Haha, those two finally arrived in time!

A burst of ecstasy in someone's heart:

Watanabe Yotomo, Kana Igarashi, well done!

Of course, this time Yui Aragaki is the undisputed protagonist!

This is the real start of her career as an actor!

Linda couldn't help but raise the corners of her mouth slightly-

His idea this time is actually very simple.

He gave the three of them a little bit of drama through "The Favor of the Muse" and "Spiritual Passage".

"Drama" is just Lin Daya's name, if there is any official name, it should be called "acting awakening" or something.

The first is Yui Aragaki!

In fact, Originally, Linda only wanted to pull Yui-chan out of the sadness she fell into because of Goto's stimulating words, but the "tentacles" of the "spiritual channel" came into contact with it a little and found that Yui-chan's own consciousness had undergone some changes.

It was an "outburst" from her instincts, a "metamorphosis" that transcended her spiritual realm.

Linda couldn't help but be overjoyed: it was Yui Aragagaki's "actor instinct" in this world that was stimulated by the stimulation just now and awakened.

Okay, that's it!

He doesn't have to impose illusions on the people around him, but with the help of the "Favor of the Muse", Aragaki is in a feeling of being on the set!

Let go of all personal feelings, start from the plot, figure out the character of the character, and experience the situation of the character in the plot.

You're not yourself anymore, you're just an actor!

The script is just a projection of your performance policy in the world of words, and the director's inspiration is just a catalyst for your emotions - a real actor will convey his understanding and feelings to the audience as it is!

The highest level of acting skills is that you become the character you want to play-

You can bring the audience into the character himself!

And Aragaki Yui did indeed enter a state of "selflessness" with a slight touch of system skills, and with the help of the "teleprompter system", a wonderful "counterattack show" was staged in front of Sata Kazama, Mamito Goto and the tourists!

She is like a colorful butterfly out of a cocoon, stretching her bright wings in the sun, and when she flutters her wings and flies, the fresh flowing air has already begun to brew an earth-shattering storm!

And the first to feel this change is undoubtedly the "actor" of the rival play - Satomi Goto!

She stood in front of Aragaki and felt the changes and sublimation of her emotions through Aragaki pupils!

For example, if Aragaki herself was a sentimental kitten after she had just thrown out her vicious words, then she directly turned into a colorful tiger after that point in time, which made Goto himself tremble!

That kind of terrible eyes and harsh words directly made Goto suspect that he had encountered a sample of "schizophrenia".

In order to deepen this impression of the school flower, Watanabe Kotomo, who watched the "live broadcast" and get the "fast pass", and Kana Igarashi, who rushed to the meeting place while eating and drinking, had no worries, and directly "instantaneously" transported the two to the "set".

Of course, he also told these two little Loli about the drama by the way.

It is said that "three women in one play", so will "three Loli" and a "school flower" be torn more exciting?

Please start your show!

Watanabe is naïve on the outside and mature on the inside, of course, he is a well-deserved "old drama bone", while Igarashi seems to be a "silly white sweet" who is "harmless to humans and animals", but he is a complete "little ghost trickster"!

The acting talents of the two were originally on top of the natural and simple Aragaki, but with a little guidance, they produced the "superimposed buff" effect above the expectations of "Director Lin".

Coupled with the extremely powerful "system blessing", Satomi Goto's "Drama Showdown" can be described as a complete failure!

The fierce "offensive" of the three directly made her stunned.

Poor Goto couldn't shout a timeout to the "crew", so he had to clench his fists and get goosebumps before rushing to fight.

But she hasn't adjusted the slightest, and she has already felt her "defeat", and she has to be a shrinking turtle at a critical moment - it's the best plan.

It's really "no coincidence that no book is written": how can it be so small? Just now, Atsuhiko Sato, the defeated commander of "Flash" Lin Daya, and his unlucky girlfriend Maru Ikegami joined up with their "close comrades-in-arms" Kazama and Goto at this time.

Linda is also happy - there is a good show to watch again!

He deliberately moved a few steps back - so that Sato and Ikegami directly ignored their identity as "old classmates" and seamlessly connected to the current "set"!

Sato and Ikegami were embarrassed by someone just now, and there was an evil fire in their hearts that had nowhere to vent. In particular, Sato can be said to be "accompanying his wife and breaking the army", his girlfriend is full of spring, he is disgraced, and he is embarrassed. At this time, I saw the indifferent eyes of the "Boss Kazama" and the expression of the "school flower sister-in-law" asking for help, and then looked at the neat and eye-catching "Lori trio" opposite.

Uncle Ben is in a bad mood today, and you can only be considered unlucky if you encounter it.

Who told you to provoke "big brother and sister-in-law"?

You can only be blamed for not being social enough, who made this a society of the jungle?!

"What are children chirping here? Are you so rude to your elders at home? Is that how the teachers at school teach you? Be low-key, do you understand?"

His performance is straightforward, directly "relying on the old and selling the old" to start with the advantage of age, wanting to suppress these student girls who have never left the campus from a high sight, and directly "strike first as strong" as a "social person".

If Sato's thinking is put in normal times, it is understandable - he is originally an expert who tends to be inflammatory, flattering and arrogant. But on such a special day today, this undoubtedly made him personally ignite the three "powder kegs" around him.

The three little girls were fearless, and they hugged their heads and smiled at each other, which directly made Sato feel greatly insulted.

Kana Igarashi even glanced back at Sato, who had a question mark floating above her head, snickered and turned her head and whispered:

"Ready—Qi!"

"Young people come to see fairy tales,

Winnie the Pooh is really good.

Red balloons fluttering,

Flew into the air and disappeared.

The boy doesn't know the taste of sorrow,

The boss is sad and strange.

If the mind is tied around the waist,

Nothing is open and beautiful!"

At first, Sato heard that it was just a crude limerick poem, but the more he listened to it, the more he felt that something was wrong, and when he looked sideways at his girlfriend's face, he saw that her cheeks were crimson, but she covered her face with her hand and refused to show her true face.

As soon as he thought of what had happened to them just now, he realized that this poem was a twist and turn to laugh at the two of them, and he couldn't help but "the three corpse gods jumped violently, and the five spirits flew heroically", and there were almost no fireworks in the seven orifices:

"Where did you come from, a wild girl, who came here to entertain you, Uncle Sato?"

Linda also retreated to the side of the crowd step by step from just now, and quietly made a "passer-by", so Sato, who was in the tiger's house, didn't notice him at all. At this moment, Sato's eyes became red, and he seemed to be able to breathe fire, and his anger also made him further "panic and hunger".

"It's against you! Which of your schools, how many grades and how many classes are there, all of them will give me their monthly passes, and don't even want to slip away from any of them!"

Sato's final "killer move" was the common way to deal with students - to find out the location of the school and confiscate their own documents - this is the most common trick used by adults to deal with children.

Even Sata Kazama and Satomi Goto secretly admired Sato's intimidation method: yes, why didn't I think of this trick just now?

But just when they thought that the "strange soldier" Sato had finally killed a "bloody road", there was a new development in things!