(On Monday, as usual, three more, thank you for your support!

Sure enough, as Wu Cheng guessed, the drama "The True Colors of Heroes" was finally delayed until mid-November, which lasted four months. Pen "Fun" Pavilion www.biquge.info

This kind of speed, placed on the side of Xiangjiang, can really only be described as a snail. Although Wang Fatjing has not yet achieved the feat of one a week, one is half a month, which is really like playing.

Even if you don't talk about fast gunners, just those ordinary directors, they can only write for a drama in three months at most, and this is still plus post-production or something.

Therefore, think about the speed of others, and then look at Wu Cheng's speed, you will know that Wu Cheng must be the strongest spokesperson in the tractor industry.

However, no one will use such an idea to compare Wu Cheng with Wang Pangjing, or other directors, because whether it is Wang Pangjing or other directors, they obviously do not have that kind of qualification now. Wu Cheng's income from one play is more than that of Wang Pangjing's ten times the income of the play.

For example, "Shaolin Temple", which was released at the beginning of the year, broke $700 million at the global box office, but what about Wang Pangjing's films? His films can't cross the circle of Southeast Asia at all.

So, speed flow is not Wu Cheng's thing!

And in this issue, Wu Cheng also has a lot of bad things, and he asks for leave a lot of times, such as the birth of his youngest son and the full moon banquet, and other women's birthday banquets.

Especially since he still has so many women.

In addition, the company should pay attention to it once in a while.

However, the most important thing is that the shooting requirements of the movie are relatively demanding...... Or maybe someone's obsessive-compulsive disorder hasn't been good for this point.

As for the final battle of the movie, although Wu Cheng made the scene bigger and looked more popular and magnificent, he didn't change much in the plot.

Many netizens in later generations have watched this movie, especially in the last paragraph, they all feel that the screenwriter is very brainless, why not write the script as Brother Xiao Ma and Brother Hao caught Tan Cheng on the yacht, and it was up to them to decide whether to kill or release them halfway, so that Brother Xiao Ma would not have to die, and Brother Hao would not have to go to prison in the end.

If that's the case, it's a real 'get away with it'.

However, a certain old man really wanted to ask: Brother, have you really seriously analyzed the personalities of those characters?

It is true that when he first watched this movie, Wu Cheng himself also had a very regrettable idea of Xiao Ma's death, and even directly scolded the director and screenwriter, why did he write Xiao Ma to death if he had nothing to do? What a righteous person! How could he die so easily?

At that time, his mentality was not much different from those who were clamoring on the Internet in later generations.

However, after carefully analyzing the character's character, you will find that Brother Xiaoma's death is inevitable. Because he doesn't die, his 'brotherly righteousness' will not be sublimated.

Maybe it's because you can't jump out of the cycle of 'tragedy makes a classic'!

First of all, why didn't Brother Hao leave with Brother Xiao Ma at that time, there must be a reason here, because as soon as he left, it was definitely a 'blow' to his younger brother.

Brother Hao is a good big brother, a good brother, and attaches great importance to brotherhood and family affection. If he leaves, then his brother's future will be over.

As a good older brother, he couldn't have cheated his younger brother like this. That's why he left a message to his younger brother, whether to go or not, to catch or not to catch, it's all up to his younger brother to decide.

And he asked Pony to go first, apparently lying to Pony, because he didn't plan to leave with Pony at all. And he doesn't want the pony to end up being unable to leave because of his own business.

With a brother of life and death on one side and a biological brother on the other, what can he do?

In this play, if Dillon's acting skills are more powerful, the role of Brother Hao actually has a lot of potential to be tapped. However, Dillon's acting skills are obviously not at the point of becoming a god.

And Pony, he is a pure person, he can feel the decision in Brother Hao's heart, and finally turned around and resolutely decided to participate, which is due to righteousness. He couldn't just watch his brother fall into danger, and if he really didn't care, it wouldn't be Brother Pony.

Finally, there is the role of Song Zijie, some people scold him for 'being a professional pit brother for 30 years'.

When watching the film, there is indeed a feeling of a slight pit. If it weren't for the role played by Leslie Cheung, it is estimated that more people would be scolded. Of course, there are also many people who don't like Leslie Cheung.

The role of Song Zijie is actually contradictory in his heart, he is jealous and hateful, and he has a sense of justice in his heart, but he is a policeman, and the eldest brother is actually a black boss.

A soldier and a thief are destined to be incompatible.

In addition, his father's death is not unrelated to his eldest brother, so it is normal for him to hate his eldest brother. If he doesn't hate, it's not in line with his character.

When he heard that his eldest brother was going to make a deal with Tan Cheng, he would definitely go, because the justice in his heart would not allow him to leave this kind of thing alone, not to mention, his eldest brother was committing a crime by doing this.

With his sense of justice and his duty, how could he sit idly by?

Brother Hao knows this very well and is sure that his younger brother will come, so he will stay.

Otherwise, he would not have been able to let his younger brother run into such a dangerous place.

He was confident that he could grasp the big picture, but he thought of the beginning, but he didn't think of the end.

And in the end, Brother Xiao Ma used his death to wake up Song Zijie. Let him know that in addition to being a police officer, he is also a 'younger brother'.

Because of this, in the end, there was a scene where he handed the gun to his brother and asked his brother to avenge Brother Pony in person. If it was Song Zijie before, it would never be possible to do such an 'illegal' thing.

Even if he feels aggrieved in his heart, but the police are the police, and discipline is discipline!

In the end, Song Zihao also said that the path his younger brother took was not wrong!

In fact, although this film is about brotherhood, in fact, he is still a film with black and Taoist backgrounds.

If Brother Xiao Ma and Brother Hao get away with it in the end, can this film pass the trial and be released?

You can't teach people to be bad!

……

"The True Color of Heroes" was completed, Wu Cheng finally breathed a sigh of relief, and after handing over the post-production to Xu Laowei, he accompanied Deng Lijun, who had just finished his world tour, to the mainland.

Accompanied by his eldest daughter, there are also several students from the Xiangjiang Academy of Arts, who went to the Beiying Academy in the mainland as exchange students, and they will come back in a month or two.

This batch of exchange students are all freshmen this year, and Zhou Xingxing and they have already gone there once last year.

And when she went to the mainland, in addition to accompanying Deng Lijun and supporting her on the field, the drama "Shaolin Kid" can be released. The reason why it has been delayed for so long is because Li Lianjie, this kid, was injured during filming, but fortunately it was not the 'disability' injury of the original time and space.

Now that this drama can finally be released, Wu Cheng needs to take a look at its quality, if the quality is not good, he will definitely not let it be released globally.

And when Wu Cheng came to the capital and saw the master tape brought by Zhang Xinyan, he couldn't help but be a little silent. Although there are a lot of big scenes in this drama and the quality is okay, compared with the "Shaolin Temple" he filmed himself, the style is somewhat different.

And in the control of big scenes, Zhang Xinyan seems to be a little weak, just like those big scenes shot by many directors, once the full-shot lens is used, the performance of the trick feels a little indifferent. In this play, you can also see such a picture. With such quality, even if it is released simultaneously around the world, the box office will definitely not surpass the previous "Shaolin Temple".

So Wu Cheng had to give up the idea of a global simultaneous release, and it was already late November, almost December. If it is to be released simultaneously around the world, then the publicity must be very good, or it will be a waste of opportunity. However, in North America, the show "Modern Mermaid" is now being promoted and is ready to be released at Christmas. Therefore, this "Shaolin Kid" can only be released in Southeast Asia first, and then seek the opportunity to be released overseas next year.

In this regard, although Zhang Xinyan was a little disappointed in his heart, he didn't want to say anything, because he also knew that his control over the big scene was a little insufficient. The "Shaolin Kid" filmed by himself really can't be compared with Wu Cheng's "Shaolin Temple".

And Wu Cheng also explained the reason to him, what else could he force?

He was actually a little apprehensive at first, because Wu Cheng handed over this drama to him to control the filming, even if he couldn't surpass the original work, at least he had to maintain the standard!

However, in fact, he has not even maintained his level, what else is there to say?

However, this can only be blamed on Wu Cheng for filming the first part too well, not to mention that there is almost no room for transcendence in the sequel, and the script can only be described as 'average'.

It's just, does Zhang Xinyan dare to say this kind of thing?

As for the 'general' here, in fact, Wu Cheng can't be too blamed, Wu Cheng wrote this 'Shaolin Trilogy', although it was not copied in the sequel, but it didn't jump out of that framework too much, and on that basis, there are not many things that can be changed.

Therefore, when the script does not surpass the first part, you want a director who is not as capable as him to make a film that surpasses the first part, isn't it difficult for a strong man?

And this is also the reason why Wu Cheng didn't say much about him, because Wu Cheng himself understands.

stayed in the capital for more than a week, during which I met a lot of people, in addition to the actors of the "Shaolin Kid" crew, there were also some leaders from Beiying, some leaders of CCTV, and the chief director of the Spring Festival Gala, and even gave them some advice.

In fact, their Spring Festival Gala was modeled after the Xiangjiang Longfengtai Spring Festival Gala. And the Spring Festival Gala of Longfengtai was proposed and planned by Wu Cheng.

In this regard, Wu Cheng naturally has a certain right to speak.

In addition to meeting these people, of course, the chief designer is indispensable.

What made Wu Cheng speechless was that as soon as the chief designer saw him, he greeted him as if he was an old friend, and then asked him to 'push a wave' to him.

Now Wu Cheng can proudly say the last sentence: Just ask to push down...... Uh, no, which one is stronger in massage technology? The richest man in Hong Kong has strong skills!