Chapter 917: Hurricane Rescue 2

After leaving S.M Company, Song Zheng immediately took the translator and Gao Xiaosong to the airport, and next, he had to go to Busan to participate in the so-called Asian Film Festival.

Song Zheng really doesn't look down on this film festival that is named Asia, as this film festival is comparable to the Tokyo Film Festival in terms of influence, but when he thinks that it is run by Koreans, Song Zheng feels small.

When I arrived in Busan, the reception of the organizer was definitely of a high standard, after all, Song Zheng came in the name of an international superstar, and who would dare to slack off.

It's just that from the moment he entered the venue, Song Zheng felt very bored, all kinds of singing and dancing performances, all kinds of unintelligible tirades, made him drowsy, in order not to make jokes on the territory of Koreans, Song Zheng could only find something else to do, for example, continue to conceive his "Hurricane Rescue 2".

Seeing that Song Zheng suddenly took out a small notebook and wrote and painted on it, Gao Xiaosong was directly stunned, he was not qualified to enter the venue today, after all, he was not invited, but because of Song Zheng's insistence, Gao Fatzi not only came in, but also a very good position.

Seeing that Song Zheng kept writing, Gao Xiaosong was curious, stretched out his head to take a look, and suddenly became even more confused: "Zhengzi, many cameras here are aimed at you!"

Song Zheng didn't even raise his head, and said casually: "They know what Lao Tzu wrote, when I present the award, remind me!"

After speaking, Song Zheng continued to start his creation, the plot of "Hurricane Rescue 2", taking over the upper part, the male protagonist Guan Zhe in order to save the kidnapped daughter Guan Ying, provoked the cold-blooded and ruthless gangsters, and now they vowed to take revenge, while Guan Zhe's family went to Istanbul for a vacation, they set up a net, ready to arrest the live mouth to take complete revenge, and the first victim was Guan Zhe's ex-wife, and used her life as a threat to force him to comply.

However, they misestimated Guan Zhe's ability, Guan Zhe, who had a unique skill, quickly launched a series of thrilling rescue operations at this critical moment, this time, because of Guan Ying's intervention, it made the whole situation more complicated, the situation continued, in the face of more enemies, more powerful firepower, Guan Zhe finally defeated a powerful opponent.

When Song Zheng watched the original version in his last life, he felt that although the second part and the first part had made a breakthrough in the plot, it was always difficult to escape the suspicion of continuing the dog's tail, but, in general, this "Hurricane Rescue 2", the page made him very enjoyable, if you use one word to describe the first part, Song Zheng will choose "iron man tenderness".

Iron man, he is tall, reliable, alert and brave, uncompromising, merciless to the murderers who hurt his daughter, and even to his former colleagues in order to save his daughter.

The most classic is the sentence that the actor left for the murderer: "I can promise you that I will definitely kill you!"

Tenderness is his love for his daughter, with a little woodenness, a little too sensitive because of deep love, always calm but moved by worrying about his daughter, and therefore firm belief to the end.

Compared with the iron man, there are really too many tenderness expressed in the story, a trace of sadness and bitterness that the birthday gift was left aside, the grievance and helplessness that the daughter felt because she left angrily due to travel, the painstaking explanation of the precautions one by one before the trip, and of course, the moment of comfort in the eyes after successfully rescuing the daughter, which are the best embodiment of tenderness.

came to the sequel, the iron man is still invincible, this time even his wife and daughter are in danger, the tenderness seems to have taken a turn a little, it is more warm, and the relationship between the three is closer.

In Song Zheng's view, the plot of the sequel is still tight and the action scenes are very hot, in addition to the wonderful empty-handed control of the enemy and the unsolvable marksmanship to kill the enemy, it also adds various iron man skills that Song Zheng has to serve.

On the way to the thieves' den with his head covered, he listened to the sounds, timed, identified the position, remembered the way, and later killed back along the road, skillfully cooperated with his daughter to find himself, and passed the weapon, and there were some exaggerated passenger seats to assist his daughter in driving, flicking the tail, getting rid of the chase, luring the enemy to self-destruct, and making the train crash into the enemy car, in short, it was really enjoyable.

In terms of emotion, the daughter has a boyfriend, which naturally makes the uncle a little nervous, and this kind of overly sensitive tension is reflected in the beginning and end of the film, which is very interesting, and even makes Song Zheng laugh out loud when he watches it.

There is a problem in the relationship between the wife and her current husband, and it seems to make the male protagonist get closer, and traveling with his wife and daughter is more like what the average family should do.

Therefore, Song Zheng feels that in the first part, the relationship between the male protagonist and his wife and daughter is separated, and what supports the plot is "father's love", but in the second part, the relationship between the three is more closely connected, more like a story of "they really live in a family", from father's love to a man's sense of responsibility for the family, his wife, and his daughter's love.

In fact, in the previous life, when "Hurricane Rescue" announced that it would start filming a sequel, except for hardcore fans like Song Zheng, most people were not optimistic about the sequel.

After all, this kind of film is destined to be a thankless fate, even if there is at least half the investment than the previous one, there are exotic scenery, there are gunfights, car chases and kills people without blinking, and although the camera is shaky, it is still a fight scene with hard bridges, hard horses, and real kung fu, and there are tough guys and true heroes who chase souls and kill their lives and never stop killing all the bad guys, but it is still difficult to save them all the way to mediocrity.

The so-called classics are unattainable accidents, and if you want to turn it into a series that is bound to be a blockbuster, you can't help but say that it is opportunistic, opportunistic, Seriously lacking creative choices, although the influence of the previous film will still prompt a large number of audiences to enter the cinema willingly, even including some cynical old fritters like Song Zheng, who think they have already seen through Hollywood tricks, but for the filmmaker, the purpose of such a sequel has been achieved, and what people are pursuing is no longer a good movie, but just a red box office figure.

But what is surprising is that after the movie was released, although it was still full of slots, on the whole, the audience's response was still very good.

The first part is that the agent father bravely went into the tiger's den alone to rescue the kidnapped daughter, and four years later in "Hurricane Rescue 2", the kidnapped person was changed from his daughter to his ex-wife.

This kind of heroic "rescue game" has long been seen in many movies. In "Furious Rescue", a former special agent rescues a little girl who needs to be protected, and in "Kill" Cliff Owen plays a ruthless killer who protects a newborn baby, all of these "rescue mode" films have one thing in common: most of the heroes in the film are on the margins of society, or abandoned by society, or the family and marriage are full of crises.

Their male authority and dignity have been lost, and they are faced with a dual dilemma of being men and social beings, so they are fighting alone in spite of the danger in order to restore the authority and dignity of men and restore their former majesty.

In "Hurricane Rescue 2", the protagonist is faced with all the above dilemmas, as a CIA agent, he can be described as shrewd and capable in his work, and he is invincible.

However, in the family, he is always at a loss, hitting walls everywhere, and often getting anxious. Family is incomplete to him.

The breakdown of his marital relationship with his wife and the rebellion of his daughter have made him lose his male authority and dignity in this family, and this huge contrast between work and life shows the protagonist's dilemma and struggle as a man more clearly.

Although in the first part, the brave father risked his life to rescue his kidnapped daughter in the tiger's den in Longtan, and regained his dignity as a father to a certain extent, but this did not completely stitch up this broken family, there are still cracks within the family, and the dignity and authority of men are still undergoing severe tests.

In the second part, a lot of pen and ink was used to show the relationship within the whole family, the family is extremely important in the film, and the director made some foreshadowing at the beginning of the film, the father is very concerned about his daughter's life, and for the safety of his daughter, he secretly installed a global positioning system on his daughter's mobile phone, so as to find the daughter who is making love with her boyfriend.

In addition, he comforts his emotionally frustrated ex-wife, and asks his ex-wife and daughter to follow him on vacation abroad, all of which shows that the protagonist is gradually trying to return to the family, to be a good father, a good husband, and despite being divorced, there is a tendency to reunite, re-establishing his authority and status as a man in the family.

And this successful rescue of the kidnapped wife fundamentally re-established the dignity and authority of the protagonist as a man in this family.

"Hurricane Rescue 2" inherits the plot of the first part in the story, and the relatives of the traffickers killed by the protagonist in the first part look for revenge on him in the second part, so that the film becomes a story of revenge and anti-revenge, and when Brian implemented the anti-revenge plan to save his ex-wife, the daughter who was originally the object of rescue in the first part appeared in front of the audience as a "rescuer" with her father in this film, and went to save her mother together.

The daughter has become her father's right-hand man, the father is no longer fighting alone, and the daughter has inherited the alertness from her father to a certain extent, and under the guidance of her father, she successfully completed various difficult tasks and successfully rescued her mother.

The setting of this storyline is a good confirmation of the rendering of family relationships in previous films, so when the film ends with a warm picture of a family of three happy, the protagonist's dignity and authority as a man in the family are rebuilt.

The original film sets the story in Istanbul, Turkey, with a noisy downtown and religious buildings with distinctive ethnic customs, making the film full of exotic atmosphere.

And the narrow and cramped dark streets and alleys in the film also make the action scenes in the film more exciting and exciting. In particular, the car chase scene in the film is extremely hot, showing the fierce scene of chasing drag racing cars through a narrow and crowded space, creating a tense and exciting viewing effect.

At the end of the film, the protagonist kills the father of the trafficker who came to take revenge, and according to the film, the father he killed has two sons, so the story is obviously unfinished.

It's just a pity that Song Zheng was reborn before "Hurricane Rescue 3" was released, that is to say, if Huayi Brothers wants to make a third part, then Song Zheng will really have to make up a story by himself.

Now the script written by Song Zheng does not completely copy the original version of the previous life, as a person who has come over, he knows very well that those slots should be avoided, so as to make the whole story look more compact.

This script, since I met Feng Xiaogang that time, Song Zheng has been conceiving it, and now the general framework has been basically completed, while retaining the essence of the original version that he saw in his previous life, Song Zheng has improved it.

In the original movie, there is a plot that Song Zheng particularly likes, that is, after the protagonist is captured, he has a verbal dispute with the villain leader.

Knowing that the other party's son died tragically at his own hands, the protagonist argues: "He kidnapped my daughter!"

The villain responded categorically: "I don't care what he does, I just know that I won't see him anymore!"

In just a few sentences, it outlines the essence of this battle, which has nothing to do with legal principles, no morality, and even nothing to do with the sense of justice that looms when the protagonist rescues the prostitute in the first episode.

This is a confrontation between two fathers, each for the sake of their loved ones, at any cost, they come from two completely different worlds, two completely different people, but they are both trying to prove to the audience what sacrifices a father can make for his children.

The villain sacrificed a large number of arms and subordinates, and did not hesitate to put his old bones in an unnecessary predicament, the protagonist's sacrifice in addition to being tied up, beaten, chased, witnessing relatives being tortured, was challenged by his humanity and conscience, the nail gun murder and electrocution in the previous episode have approached the bottom line of the traditional sense of "good guy", and in the second part, he went too far, and he did not hesitate to shoot at the police in order to save his wife, in the final analysis, the confrontation between the two has nothing to do with good and evil, only about family affection.

This theme must be retained, and reshaping the authority of men in the family must also be deeply portrayed, and the rest is tinkering, which is naturally not a problem for Song Zheng.

Song Zheng was writing, only to feel that when Wen Si was gushing, suddenly Gao Xiaosong touched him, raised his head, and saw a staff member with an extremely embarrassed expression standing next to him.

"It's your turn to present the awards!"

Song Zheng was stunned for a moment, and immediately came back to his senses, only to realize that he was not in the study at home, but at the award ceremony of the Busan International Film Festival.