Chapter 132: She's Not in the Rivers and Lakes

The award ceremony continued. ◢ with * dream ◢ small *.lā

The award after the actor is the director award.

Hou Xiaoxian is really the emperor of Nyima's connections, and he plays very six.

Of the four candidates nominated for Best Director, he brought four first-line directors to introduce them separately.

He himself first took the stage to introduce director Dai Liren and his "Can't Do Without You", and it can be seen that Hou Xiaoxian looks up to Dai Liren very much, and yes, the works of these two people are very typical New Wave directors.

The so-called New Wave film is "another kind of film that is different from commercial films", characterized by "analyzing real social phenomena", "the best film is to make the closest life story to express Taiwan's local humanistic care"...

This gang openly despises box office blockbusters and openly proclaims that commercial films are degenerate...

In Xu Hui's opinion, this is a fart!

Since the director wants to make a movie, the first thing he faces is the audience, and he guides the audience in different regions with different themes, instead of taking other people's money and using his own preferences to shoot those things that are moaning without disease!

The audience likes comedies, you have to shoot tragedy, the audience likes the normal love between men and women, you have to shoot homosexuality, and you have to shoot European tunes in Chinese places, isn't this ruining the film industry?

The director should invest in his preferences and guide the audience on this basis, which is what a serious director should do!

"Can't Live Without You" profoundly shows that the people of Taiwan are living in dire straits, and such a movie is very flavorful...

Of course, the box office is also very poor, barely recouping...

The second person to take the stage was Guan Jinpeng, who introduced the director Guan Qiao, who obviously memorized the words;

followed by director Li Anda, who recommended director Cai Mingliang;

Director Adu finally took the stage and introduced Director Luo Tianyao, who spoke Cantonese and couldn't understand it at all...

By the way, the best director went to Shinobu Daley.

This dude is obviously a little timid...

Forget it, don't water him, I guess everyone knows about this thing...

In the blink of an eye, it is the final stage, which is the award of the best film.

Pao Hui's eyes were locked on the stage, because the award was presented by Zhang Manyu!

……

Gonghuang Manshen, the two actresses who have won the most awards of all time.

A state-of-the-art performing artist.

A national first-class actor is the highest professional title in the field given by the Chinese state to actors who have made outstanding contributions to the prosperity of the country's literary and artistic undertakings, and enjoys special allowances from the State Council.

Gong Huang is not included in this indicator because of his nationality, but Zhang Manyu is the only actress in the HK region who has won this indicator!

Purely from the perspective of acting skills, we can draw a human comparison - Zhang Ziyi.

In "Memoirs of a Geisha", Gong Li blew Zhang Ziyi unwanted, but Zhang Manyu in "Hero" did not suppress Zhang Ziyi so thoroughly.

It's a pity that these two have collaborated on too few films...

In fact, to the point where Zhang Manyu and Gong Li are not considered, it is a very narrow perspective to just bring out their acting skills without considering their inner charm!

Gong Li represents the Chinese woman of an era, which is about to become a cultural symbol;

Zhang Manyu's background is more complex, which makes her more able to show some of the profound connotations and commonalities of so-called women;

It doesn't matter if these two aspects are good or bad!

Of course, if you only analyze the current situation, or from the impression of most people, Zhang Manyu still has an advantage.

Zhang Manyu has really become a walking work of art by herself, but Gong Li is still tirelessly contributing her strength to Chinese films, but her performance has become impetuous and dull along with the general environment of Chinese films...

……

In the finale, Zhang Manyu stepped forward in an off-the-shoulder white dress.

Golden Horse gave her enough respect and not only let her finale, but also presented the award individually.

Previously, all the awarders had been presented in pairs.

No way, people have this status!

Five golden statues, five golden horses, one Berlin, one Cannes, all the actors in Asia plus one fast, not as many awards as she won alone!

There is no one before, and with the current level of Chinese films, I am afraid that there will be no one in the future...

……

Now many people are swiping Weibo, lamenting how beautiful Fan Ye's red carpet style is, and talking about Yang Mi's recent good looks.

But this beauty and good-looking only praise their appearance and shape.

That's all.

This is the most direct and superficial evaluation of others by normal people.

Zhang Manyu, her films, the characters she created, "Mong Kok Carmen" A'e

"In the Mood for Love" Su Lizhen

"Green Snake" Xiaoqing

"Dragon Gate Inn" gold inlaid with jade

"East Evil and West Poison" Ouyang Feng's sister-in-law

"Ruan Lingyu" Ruan Lingyu

"Sweet Honey" Li Qiao...

No matter which one it is, it is enough to fish it out casually to make the current group of little flowers admire!

There are so many actresses in HK, only Zhang Manyu has achieved positive results!

Now we have entered an era of consuming beauty.

Too many directors can't calm down and make movies, and celebrities pursue quantity in filming, not quality at all!

It's too easy for them to make money.

A commercial performance is enough for most people to struggle for a lifetime.

Occasionally, the airport poses for a headline and brushes up on the presence.

Honing your acting skills?

Are you kidding?

I have such a craftsman spirit, you still want me to hone my acting skills?

Female artists can only be called stars, and they call goddesses by their appearance, they are actresses, not a real actress.

When Zhang Manyu first debuted, she was also a vase, and she once received twelve movies a year, and then, she met Wang Jiawei and took over the role of A'e...

Many people say that Zhang Manyu was just lucky and met a good role.

Hehe!

Su Lizhen (Zhang Manyu Mao Sui recommended herself), Ruan Lingyu (originally given Mei Yanfang), Green Snake (still preferred Mei Yanfang), Jin Zhuyu (originally scheduled to be played by Lin Qingxia, but later she asked to change the role), Li Qiao (originally cast Wang Fei)

These classic roles are all taken by herself and performed perfectly, it can be said that "the original candidate was not her, and in the end, when everyone mentions the role, they will only remember her"!

You can say that Maggie Cheung is lucky, her acting career and the golden age of Hong Kong films highly overlapped, she has the opportunity to get these good roles.

But there are so many actors of the same generation, Wang Guxian, Lin Qingxia, Guan Zilin and even the most popular but Zhong Chuhong!

In that era of a hundred flowers, no one could replicate Zhang Manyu's luck, because this luck came from her modesty, self-confidence, enterprising and good vision. She has artistic pursuits, talent, and is willing to work with directors who are not well-known but have ideas.

Such a good actor who is good at creating opportunities, grasping opportunities, and his own strength is constantly perfecting.

Of course, it is worth commending a goddess!

By the way, the Best Picture award went to "Can't Live Without You", the third feature film directed by Daley Shinobu, which won five Golden Horse trophies in one fell swoop, becoming the biggest winner tonight.

Daliren was so moved that tears flowed down her eyes as she said her acceptance speech.

Pao Hui's gaze was always fixed on the woman in white standing quietly behind him...

It's a pity that she is no longer in the rivers and lakes...