After the release of "That Summer", it won the double championship of the daily hot list of Suzhou Provincial Music Network and Huaxia Music Network in one go, especially at the level of Huaxia Music Network, this is the first time that Ye Chen's song is due, this is not only because there are no other big-name stars on this day, but also marks Ye Chen's official foothold at the level of Huaxia, as if there is a trend of becoming a first-line star.

The most influential newspaper in the Chinese music circle, the "Chinese Music Association Daily", therefore made a special report on Ye Chen, introducing her as a unique singer with a hoarse voice that does not match her age, she seems to be the embodiment of autumn, full of aura, and over time, she will inevitably be able to go to a higher place, after all, it has only been about a year since her debut, and it is extremely difficult to achieve such an achievement, of course, "Chinese Music Association Daily" He also said bluntly that Ye Chen's success was largely due to Jiang Li.

Asuka Records took advantage of this shareholder wind and got Jiang Li's hints, so it revealed on the official website and the media that it would hold a national tour for Ye Chen.

The national tour is not something that anyone can hold because it requires a lot of manpower and material resources, and it is not possible to support it without enough popularity and strength.

However, the term "national tour" has actually been somewhat misused these days, and many singers will be ashamed to give it a name when they hold a few ordinary concerts in several cities.

So what people care about is actually whether this is a "farce" form of water-injected "national tour", or a real powerful and domineering national tour!

In addition, there is one thing that people are very strange, why even Ye Chen has plans for a national tour, but Jiang Li does not?

It stands to reason. With Jiang Li's current popularity and prestige, he definitely has the strength to hold a real national tour, and even classical music and pop music together!

Someone said sourly that Jiang Li was using Ye Chen as a stepping stone to see how the response was, if Ye Chen held a national tour, the response would be very good. Then he can hold it with great fanfare, because he is afraid of failure.

Jiang Li's fans expressed disdain for this statement, even if they belittled Jiang Li, they didn't need to take such a lame reason, would Jiang Li be afraid? Jiang Li didn't need to be afraid at all! He had never been afraid! Tens of millions of fans were waiting for and fully supporting!

No matter what the outside world said, whether it was for it, or against it, or suspicious, Ye Chen benefited from it. Her popularity has risen again, and the repeated exposure and heated discussions have made her a topic of social concern, and many media have also made a special report on Ye Chen in the way of the "Huaxia Music Association Daily", focusing on the songs she has sung and the activities she has participated in so far.

From "Leaves" to "It's Been Quiet", from "Gentle Compassion" to "A Little Hurt", from "The Taste of Summer" to "That Summer", and a song "Summer Blown by the Wind" sung with Jiang Li, a total of seven original songs. In addition, there are some cover songs, in just one year. Because of Jiang Li's support, Ye Chen's popularity and status cannot be underestimated.

Of course, compared to the rise speed of Zhang Nara and the angel group, they mainly account for the light of "Happy Girl", and their debut itself is based on huge popularity, in addition. Their original songs also seem more likely to become classics.

But whether it is Ye Chen, Zhang Nara or the angel combination, they are inseparable from Jiang, and once people realize this problem, they can't help but be shocked. It turns out that Jiang Li's amazing musical talent has not only achieved himself, but also created others, and it is no exaggeration to say that as long as Jiang Li is fancied, he will have the opportunity to enter the upper echelons of the music circle and become a big star!

Everyone with a dream of music will cast their fiery eyes on Jiang Li, who is invisible at all, if one day they are bumped into by the other party while walking and take a fancy to it, it would be great.

It's a pity that Jiang Li is busy filming the film "Old Boy", and of course, he did not forget to release the etudes, and Chopin's No. 10 work still has three etudes left unpublished.

The tenth "Etude in A flat major", the main purpose of this etude is to train the rhythm, the tone of the music is clear, at the beginning is relatively gentle, with the rhythm progressing, like a wave of forward impact, the middle of the chords are like clouds covering the sun, some well-known musicians commented, the piano skills of this etude are interpreted to the extreme, and full of romantic fantasy temperament, and Jiang Li's "Ghost Fire" has a fight.

Soon, the eleventh "Etude in E flat major" also met people, this is an arpeggiation etude, you need to stretch your fingers over a large distance, but also a kind of "touch practice", in this etude, from beginning to end to use the arpeggio performance technique from the left hand bass to the right hand treble, this technique also appeared in the eighth "F major etude", some people call it "Jiang Li style arpeggio performance", the classical music pianist Feng Rongyu highly praised this etude, and commented: " The slender arabesque flower looks like a guitar blowing into the soul, and the richness of its chords makes us feel a sense of infinity. ”

When Jiang Li heard about this, the first thing he thought of was actually Su Qianqian, because Feng Lunyu was Su Qianqian's teacher.

And when Jiang Li's twelfth "Etude in C minor" came out, everyone was stunned and shocked, this etude was like a hammer on everyone's chest, shocking!

This is actually the most widely circulated and famous of Chopin's 27 etudes, and it is one of Chopin's masterpieces, that is, the famous "Revolutionary Etudes" that has been continuously played and mentioned by later generations!

This etude was born after Chopin's native Poland was brutally suppressed by Tsarist Russia, this sad news made Chopin sleepless, angry, and grief, and when it was dark, Chopin lit a candle and placed it in front of his table, spread out his diary, and wrote with a pen: "Ah, God, are you still there? You save zài, but you don't give them retribution! Don't you think Moscow's crimes are enough? Or, maybe you're a Moscow devil yourself!" I'm here with my bare hands, and I can't do anything at all, except to sigh and confide my pain on the piano. ”

Chopin suddenly put down his pen, stood up at once, struck the piano with all his might, and exclaimed: "No! Poland will not die!

Then Chopin condensed this fiery emotion into notes, poured all his grief and indignation on the piano, and finally wrote this world-famous "Revolutionary Etude".

The music is written in a complex trilogy style, the left hand expresses disappointment and anger on the ascending and descending scales, like a rushing torrent of steel, and the right hand plays a magnificent octave, which is extremely resolute, and the whole piece runs through the anger and grief from beginning to end, and the second half of the theme has obvious recitative characteristics, as if pouring out the inner pain, and in the middle of the piece, the shout-like tone with dotted rhythmic progression ascending is repeated again and again in the rapid undulating accompaniment, making the music more and more passionate, and a melody containing grief appears at the end, which conveys deep melancholy and mourning。

As soon as this etude was published by Jiang Li, it even alarmed Bo Le, a retired figure in the music industry. (To be continued......)