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October 23rd is a good schedule, and the movies that started on the same day include "Astro Boy", "Stubborn Radish" and "Drama Life".

It's all small-scale films.

"Astro Boy" is skipped, it is a cartoon, and the audience is different.

"Stubborn Radish" is definitely a shame for Huang Bo's acting career, director Tian Meng obviously wants to take the path of "Crazy Stone", but unfortunately he can't play with the Guy Ritchie-style structure, and wants to be black humorous, but he can only work the lines, plus he found Huang Yi and Du Haitao, two actors who are more than one by one, and Brother Bo has the ability to reach the sky, and he can only sigh that his teammates are too CBA to take it at all!

However, looking at most of the films released in 2009, whether domestic or co-production, the audience can clearly see a trend - the blockbuster era has passed!

The so-called blockbuster era was about eight years ago, that is, around 2000, a group of big domestic directors transformed to make commercial productions.

The reason is simple, Hollywood movies are too profitable.

In 1998, the national film box office revenue was 1.4 billion yuan, of which the box office of American account-sharing films was as high as 785 million yuan, accounting for 54%, and the box office revenue of "Titanic" alone reached 360 million yuan, accounting for 25% of the national box office revenue that year.

This Nima is too eye-catching.

You say that it is because the big directors are watching the film market so lively, and it is okay to watch others make a lot of money;

said that they are the backbone of domestic films, and they are unwilling to see foreign films entering the country to make a lot of money, in short, there are various reasons.

The development of the economy and the prosperity of the film market have made this market bigger and bigger, the original market was small, and the art film had an atmosphere, but now it is bound to be washed away by the surging commercial atmosphere, which is the inevitable law of market development, and no one can stop it.

Only those who conform to it can survive and progress.

Fortunately, Paohui has always been at the forefront of the market!

He has always believed that what Chinese love to watch most must be the Chinese's own stories...

"33 Days of Broken Love" is, of course, a story that happened to Chinese...

Xu Jinglei's reputation is great, and Xu Hui's reputation is even greater.

Xu Jinglei has long been the most well-known female director in China, regardless of whether she blows it out or not, but her fame is there!

As for Pao Hui, he is already recognized as the most box office appealing director and actor...

The two of them are a perfect match.

All of this makes it so that at the beginning of the release of "33 Days of Broken Love", there will definitely be a group of die-hard fans of these two people who will buy it.

No matter what is photographed, no matter how it is photographed, a fan ticket will be circled first.

is like Guo Xiaosi, Han Shao and the like, they themselves have a strong fan flow, so at the beginning of the release of "Little Times" and "After the End", they were willing to give a very high film schedule!

This is even more true of "33 Days of Broken Love", coupled with the excellent theatrical evaluation received by the internal preview screening in advance, "33 Days of Broken Love" directly swiped 152% of the film schedule on the first day of release.

That's a very high film schedule.

Up to now, there are only about the three major domestic directors, with years of word-of-mouth and influence, they can get more than 60% of the film scheduling rate in the early stage of the release, and even more than 80% at one time - when "The City is Full of Golden Armor" was released, the national theater schedule was close to 80%, and the movie released at the same time was Jia Zhangke's "The Good Man of the Three Gorges", and at that time, the bearer won the Golden Lion Award at the Venice Film Festival, and he could only get less than 10% of the film schedule...

In addition to these three, even Xu Hui's own "Those Years" was released at the beginning, and there was only 37% of the film schedule...

……

Gao Jun, a senior film marketing expert, once said that dark horses also need runways, and only when the market space is large enough can those potential small and medium-cost domestic films get runways and have the opportunity to prove whether they are dark horses.

In the past two years, many low-budget movies have earned high box office, such as "Those Years", such as "Crazy Stone";

Comparing these two directors, we can conclude that relatively young creators will think from the perspective of the audience: what kind of product should I make to make the audience accept and make the audience feel that the ticket price is more worthwhile. If you write a script and direct a movie with this kind of thinking, the chances of success at the box office will definitely be higher!

A young director with a professional background, under the previous market and system, after graduation, he had to enter a crew to start from an assistant to an assistant director, and it would take almost 15 years before he would have the opportunity to shoot his first work!

Xu Hui is different, Xu Hui, who was born in 1984, has the unique market acumen of the post-80s, he knows the audience and understands the audience, so throughout his movies, there will always be a surprising movie-watching boom.

I watched "33 Days of Broken Love", maybe I have long passed the stage of appreciating urban romance films, and now it is difficult for me to be interested in this type of film! From a neutral point of view, the most successful thing in the whole movie is the dialogue, and other than that, there are no big highlights...

Xu Hui is very clever to freeze the audience of the whole movie on the city girl, this class of audiences is one of the most important movie-watching groups in the Chinese film industry today, and it is foreseeable that the box office of this "33 Days of Broken Love" will not be less than 200 million.

Congratulations to Xu Hui in advance for his success again!

ps: Why haven't I mentioned Xu Jinglei's name, the whole movie was filmed in accordance with this script from beginning to end, and I can't see the existence of Xu Jinglei as a director at all, I even suspect that Xu Hui, as the leading actor, chose Lao Xu as the director just because she is easier to speak?

……

Before the movie ended, a bunch of inexplicable comments appeared on Douban.

"It's a story that grows out of our present life, joyful and warm. (Okay, this is about the trinity of ordinary youth, literary youth, and second-class youth?)"

"It's very uncomfortable to fall out of love, it's very difficult to get out of love, and there will be another world when you get out of love, this is what many people have experienced, youth is like this, there are joys and pains, and such youth is complete"

"The new height of domestic chick movies, there are successors to the Beijing culture, and you don't have to negotiate it. ”

These people are really awesome, they haven't watched the movie, how did they get the comments?

Congratulations in advance, are you sure that post is not decomposing Lao Xu and Pao Hui?

……

Xu Hui stood in front of Xu Jinglei and was interviewed by reporters.

Most of them are asking Xu Hui how to do his work from a female perspective.

This is very embarrassing, the director of this "33 Days of Broken Love" is Xu Jinglei, not Xu Hui, he is a screenwriter.

Xu Jinglei was still smiling at first, and after several times, her face became a little embarrassed.

She Xu Jinglei is the core of the Beijing circle, without her, can this "33 Days of Broken Love" come out so smoothly?

Without her, those seniors would be willing to come forward to play a small supporting role?

Why don't you let a director like me ask?

Lao Xu was so arrogant, he quickly figured it out, dare to love these reporters think that they are borrowing Xu Hui's momentum, right?

Pao Hui obviously noticed Lao Xu's state, and casually pulled a few reasons to send it away, Xu Hui asked cautiously: "Sister Jinglei, what's wrong?"

"It's okay..."

After all, it was at the premiere scene, Xu Jinglei's own cultivation or other considerations would never allow him to do anything out of the ordinary - applause must not exceed the bottom line.

A man and a woman, both sexes are happy with each other, and do something that is beneficial to the body and mind, how can it be calculated out of line.

In the world of talented women, you laymen know a fart!

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