After many days of careful observation by Yoshikawa Kitakita, he finally discerned a lot of things from the drawings of the magical girl Madoka that he thought were traditional manga techniques.

First of all, he found that the lines of the characters are divided into thicknesses, and the thickness between the head and tail may be doubled when the hair line is drawn with a single stroke!

There is also a house in the background, and I feel that the pen used is not the same as that used to depict the characters, but a different kind of nib, and the overall lines are hard and regular.

There are also various patterns on those sketches, he sorted out a total of nearly twenty-four kinds, and the repeated patterns are exactly the same, so it should be possible to rule out that they are drawn, if they are not painted, then how are the patterns added?

These discoveries were also slightly found in the manga of the magical beautiful girl, but it was not as obvious as the performance of the magical girl Madoka, and he didn't know if it represented that Madoka's painting skills were more profound.

He remembers that when he first started in the industry, he had bought several different nib brushes, but since he was a beginner at the time, he felt that several of them were not used to using them, so he began to practice only one type of brush.

Many cartoonists in the industry are like this, when they first entered the industry, they bought a bunch of bits and pieces, and then began to figure out which ones were more convenient to use, and then they used those tools differently.

It is precisely because of this that the comic works of the Federation of Greater Asia are all unstructured drawing processes.

The more reason is that the federal decree liberalizes the entertainment industry, and for a while, the gap in entertainment products in the world is too large, and large and small comic clubs are established, and all kinds of indiscriminate works are accepted.

Seeing that it is profitable, many people who have not learned the basics of comics have flocked into this industry, and the relevant industries that the Federation was originally preparing to open have a five-year plan to cultivate entertainment talents, because the industry does not pay attention to the profession, so that many people who originally planned to study systematically have given up this idea, for fear that people will be slow to pick up people's teeth.

Because this phenomenon of not paying attention to the basics is so common, many people squeeze into this industry and regard manga as child's play, thinking that the current market economy is good, and holding the mentality of taking the opportunity to make more money, and some cartoonists like Mie Takahashi who have received an education in orthodox manga knowledge are angry enough.

So they all hide their comic skills and don't want to share them with others.

That's why there are two schools in the comic industry today, one is the traditional cartoonist and the other is the wild cartoonist.

It is almost impossible for wild manga artists like Kitakia Muyoshikawa to enter the three major manga serials, and the manga artists there are all at the top level in the industry, such as traditional manga artists like Mie Takahashi.

This problem can be traced back to at least the beginning of the federal lifting of the ban, the three major comic clubs were first established, and all the serial resources were basically occupied by traditional cartoonists.

Nowadays, there are still few wild cartoonists who are aware of their own comic style problems, because the market can accept their works, and when the strength of traditional cartoonists is further and further away from them, then comic fans will abandon them.

The question of changing his style as soon as possible is what Yoshikawa Kita desperately wants to do, and after his experiments, he has roughly distinguished what types of drawings are suitable for the several nibs sold in the manga house, and then, he only needs to practice those pen nibs that he is not yet proficient in, and he can draw pictures of different thicknesses.

As for the other shadow pattern, he thought about it for a long time, and then suddenly found a clue from the character effect of Sister Bamamei's transformation into a magical girl.

Isn't that a pattern with a lot of stars like the pattern stickers that little girls like to put on their notebooks?

It felt as if he had seen through the secret of Yoshikawa Kita, trembling all over, it was exciting, and he couldn't wait to go to the manga house now and buy a bunch of stickers back and experiment with the effect.

Once, when he went to the comic shop to buy tools, he saw that there were so many kinds of tools and consumables in it, and he felt that many of them seemed redundant, but now he didn't dare to have this idea, and after understanding how many tools needed to be used for an excellent comic book style, he realized how blind he had been.

But it's not too late to start learning, and he decided to test the results of his initial revision of his comic style in the next sketch, and see how the fans responded.

Just as he bought back the dot paper and new nibs that he lacked before, he left the first stroke on his sketch, and at the same time, Xia Ziyu had already received a prompt from the system.

His novice task was completed, changing the painting style of the ten cartoonists in the comic industry of the Great Asia Federation, and it only took a month, far beyond his expectations, and it was completed ahead of schedule.

This is also thanks to the popularity of his comics, as well as the style of painting ahead of the times, which has won a large number of praise from comic fans, so that some cartoonists who have long been seeking change have made up their minds to change their drawing habits.

There are actually a lot of cartoonists like Yoshikawa Kitaku.,To be able to realize so quickly that in the near future,The problem of irregular painting style will be abandoned by fans.,It's also a very risky act to take the lead in modifying your own work.,Whether this has a positive impact on the comics,We still need to wait for a new word to be uploaded.,Fans' opinions.。

When all the little round fans swiped posts on the official website to ask for updates and scolded some vote-swiping authors for being shameless, Xia Ziyu's comics did not stop writing.

He received a manga site that was rewarded by the system, and all his manga works will be serialized on a website called pikapika manga station in the future.

At the same time, there are several other kinds of novice task rewards, 10,000 points, and now with his non-stop sign-in reward points for more than a month, there are already 10,000 and 79 points.

All his skills have been improved by one level, including comic skills, and he feels that some of his abilities have improved, and as a student of industrial design, he has understood it before, and now he can see it more thoroughly, and he feels that some of the designed product programs can be simplified a little more.

This overall improvement is of great use to him and is of great use in any work.

In addition, he also received a random reward for an anime work.,It's a work called "Stupid,Quiz,Summoning Beasts!", not only comics, but also animation!

In the memories of the other world he obtained, it seems that this work has a special meaning in the ACG community, as if there is something in it that is well known, but the work itself is not very famous.

Xia Ziyu's memories of another world are like data stored in the cloud network, if he doesn't search for them with keywords, it will only be stored there forever, so even if Xia Ziyu knows that he has read this work on the earth, Xia Ziyu doesn't know what the content of the work is like at all.