people even more excited: this guy is too bold

Everyone actually has the idea of challenging authority in their hearts, but because of their own powerlessness and cowardice, no one dares to do it, and now, on the screen. There was someone who did it for them, and it made them feel the same way. I couldn't help but look forward to what even more outrageous things this bold guy would do next.

Time passed quickly.

Duane raised his hand and looked at his watch, half an hour.

He cautiously turned his head and glanced around. It was still a piece of black pressure, and no obvious departure phenomenon was observed, so I breathed a sigh of relief in my heart.

It seems that his efforts are not bad, after the rhythm modification, the first half of the first half that seemed to him to be quite boring is much more compact, and I believe that this change has also made a lot of contributions to retaining the audience Blood Shrine.

So he sat down again, his mind was much calmer, and he turned his gaze to the screen again.

On the screen, Wang Ming, played by Jia Hongsheng, was vetoed by Li Hui because he wanted to watch the World Cup, and he was depressed, and then he had a whim, wanting to move the washstand in the bathroom, smash the window and escape, and go to a bar in the city to watch the World Cup.

No one believed that he could do it, everyone said that the thing could not be moved, but Wang Ming did not give up and made a bet with them.

Of course, the marble washstand was indeed very heavy, and Wang Ming exerted his strength to feed, and his face was flushed, but the washstand still did not move.

That's it

Ye Lin guessed this result but was still a little dissatisfied: now that the story has only been going on for so long, it is obviously impossible for him to really move this thing up and break the window and run out, but it seems that he is still a little unsatisfied.

Wang Ming left the washstand out of breath in the eyes of everyone, walked outside, paused when he walked to the door, turned his head and said, "I tried, didn't I, at least I tried." With that, he walked out and kicked the stool outside.

This scene was like a sledgehammer hitting the most vulnerable part of the hearts of all the audience, and everyone fell silent.

Some of them once rejected the boy they wanted because they were afraid of an unknowable future, some were afraid to pursue their dreams that seemed unrealistic to others because they were afraid of failure, and some gave up the opportunity to change their lives because they were afraid that they might lose their current comfortable life, so they could only lie on the cold bed and look at the ceiling at midnight and dream again and again, "If I had done something at the beginning, maybe today".

They are like these patients in the film who can only stand and say "you can't do it" to Wang Ming, and they don't have the courage to try to challenge.

Just because of the denials of others, they didn't even dare to try, but looking at the current scene, they realized that failure was not as terrible as they imagined, and what was really terrible was that they didn't even have the courage to try.

The film has already resonated with them.

"It turned out to be a good shot. ”

Le Chengyi said to his peers around him.

Le Chengyi is a professional film critic in Nanyang City, and this time he made an appointment with a colleague to come to watch at his own expense. As he expected, One Flew Over the Asylum was indeed a literary film, and Duane, the director, began to transform.

At the beginning of the film, he was actually a little unimpressed, after all, the director of a commercial film turned to literary film shooting, there are too many examples of adaptation, he is very skeptical that this director who can only be scary and romantic can tell a theme well, but so far, a qiē table xiàn is not bad, and it can even be used "above the level" To describe this film from the beginning to the present, there are too many metaphorical meanings, whether it is the comparison of the love at the beginning, or the different shooting angles for the mentally ill, or even the current scene, they all express a lot of things, but while talking about so many things, the rhythm of the whole film is very tight and fascinating, which can be seen from the state of the surrounding audience's full engagement.

A surprise, he even began to think about how to write his film review.

"This director is very powerful. ”

His companion responded to him, and continued to stare at the screen.

But the film is only half an hour into it, and the story has just begun. To be continued

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