Hearing Zhou Jin say this, Wang Xiaoxian stuck out his tongue and knew that he was asking the bald mouth.

The two are indeed going to work together again, and the director Chu in their mouths is none other than the famous director Chu Baojian in Xiangjiang.

After Bruce Lee's death, Chu Baojian's Gulong martial arts films for the Shaw Brothers were one of the most popular genres of martial arts films.

Some connoisseurs believe that Chu Baojian is 'the last disciple of the Cantonese film industry'......

In the 60s, he and Chen Gang were the two main generals of Cantonese films, and they both had a more serious performance in terms of technique and content, adding a bit of intellectual flavor, and also gave some stimulation to the declining Cantonese films.

And Chu Baojian has a certain representation in Xiangjiang films, first of all, he is a pure local, he entered the industry very early, and has a close relationship with the development of Xiangjiang films, he is a typical professional director, prolific and indiscriminate, and has made almost any type of movie.

What's more, he is a talented director, who has achieved good results in both literature and business, and many of his commercial vulgar products are very distinctive, which is a manifestation of his personal style. ”

Chen Jialuo, who went to arrange for Wu Huo to shoot, came back, and when he heard Chu Baojian's name, he said with a smile: "Ah Jin, even if Director Chu comes to ask for someone, I won't let it go!"

"Arlo...... I haven't gotten a word about this yet!" Zhou Jin said with a wry smile.

Seeing him like this, Wang Xiaoxian covered his mouth and chuckled lightly. The director doesn't let people go, when filming "A Chinese Ghost Story", Ma Ye has been stuck in time by Chen Jialuo.

On the contrary, Chen Jialuo said with a serious face: "If you really take it, you can act well when the time comes, and it is a rare wealth to be able to follow Chu Baojian to make a film." ”

In his previous life, Chen Jialuo read an article called "Fortunately, Gulong has Chu Dao".

The article "Fortunately, Gu Long has Chu Dao" said that Gu Long's text imagination has a lot of space, and most people dare not change it into a movie. Director Chu Baojian is an exception.

If you haven't read the novel, you will be completely attracted by the process of revealing the mystery in the movie.

Over the years, I have watched a lot of film and television dramas adapted from Gu Long's novels, especially TV series, all of which are garbage, the more this is the case, the more I feel that Chu Baojian is amazing, in such a small space (setting up scenes in the studio), pavilions, platforms, buildings, pavilions, pavilions, pavilions, pavilions, Yaochi Fairy Lake, dense forest canyons, deep boudoir corridors, palaces and temples, mountains and towns are all realistically restored, and so many high-quality works have been completed in a limited time, which is quite exquisite and old-fashioned.

Chu Liuxiang played by Mr. Tan Long is also equally charming. Gu Long text combines elements such as reasoning, suspense, adventure, fantasy, and stream of consciousness, and the average director can't bite this crab.

For Chu Baojian, Chen Jialuo still admires it very much. Zhou Jin and Wang Xiaoxian originally just talked about this matter, but they didn't expect to be caught by Chen Jialuo in this kind of gap to have the opportunity to educate, and they deserve to be the famous - President Chen.

It didn't take long for the filming of this scene to be completed.

"Let's go, Brother Ju, the next thing is to clean up Ah Jin. How about it, haven't you been looking forward to it for a long time?" Chen Jialuo said with a smile: "The agent repairs the biggest brand of artists under it, and you make a lot of money." ”

He Guoju scolded with a smile: "I can see it, except for Yao Yangzai, I am the biggest villain." ”

Wang Xiaoxian also never expected that the filming here would end so soon, Chen Jialuo, who has always been striving for excellence, actually handed over the guide tube to others, it seems that Chen Jialuo is really busy, so she left very 'interestingly'.

"I think the plot in the back can be changed, when Ah Yao was beaten by Mi Boss and them......" Liu Haitang felt that some of the descriptions in the script were too pedantic to show Lu Jiayao's weakness, for fear that it would affect the audience's impression at that time.

Chen Jialuo refused: "No, what we want is an intellectual who dares to draw a sword for his father, but in fact has a weak personality!

Hong Kong is known as the "Hollywood of the East". When Hong Kong films were in their heyday, they once dominated Asia and looked at Europe and the United States. However, in terms of the development of the film industry alone, although the production model, professional division of labor and organizational structure of Hong Kong are more complete than those of the mainland and Taiwan.

But compared to Hollywood, it still seems to be maneuvering at will, and the degree of industrialization is far from strict and orderly. Especially since the late 70s of the 20th century, Xiangjiang's "new, wave, and tide films" have been surging, and many cutting-edge production companies have sprung up, breaking the monopoly of Shaw Brothers and Jiashang.

The "Oriental Hollywood" studio system and style that Shaw Brothers has been operating for many years have gradually declined. Up to now, Xiangjiang Films has presented a thriving situation of "three kui heralds spring and a hundred flowers bloom". From planning to filming and re-screening to recovering costs, the film industry process shows the unique rapid, flexible and improvisational of Hong Kong, which not only lays the foundation for the prosperity of Hong Kong films, but also lays the groundwork for the rapid decline of Hong Kong films......

Chen Jialuo is still very aware of this situation, so he feels that there are many things to learn from many places of Yidu Film Company. One of them is the script.

According to Hollywood's industrial rules, once a movie is started, it needs to be done step by step, and the script and schedule cannot be changed at will. But for Xu You, Du Qifeng, Mai Danxiong and others, on the premise of ensuring the on-time delivery of the film, improvising on the spot, changing as you shoot, sometimes stopping work and sometimes rushing to shoot, is precisely the most normal style and habit in the Hong Kong film era.

And the regulations of the art capital are a characteristic of learning Hollywood. That is, once the script is out of the 'Rise Room', it is not allowed to be modified. This certainly stifles the whimsy of some directors, but it is a good way to make the movie have a perfect procedure.

In general, Chen Jialuo himself recognizes this set very much, and what he needs is to prepare the movie script for filming and try to perfect it before shooting.

Since Chen Jialuo insisted, Liu Haitang didn't say anything more. Although I am somewhat worried, after all, Chen Jialuo is the director and the biggest talker in this movie. He just makes suggestions, and whether to accept it or not is the director's business.

As the saying goes, there are no rules, and if everyone can easily change the script, then the script that the screenwriter and director and other main creators have worked will be completely meaningless.

Many big-name actors in later generations asked to change the plot, change their lines, etc., will their ability be better than that of screenwriters and other main creators? Obviously not. Occasional flash of inspiration can be discussed with the director and others, but it is absolutely impossible to change the personality of the characters or the direction of the plot.