PS: This chapter is basically a setting, and if you don't like it, you can skip it.

The following is the text –

In fact, Fang Siyi has no prejudice against Korean dramas themselves, and even many classic Korean dramas, in themselves, are all good stories.

Some film and television dramas that have obviously been filmed in recent years are also very good works in later generations.

Chinese TV dramas, on the other hand, are constantly regressing.

Just like in the dream of later generations, there is a TV series called "In the Name of the People".

In that era of ratings desert, in the environment where the average ratings of many film and television dramas did not exceed 2 or 3, this TV series reached 8% with its good reputation and the promotion of the right time, place and people!

even a drama, which was made into a phenomenal work.

But is that really the case?

In fact, if you compare the excellent works in the theme of the drama before 05, you will find that "In the Name of the People" can only be regarded as the third gear at most.

Well, among the TV series with a theme, with Fang Siyi's knowledge, it is roughly divided into five gears.

The fifth gear, which is also the lowest level, is basically synonymous with that kind of bad drama.

The fourth level can be called an ordinary TV series, and TV dramas of this grade generally have a complete plot, reasonable but not exaggerated acting skills, and the overall performance is also very smooth.

When it comes to the third gear, it can be called an excellent work.

The significance of the existence of excellent works, in this era, also means that among these actors, there are one or more actors.

The actors here are not stars, you must know that in reality, actors are actors, stars are stars, the former is a profession, and the latter is just an artist who can't even be called a "drama".

In this era, it is basically Cheng Daoming, Wang Zhiwen, Cheng Baoguo, Siqin Gaowa and other powerful old actors who can be called actors.

But is that okay?

Not.

In the TV series, although the actors are very important, what is more important is the plot of the TV series itself!

Why are there frequent dramas in this era?

On the one hand, it is indeed because in today's era, what is popular is hard power, not the so-called "little fresh meat" that appeared later just for the sake of appearance and selling meat.

On the other hand, it is because the screenwriters of this era have created countless classic and excellent scripts!

But it's not enough!

When it reaches the second level, the TV series of this level already has the potential to be a phenomenal work.

Or in other words, a work of this grade is a phenomenal work in itself!

What is a phenomenal work?

Fang Siyi personally believes that this should be a work (here referring to a film and television drama) when it is released, it will cause heated discussions among the audience, and the lines, actions or props in the play have become a popular craze for a while, and the works that have aroused people's competition for support are called phenomenal works.

Works of this grade are also called "pseudo-classic works".

Why is it "fake"?

The answer lies in the first grade of works, which are classics!

What is a classic?

In layman's terms, if you can still attract attention in ten, twenty, or even a hundred years later, this work will still be remembered, then this is a classic!

Among them, it is subdivided into three categories: classic works, ten-year classics, and century-old classics.

So far, due to the fact that the development history of TV dramas has not reached a hundred years, it is very unfortunate that there are no century-old classics in TV dramas.

In addition, no matter the performance techniques, shooting attitude, or professionalism, TV series cannot be compared with movies, and therefore, in the entertainment industry, the basic stratification stage, that is, movies> TV series, > singers >Preside.

Of course, it is still the same sentence, the root of a star still depends on its popularity and fame.

And to a considerable extent of fame, it depends on popularity.

Especially popularity, which is regarded as the whole of a star!

Because of popularity, there is fame, and with fame, a star can increase his value and gain more convenience.

This is also the reason why the entertainment industry in China gradually deviated.

But since there are no century-old classics in TV series, why is Fang Siyi still so concerned about TV series?

That's because, in this era, there are basically no theaters in the country, and there are too many movies to be released every year, so that many of the works produced by those who are less famous behind the scenes cannot be released.

In such an era, it is not difficult to shoot a movie, but it is really difficult to find a suitable or even willing theater to play!

This is also the reason why Hengdian will gradually rise.

There are many people filming TV series, the base is there, and there are always one or two crews with a conscience, so that in this era, TV dramas are booming.

It can be said that since entering the millennium, in the short nine years before 09, among the domestic TV series, there have been dozens of classic works in just the ten years that have been born!

What "Wulin Gaiden", what "The Years of Burning Passion", what "Towards the Republic" and the like, it's not too much.

Not to mention any classics and other works, there are even more of them.

For example, the TV series version of "Jade Guanyin", "Young King", "Xiao Shiyi Lang", ......

It can be said that the post-80s and post-90s who grew up in this era are very happy.

Because they almost grew up watching these excellent TV series.

As for the movie?

I'm sorry, in this era, movies are not as popular as in later generations, and although there are theaters, they are far less numerous than in later generations.

There are classics, and there are ten-year classics, but in terms of number and quality, they may not be comparable to TV dramas of the same era.

(Well, although this is just the words of Fang Siyi's family, don't spray if you don't like it)

Thirty or forty yuan a movie ticket, not everyone can afford it.

So compared to those movies that are blown up, of course, and are very good in themselves, Fang Siyi still prefers TV series.

After talking for a long time, the reason why he wrote this novel was actually just because of the Korean Wave that had just faded in this era.

Many people know that at the beginning of the century, Stick swept the whole of Asia with a "Blue Life and Death Love" and a "Full House of Romance".

However, at this time, we are the most youthful and eye-catching TV series......

It turned out to be "Huanzhu Gege".

Well, it's not that Fang Siyi is complaining, it's just ......

Compared with Korean dramas with very gorgeous colors but bright colors, domestic dramas have a headache in this period.

That's the clothing issue.