It is undeniable that whether in the previous world where Lin Daya is located or in the current world, Jun Miyazaki is the premier animator who is second to none.

He is so demanding of his studio's work that it is unreasonable.

From the early "Nawusgaard in the Valley of the Wind", "La Piotta in Sky City", "Taotaoluo Next Door", "Little Witch Express Company", "Ghost Ji", to the later "Spirited Away's Lost Mind" and "Moving City Hall", he has always adhered to the consistent rigorous production level, from art creation to composition and background, and insisted on using artificial line drawing, artificial coloring, artificial typesetting, artificial editing, and artificial synthesis. It is said that he had to rent a separate warehouse to store more than 10,000 colors of the pigments he had in his studio.

Meticulous animation production certainly has its respectable "craftsman spirit", but in the ever-changing film and television industry, the disadvantages of this old-fashioned and outdated production method are also obvious.

First of all, the production cycle is too long.

You must know that the basic configuration of an animated movie is 24 frames per minute, and a 90-minute movie requires at least 130,000 frames of input. If there are fast action scenes such as fighting, exploding, flying, chasing, etc., the frame rate has to be increased. In addition, it is inevitable that there will be additional shots and plot changes during the filmmaking process, and if any part is adjusted, the still images will have to be remade. Coupled with Miyazaki's uncompromising and resolute character, the production cycle of films often takes longer than expected, and the production cost often exceeds the estimated investment. But who makes the family a national treasure? For the sake of this internationally renowned signboard, investors and distributors can only pinch their noses and admit it.

The second is the feeling that the film brings to people. From the coexistence of nature and man to the natural nature of human beings and the strong desire for power, from environmental protection to flowers and plants to boundless love across races, although there is no lack of warm and heart-warming fresh sketches in his works, most of his works are thought-provoking and have a certain educational significance. If the steampunk and the delicate and majestic momentum of Miyazaki's master's long-standing works are the highlights of the "dates" that everyone has been looking for, then the sore neck of the "swing and jujube" and the branches and leaves that fall from time to time will slowly make people a little unbearable.

In the end, there are characters that have not changed for thousands of years, which makes people who enter the cinema suspicious and return to the illusion of many years ago; the background of the familiar scene and the same character setting, the little girl is always chubby, the teenager must be shy, proud, and self-esteem is supreme, and the protagonist also shows the aura of the protagonist, breaking his heart for all kinds of injustices, and the villains are all femme fatales - the human face is ruthless. The most important thing to point out is that I don't know if it's because of the age of director Miyazaki, almost every film has one or more images of old ladies, and it is getting more and more intense, the old lady in "Spirited Away's Lost Spirit" is not out of the way, and she is still a twin sister when she comes out! What's more, the heroine of "City Hall" is directly an old grandmother who is most of the image of an old dragon!

Do you let the audience go into the cinema to enjoy the slow and decrepit daily life of a grandmother-level heroine rotten girl?

Are you sure you're not kidding?!

At that time, the name and qualifications of the people were there, and there was no other independent animated film (not the OVA theatrical version of other animated works) that could compete with it, so the audience had to still buy his old man's account. There's no way, didn't I just grow up watching old man Miyazaki's animated movies?

Miyazaki himself has repeatedly confided in public his dislike of using digital tools to make animated films, and even cited some examples of failed digital animated films to prove his point. According to him, if an animated film is not made using the traditional hand-drawn method, it is simply "unworthy garbage", "full of cheap and vulgar taste", and after all, it is "difficult to get into the hall of elegance".

That's why he was able to add his disdain and contempt for the winners of the "lucky leaks" after announcing the winning work of the animation department of this year's Tokyo International Film Festival as a computer-generated work.

This made the digital animation newcomer director Shin Haicheng, who received the trophy, make an embarrassed expression, and even nervously couldn't speak for a while.

But don't forget, "The Voice of the Far Star", which shines throughout the festival, was invited to the festival on behalf of the emerging studio "AKBS"!

The big representative and artistic director of "AKBS Studio" is Lin Daya!

Will he watch his love be choked by stubborn conservative old artists and old art artists in front of journalists, media, moviegoers all over the world?

The answer is clearly no!

At this moment, a pipe with a pale green halo had stretched out from the head of Director Lin who was smiling and groaning, and was connected to the head of Director Xinhai.

A sentence that seemed to have been prepared in advance and skillfully appeared in Xinhai City's originally blank mind!

Thank you, thank you, thank you, thank you to the Film Jury and all the audience and media friends who have supported "The Voice of Far Stars". This is the supreme honor of 'AKBS Studio' to which I belong!"

"I never dreamed that I would stand on this podium today and receive the trophy from the animation department from Mr. Miyazaki. The reason is that the seniors in this industry are too dedicated and too hardworking, and they have done traditional animated films to the extreme, which is simply 'insisting on going their own way and letting others have no way out'. ”

There was a burst of good-natured laughter from the audience. Master Miyazaki also smiled proudly on stage, and it seemed that he agreed with the compliment of this rookie director, and he felt very useful.

Asuka Rie and Rinda also looked at each other and smiled, but Asuka saw a hint of cunning in each other's eyes.

"But ......"

I only heard Xinhai City's sudden change of words:

"There is no doubt that a new era of animation production has arrived, and the time is ripe for the replacement of the old and the new!"

As soon as these words came out, Xinhai himself was so frightened that he stuck out his tongue: strange! How could he say such arrogant words?!

Next to him, Jun Miyazaki's face turned cloudy as soon as he "croaked", and the other guests on the stage also changed color except for Linda.

The audience also whispered.

Is this Shinkai okay? In his acceptance speech, he openly argued with the older generation of animation masters represented by Jun Miyazaki?

He has only just withdrawn from a masterpiece, but the works of the masters have long been famous. That's too immodest, isn't it?

Young people don't know the seriousness of the matter, but they are so angry?

I'm afraid, the old man Miyazaki Jun will not give up, and will always find a stubble to knock on the newborn calf who is not afraid of tigers!

This new sea city and his "AKBS studio" stabbed a hornet's nest!

It's definitely a lot of luck!!

Just as everyone was muttering quietly, no one except one person didn't expect Xinhai City to still be indomitable, and threw out a heavyweight shocking bomb!

"I heard that Master Miyazaki is planning the next animated movie, right? My next computer-generated animated film will never be worse than your traditional production!

Nani?!

Public calling?!

What kind of award declaration is this, isn't this a covenant declaration?![.]