As for Yu Hua's words, Jia Youwei felt hypocritical. In the minds of others, it is Yu Hua who opens and closes his mouth. When it comes to this writer, nine times out of ten it is the long "Alive".

Even the so-called post-80s and post-90s critics of the new generation of critics, it is inevitable that many people will evaluate someone's work if you write well, like the style of "Alive", if you don't write well, go and see "Alive".

Isn't everybody alive? It's as if one of them is dead. The little people, the common people, whether in the changes of the times or in the peaceful and prosperous times, will always be a group of people who live hard, people who live for the sake of living.

It's quite like some other children commenting on some works, the writing is not good, look at what Guo Jingming wrote, the writing is good, you look at what Guo Jingming wrote, it makes you feel that you still have to work hard and improve. Originally, the most important ideology, content, had already been ranked behind the writing.

Jia Youwei's head is completely random and thinking about what it is. He did not analyze step by step according to a certain line of thought.

The reason why he chose Wang Xiaobo's "Golden Age" is because of his reasons. He began to write, silently carrying out the necessary related work.

Jia Youwei is dual-minded, and he feels that he is a psychologically dark person. When others mention Yasunari Kawabata, they are often his "Snow Country", "The Dancing Girl of Izu", and "Ancient Capital".

Even if I don't like most of Yasunari Kawabata's works, there is one exception that I like, and that is "Sleeping Beauty". Those who haven't seen it will mistakenly think that it will be a fairy tale-like plot when they hear the name.

Actually, it couldn't be more wrong. According to normal logical thinking, this is a story about a perverted old man going to prostitution, not once, but five times, and finally a double fly.

It's just that the black woman died. Her body was dragged away like a dog and transported to another hot spring bath to cover up the truth. In fact, the same owner runs both places.

The source of inspiration that Márquez said should have been brought by Yasunari Kawabata's "Sleeping Beauty", which led to the writing of "Memoirs of a Bitter Prostitute". What these two works have in common is that they are written as old men prostituting prostitutes.

Another evidence that made Jia Youwei confirm the darkness in his heart is Yukio Mishima's "Worried Country". This is the No.1 work in his heart among the works he has seen Yukio Mishima.

In addition, Jia Youwei also likes Günter Grass's "Tin Drum". The writing technique is still black humor, and of course this work also has "unhealthy" content.

German country boy. He felt that the adult world was full of evil and hypocrisy, and he decided not to grow up again. He jumped from the stairs, and as a result, he really didn't grow taller anymore, and his body stayed at the height of a three-year-old.

Oscar's adoptive father, both Oscar, possessed the body of his grandmother with a maid Maria, and gave birth to a child.

Among them, there is also the content of the actor Oscar, an 11-year-old boy to a 16-year-old girl, and the mouth X. After Hitler came to power, Oscar's adoptive father joined the Nazi Party. In 1945, the Soviets captured Danzig and were killed.

Oscar's mother was secretly incestuous with Oscar's uncle, and one day she found out that she was pregnant, so she ate fish endlessly, and died of overeating after giving birth to Oscar. Oscar is the product of brother and sister incest.

The Tin Drum won the Nobel Prize in Literature in 1999. It is one of the most important works of world literature after World War II, the first part of the Danzig Trilogy, and a modern-day picaresque that shows the darkest part of Germany's history with a darkly humorous fictional story. Günter Grass's satire, spicy satire reminds you of the poet Heine.

There is also a book that has been banned by almost all countries in the world, "The Doom of Chastity". It comes from the French writer Sade, not the Nobel Prize-winning and famous Sartre.

The book tells the story of a pair of sisters with very different personalities who suffer from different circumstances, the lascivious sister is happy and lucky, and the kind sister is repeatedly physically and mentally destroyed, and finally is killed by lightning. It is not at all that good is rewarded with good, and evil is rewarded with evil. As for the writer himself, the Marquis de Sade is one of the most controversial writers in the world.

As a run-down aristocrat, his life was full of turmoil, radicalism, scandal and imprisonment. Most of his works were written in prison, and it was difficult to publish because of the heavy pornographic content, and it was not until the thirties of the 20th century that they saw the light of day.

Sade's works are strange in imagination, strange in writing, full of rebellious spirit and anti-rational tendencies. In the description of bizarre and absurd love stories, there are many ethical teachings on both good and evil. The artistic value of Sade's works has always been met with mixed critics.

Even when it comes to the great writer Joyce's "Ulysses", there is still ** content in it. Yukio Mishima's "Farewell to the Masquerade" is semi-autobiographical, not also part of the gay man, and it is still **, in the water**. Styled down?

Jia Youwei likes to break through the so-called traditional taboos and tear apart the hypocritical appearance of human beings, so he chose the image of "Golden Age", a broken shoe that Chinese despise.

When the Chinese insult such women, not only physically, but also mentally. Among them, no effort is spared to hang an extra pair of broken shoes on the woman's neck.

In addition, in that special decade, they would be put on a high white paper pointed hat, hung a sign, and even carried a gong and drum in their hands to parade through the streets, which was more able to attract the attention of others while walking, and at the same time, they were forced to shout "I am shameless", "I am a broken shoe" and so on.

Whenever onlookers meet such a woman, they have no sympathy, and they don't care whether things are true or false, as if they are as excited as the New Year. To be precise, it is as energetic as the Chinese like to watch the killing of heads in feudal society.

The adults told the children that this is the bad woman, and this is what happened to broken shoes. So, everyone spat in the face of the woman with broken shoes and threw things.

Among them, the most energetic people are generally women. If that sentence is true, why should a woman be embarrassed by a woman? A woman is nothing more than a way to show her loyalty to her man, or to her neighbors.

In order to show their loyalty to their woman and let the neighbors know that he is a decent man, the men will inevitably break the shoes of the women, tear each other's clothes and pants, and make fun of them.

The children chased the woman either by throwing things and hitting them a few times, or by happily shouting "broken shoes". Do they really know what broken shoes are? Will their respective parents really be able to talk about it?