Tang Wei sat opposite Song Zheng, her heart beating wildly, this was the first time she had seen an idol, a little excited, and a little disillusioned. Pen, fun, pavilion www. biquge。 info

In the past, Song Zheng's image in her mind was very tall, but now, her hair is messy, her beard is unkempt, her eyes are bloodshot, and she seems to be able to fall asleep while sitting.

It can be seen that Song Zheng has worked very hard during this time.

But Tang Wei was more nervous in his heart, especially at this point, lonely men and widows, living in the same room, it was really ~~~~

Tang Wei's mind quickly flashed a lot of dark little insiders in the entertainment industry, and his heartbeat instantly intensified again.

Song Zheng didn't think about it so much, he was busy every day now, he finished work every day, returned to the guest house, he didn't even have the strength to take a bath, he just wanted to fall into bed and sleep, if he didn't come to see Tang Wei now, when he woke up, he would have to deal with the thousands of things of the crew, where could he take care of Tang Wei.

Song Zheng didn't speak after he came in, just stared at Tang Wei, which made Tang Wei's heart beat wildly, as if Song Zheng would turn into a wolf at any time.

Belch~~~~

I'm looking forward to Mao!?

But Song Zheng didn't speak, she didn't know what to say, she couldn't say to Song Zheng, I'll play a show for you.

She really wants to do this, but the question is what to play?

Until now, she didn't know anything, not even what she was playing.

Song Zheng doesn't know what Tang Wei is thinking, and he doesn't have the heart to pay attention to it, he is now observing Tang Wei's image, although he is not a face control, but the heroine of a movie must at least pass the test in terms of appearance, otherwise, no matter how good the acting skills are, she can't afford the audience anymore, the audience walks into the cinema, looks at the heroine, and can even spit out the overnight meal, and play with wool!

At this time, Tang Wei, although he did not have the charm in "Lust and Caution" in the future, but he had a little more of a small jasper feeling, and his eyes were smart, which was the kind of actor Song Zheng liked.

The key to an actor's play is on his face, and the key to a good actor's play is in his eyes.

Love is like Liang Chaowei, his good play is mainly reflected in that pair of electric eyes.

Otherwise, no matter how good the appearance is, it is impossible to be popular for so many years all at once.

For example, the topic queen who relied on this plastic surgery to become a national beauty and fragrance, no matter how beautiful she is, she has a pair of dead fish eyes, even if she is mixed to death, at best, she can play Mary Sue and White Lotus.

Tang Weizheng was full of apprehension, but he didn't know that Song Zheng had already taken a closer look at her.

Strictly speaking, Tang Wei is not a beauty in the traditional sense.

Why is she mediocre looking?

Tang Wei's face is flat, it is a "big pie face", fortunately, her facial features are not three-dimensional, so it is more harmonious, Tang Wei's face shape is still a little irregular, it can also be said to be hexagonal, just like mosaic tiles, if she combs her bright hairstyle, you can clearly see these edges and corners on her face, and these edges and corners are too contrasting with her flat face and facial features, which seem incompatible, so she is very suitable for big waves to cover up the edges and corners on her face.

Another disadvantage on Tang Wei's face is that she is prone to showing her gums when she laughs, so it is better for her to smile or purse her lips and smile, and she is disillusioned when she laughs.

But Tang Wei's appearance is surprisingly attractive, from a director's point of view, she is very photogenic, and her temperament is very good and very feminine.

Maybe it's because Song Zheng was reborn, and when facing Tang Wei, he felt that this woman had a little more mystery.

This is probably the general opinion of many fans of Tang Wei in the previous life.

Because even when she was popular in her previous life, among actresses of the same rank, she was always in a state of being protected by mysterious forces, and always kept a cold distance from the public and the media, even if she occasionally proved that she had to eat, she carefully chose shiitake mushroom cabbage instead of the braised pork that she actually loved to eat.

What does this mysterious power come from?

The sequelae of the rumors that were once "blocked"?

Or is it because Li Yu is slightly guilty and advises the film and television boss Jiang Mouqiang: You must take good care of this thirty middle girl who was quickly coerced into the storm of public opinion because of the movie "Lust and Caution"?

Or is it because of the inspirational bosom friend body that has been circulating on the Tianya forum for a long time, how can a Chinese actress become a model on her own and earn pounds by doing street performances?

It seems that she will never appear in the "joke" of fighting openly and secretly with the soldiers, and she will never be classified as a certain Big Four, or a new Big Four.

In her previous life, her exposed boyfriend was neither a wealthy nor the most prestigious popular peer, and her previous boyfriends, starting from Zhu Yuchen, each of them was at the most literary and artistic time, just like a muse's sacrifice to show the most spiritual side.

All of this, Tang Wei's fate is like a silent craftsman, smearing the most literary and artistic pigments layer by layer on her, and in the end, Tang Wei can only be the goddess of literature and art.

The front, side, and 360-degree without dead ends are all literary and artistic, probably after "Lust and Caution", who will read what scale and what scene.

People will only remember that when it comes to the goddess of literature and art, the image of Tang Wei is the lock screen.

This kind of temperament is from the inside out, so although Tang Wei's appearance can only be at a medium level in the entertainment industry, and she will be a little stronger than passers-by in life, but with the addition of this temperament, she deserves the title of goddess.

She is sometimes literary and retro, sometimes fresh and sometimes charming, sometimes innocent and sometimes intellectual.

Wang Jiazhi in "Lust and Caution", with curly hair and red lips in old Shanghai, coupled with a cheongsam, has a strong retro flavor, just like a rich wife in the old society.

Among them, there is also a dress with a black top hat and a khaki trench coat, which is very mysterious and capable. Then, there is a light-colored cheongsam with a light-colored hat, looking down, eyes flowing, and the style is infinite.

Song Zheng was also impressed by a look in "Late Autumn", the heroine went back on parole to attend her mother's funeral, and she had not been free for a long time.

At that time, Tang Wei's "fur + green skirt" style really amazed Song Zheng.

Tang Wei's facial features are indeed not exquisite, and they are not too outstanding when they look at it alone, but when they are combined, they feel particularly charming when paired with a tall figure, the beauty of a woman is in her bones, and she spreads out from her face, this kind of woman will only become more and more beautiful!

Tang Wei is such a woman, her facial features are separated, there is nothing particularly outstanding, but when they are combined, her mysterious temperament is a little noble in casual, real and illusory, she is a woman who exudes tenderness and intellectuality and has deep cultivation.

Judging from the appearance alone, Tang Wei and the heroine of the original "Mr. and Mrs. Smith" are completely incompatible, and they can even be said to be two extremes, one literary and sexy.

When it comes to Angelina Jolie, her sexy appearance seems to be the direct reason why she went straight to the front line in Hollywood, of course, there is no shortage of news about her bad relationship with the actor's father, as well as the crazy deeds of her two husbands.

However, Angelina Jolie left the deepest impression on people is her appearance, a very beautiful person, it is true that God will not easily give her other skills.

Angelina Jolie's acting ability is put aside, she stops there, and it is pleasing to the eye, but it's a pity that such a beauty, the director's ability is really poor, "Indestructible" is a stinky and long American main theme movie, the lengthy sea drifting scene, too much people will have a sense of immediacy of various shipwreck scenes, and the passionate music in the film is also disgusting to listen to, probably she is also a little bit of ability, fans who have watched this movie really hope that Big Mouth Zhu will still be at ease to do charity and show his thighs in the future.

Seems a bit off-topic.

Song Zheng's brain was a little bigger, so he quickly put away his divergent thinking and reconsidered the feasibility of choosing an actor who is completely different from the heroine of the original movie to play this role.

If you use Tang Wei, Song Zheng will first face a very practical problem now, the copied script may have to be completely revised, Tang Wei's temperament is very unique, and he seems to be able to control many different roles, but the only thing missing is the kind of sexiness he expects, the sexiness that drips into the bones.

Song Zheng felt that his impression of Tang Wei seemed to be too affected by "Lust and Caution", and he always felt that Tang Wei should be the kind of woman who was very sexy, but when he really saw the deity, he suddenly found that he had really fallen into a misunderstanding, Tang Wei should be charming, not sexy.

And he, the heroine of the script, is the kind that gives people a strong sense of déjà vu as soon as she appears, and this woman is very sexy.

Then there is the problem of Tang Wei's acting skills, although the original "Mr. and Mrs. Smith" is a commercial blockbuster, but Song Zheng also wants to show more things different from the original in this movie.

And can Tang Wei's acting skills handle this role?

That's right, Song Zheng also recognizes the image of Tang Wei's goddess of literature and art, but her acting skills don't seem to be reflected in many places, to be precise, her acting skills are not supported by too many works.

It seems that the ban on acting at the beginning of "Lust and Caution" has made Tang Wei more legendary than others, and the side effect of the legend is that his acting skills seem to have been bonus.

Of course, in "Lust and Caution", Tang Wei did give an extremely superb performance, but the problem is that after carefully recalling all of Tang Wei's works, in any play other than "Lust and Caution", Tang Wei showed a performance level far below the average.

If you compare Zhou Xun, who also has the legendary blessing, you will find that Zhou Xun is the kind of person who is very comfortable in front of the camera, and Tang Wei is a kind of opposite, she seems to be the kind of actor who is "scared of the camera".

Song Zheng was very convinced of Tang Wei's performance in "Lust and Caution", although judging from the later scenes, Tang Wei's panic was more like an animal reaction, and Director Li Yan, who was good at capturing it, happened to capture this.

Regarding Tang Wei's acting skills, the reason why he was often taken out in his previous life was mainly because in a certain year, Tang Wei's works suddenly exploded into high production, "Destined", "Tale of Three Cities", and "Office Workers" were released one after another, but the final result suffered a serious setback, Tang Wei was the heroine in it, and the play or role was not flattering, and the fire would naturally burn up.

As for Tang Wei herself, it is already a cliché to say that the starting point is too high, and the twists and turns such as the journey are too commonplace, and Song Zheng feels that the key dislocation is that she is indeed a good drama actor, but her star halo is too magnified, and the sympathy points accumulated at the same time put her at an unreasonable height.

Moreover, Tang Wei is not the kind of actor who acts like anything, her body, pronunciation, and sense of proportion all have a strong sense of individuality, and the posing effect does not have the ability to absorb the camera at any time for the time being.

But if she has a play for her, she can expand it well, such as the prison visit in "Full Moon Hennessy", the story of her ex-husband's departure in "Martial Arts", and the playground dance in "Late Autumn", her "quiet" and "soft" characteristics can play a chemical role.

But it must be said that she is not good at playing ordinary people, on the other hand, she needs a young temperament no matter what, and ordinary joys, sorrows, and sorrows are difficult for her.

A typical example is the first half of "Beijing Meets Seattle", where she plays a somewhat annoying woman, but she is extremely incongruous because she is too nervous.

It wasn't until the characters returned to normal that she relaxed, and when she sat lonely in the big house, she returned to her area of expertise.

In other words, Tang Wei's performance has only one side, and Song Zheng has also seen Tang Wei's work before he became famous, that is, the "Police Flower Swallow" that was put on the movie channel, a very smooth cliché story, the heroine is very temperamental, and later she was selected by Ang Lee and carefully trained, of course it is amazing in "Lust and Caution".

Since then, Tang Wei seems to have stopped, Xiao Hong in "Golden Age" has a literary temperament, and "Beijing Meets Seattle" is still a "police flower swallow", except for that Tang Wei-style temperament, there is nothing else.

In "A Tale of Three Cities", except for the familiar temperament of Tang Wei, there is no other, in contrast, Qin Hailu can collect and release, make judgments from a high level, and has a kind of vitality and fireworks.

As for the Koreans' favorite Tang Wei's "Late Autumn", it is said that it is because the silent literary temperament is their aesthetic, but for Chinese audiences, I am afraid that this is a dull facial paralysis drama, because Chinese audiences have seen too many such Tang Wei.

Therefore, Tang Wei only has one side, she herself is as cold as late autumn, and whether she can shine on the big screen can only depend on whether the role is very "late autumn", or whether the director is as amazing as Li Yu.

Maybe it's because "Lust and Caution" has brought Tang Wei too many ups and downs, and since "Lust and Caution", I feel that she has never opened her heart in front of the camera.

She has always tried hard to portray herself as high-end, tasteful, tough and close to the people, childish and a little ice and snow smart, in short, to be a perfect goddess, but she forgot that the biggest charm of an actor is the cuteness revealed in imperfection.

Maybe she cares too much about the critical eyes of others, so she can't play the happiness and pain from the heart, especially when acting in hysterical scenes, it's a disaster.

She wants to make up for this by acting "skills", but the skills are too obvious, which makes people feel that she is not sincere enough, and only when she acts in some scenes with few words, she can win by temperament without saying her lines.

became famous because of Li Yan's "Lust and Caution", and she herself should understand that everyone will take this film as a reference for all future performances, and there will be countless eyes staring at every role she plays.

Tang Wei did use it for many years in his previous life, and took on one drama after another, except for "Late Autumn", which was recognized in South Korea, the other roles basically came and were forgotten quickly.

acted in the chick movie "Beijing Meets Seattle", which was considered a bit exaggerated in acting, and then played the female writer Xiao Hong, who completely played Xiao Hong into a small literary youth, until "A Tale of Three Cities" and "Gorgeous Office Workers", acting skills are still a major controversy.

Her way of acting gives people the feeling that there are a little limitations, of course, this is not a bad thing, it is common for actors to have limitations, the key is to use their strengths to find the right role for themselves.

Tang Wei in Song Zheng's eyes has always been the kind of cold and silly style from time to time, and the appearance and characteristics themselves are more inclined to a bit of temptation, but when she laughs, she has a story, which is her strength, and it is also something that many actresses do not have, but she still did not find the right longboard in the movies after "Lust and Caution".

That kind of "Tang Wei-style" acting in her true colors should not be her requirement for herself, or in other words, the roles she chose in her previous life could not inspire her to surpass "Wang Jiazhi".

The starting point of "Wang Jiazhi" is too high, with both her own literary style and the hard bonus of literary attributes in her private life, "Late Autumn", "Golden Age", "Tale of Three Cities", a down-and-out but beautiful literary young woman can always find her.

The roles are different, but changing clothes can be naturally chaotic, and anyway, you can't escape the three magic weapons of being in a daze, sighing, and shaking your head.

This may be Tang Wei's biggest shortcoming, without the master's meticulous and patient training, no matter how deeply she experiences life, she can only stand there blandly, with body bones, but she can't enter the soul.

Song Zheng was really sad to find that Tang Wei's natural and unique temperament would become a kind of sadness in her performance.

But fortunately, the current Tang Wei has not been framed by the movie "Lust and Caution", her acting experience is blank and lacks experience, which is just right for Song Zheng to create a Tang Wei who is completely different from her previous life according to her own ideas.

Moreover, Tang Wei's unique temperament can also be brought into full play by him, in the previous life, Tang Wei was trapped by her temperament, which was a very regrettable thing, but now it will not, after all, for Tang Wei, there is no need to act by standing there, her unique temperament that is difficult to ignore is already a moving drama in itself.