Is it important for an actor to win an award?

The answer is yes!

There is no actor who doesn't want to win an award, that's the premise.

Many people evaluate an actor, and the most basic thing is to look at the awards.

The ruler of an actor is the award.

But what is the use of awards?

"Looking for the Dragon" Xia Yu, the actor of Venice, Golden Horse, and Golden Rooster, was suppressed by Tianbao in the position;

Hao Lei, the acting school, was crushed by Sugar Candy...

So someone said that commercial value is definitely more important than awards, after all, movies are not about making money!

Let's put it this way, two movies, one has the potential to be $1 billion at the box office, and the other has the potential to win an Oscar, you are the starring actor, you can only choose one, which one will you choose?

I think for the vast majority of actors, they will choose the previous one, of course, after all, there are a few like Xiao Lizi - award-winning stars...

Times have changed, although acting and powerful are still valued and recognized by many people, the most important thing about box office appeal really depends on the actors themselves!

Brother Xiao Ming tried his best to brush up on a Golden Rooster actor, but the result was that the audience continued to be unpopular...

Liu Feifei in the original time and space really has no resources, she is a single family, and the brokerage team can't pull down her face and tear up resources with others, so she can only rely on glamorous or some new directors, and it is simply a co-production from a foreign company, and these have one thing in common is that you don't need connections, you can get it by yourself.

The domestic environment is originally a lot of bad movies, and there are only a few good films.

Co-production, there are really not many brilliant films!

Dai Sijie, the director of "Night Peacock", is a very powerful person, the movie has been nominated for the Golden Globe Award, and the literary work has been nominated for the Nobel Prize in Literature...

It's already a good resource, it's just that the movie "Night Peacock" is really... Soulless creation in a literary shell, foot fetish, skin fetish...

She herself said in interviews, "I've taken all the films I can..."

Therefore, even if she wants to take on works with box office potential, there is no good choice, "To Youth 2" is still because of the glamorous operation.

As for "Three Lives and Three Worlds", this pit Ahri Film and Television should be backed!

Earlier, Xu Yuanxiang, vice president of Ahri Pictures, also put forward the "IP-only theory", and said that Ahri Pictures does not need professional screenwriters...

The project of "Three Lives and Three Worlds and Ten Miles of Peach Blossoms" was led by him, in 16 years, "The Ferryman" failed miserably, Xu Yuanxiang was separated as the person in charge of several large projects, and the new official took office, the project of "Three Lives and Three Worlds" was abandoned, and it cannot be said that it was abandoned, it can only be said that it is not as important as before.

Guang Xian probably felt that he had the ability to make this thing a high box office, so he took over the project...

Of course, the propaganda is still led by Ahri!

In other words, Liu Feifei still has a contribution, with "Three Lives and Three Worlds", it is precisely because Ali Film and Television, a cross-border giant crocodile, intends to rely only on "publicity, stars, IP, and traffic", ignoring the script and production's money-making plan, and it will be shattered!

The merit is immeasurable!

……

"Have you been in contact with Director Xue Xiaolu recently?"

Liu Feifei nodded: "... She called me two days ago and said that she wanted to show me a script called 'Beijing, Seattle', and I was going to meet her in two days. ”

"Beijing Meets Seattle?"

Xu Hui asked rhetorically.

"yes, that's the name, you know?"

“… Xue Xiaolu is definitely the favorite director of all investors!"

Xu Hui did not answer Liu Feifei's question, but was quite emotional.

Fast Gunslinger!

The filming of "Orphaned" has just ended, and she has already drummed up "Beijing Meets Seattle"!

Really high-yielding!

"Have you read the script, what do you think?"

"Pretty good, nice story, you can pick it up!"

"However, I don't necessarily have a schedule..."

Breaking her fingers, Liu Feifei calculated that the filming of "Green Arrow" would last for two months, and if it collided with "Beijing Meets Seattle", she could only give up!

After all, no one knew that "Northwest" could explode with such box office potential!

Fortunately, she had the prophet Xu Hui, who persuaded her: "Xue Xiaolu is a very good director, you can continue to cooperate with her, it will only be good for you!"

"I like her too... Forget it, let's meet in two days!"

"If I were you, I'd rather give up that "Green Arrow" than shoot "North West"..."

"So optimistic?"

Liu Feifei thought about it for a while, but was still a little hesitant.

"Let me tell you this, 'North West' is likely to be made into a series..."

……

It's a pity that Liu Feifei still has commercial activities that night, and Xu Hui also has to participate in the pre-screening press conference of "The Wind of the King".

So, it can only be changed to another day.

The publicity of "The Wind of Kings" has long been overwhelming!

After all, it is the first IP Huang Feihong.

Xu Hui watched this version of "The Wind of the King" and probably knew it in his heart.

The plot has been cut, and the focus has not been dispersed - after all, the original Zhao Wenzhuo is not famous, and Liang Kuan took the opportunity to take the position...

In fact, the original version of "The Wind of the King" has been criticized the most because the plot is very chaotic and there are too many clue characters.

With such a deletion, at least the story has been straightened out a lot, as for the pattern vision and the like, it is definitely not as good as Xu Hui's "Huang Feihong", after all, he copied the most classic work of Xu Laowei!

However, Wu Jing and Li Zhongzhi have given full play to their strengths, with a lot of action shots, slightly less literary and drama parts, and no rendering of historical background.

This may have to be deducted, after all, Xu Hui's "Huang Feihong", the strength is the growth of martial arts in the historical background, Huang Feihong represents the progressive youth, with the development of the plot, the thinking about history is also deepening.

It can only be said that it may not meet the expectations of most viewers, but it is definitely qualified!

According to common sense, there should be a box office of more than 500 million.

However, no one can say for sure, after all, this year's domestic market is all kinds of weird!

……

"The Wind of Kings" will be released on July 27 in the mainland, and August 3 in North America.

No way, "Batman: The Dark Knight Rises" is wreaking havoc in the North American film industry, and Nolan's movies have always been full of stamina!

In the face of such a behemoth, Huiwen Tianxia decisively wants to avoid...

Including the rest of the world.

After several years of development, Huiwen has established initial contacts with famous film companies around the world, and several larger markets have their own branches.

The global release of "The Wind of Kings" this time is the first wave of attempts by Huiwen World.

How effective it will be, to be verified...

At the press conference, in the face of reporters' questions, Wu Jing replied:

"I shot this movie according to the model of a hero film, I talked to Xu Hui before, we need our own superheroes, and the character of Huang Feihong entrusts all our reverie about heroes..."

"Box office, of course, I hope that the more box office, the better, the box office is the best acceptance report for a commercial film!"

"The fighting effect is very thrilling, this can't be helped, now Hollywood blockbusters are hanging the appetite of Chinese audiences higher and higher, and it is really impossible not to work hard. ”