Chapter 385 Diagram of the Emperors of the Past Dynasties
"Hahaha, today is really thanks to Mr. Zhang's discerning eyes and saw that this thing is fake, in fact, I just heard that Mr. Zhang is an expert, so I want to try Mr. Zhang's eyesight, and it really deserves its reputation, admire and admire!"
I thought that Fu Yiyi would throw his face and leave, or simply tear his face with Zhang Tianyuan, but what I didn't expect was that this rich second generation was also a little slippery, of course, this was a bit ridiculous, but after all, he didn't do anything drastic.
This made Zhang Tianyuan a little impressed by him.
"Oh, so that's the case, Fu Gongzi is really good Yaxing. Yes, before the auction starts, it is also our honor to let Mr. Zhang give you a lesson on jadeite, so I think it is better to take advantage of this nature to start the auction. Hu Li is also very good at talking, although he looks down on Fu Biao and has no good impression of Zhang Tianyuan, but on the surface he will definitely not offend anyone.
That's sleekness.
This is the face-changing stunt that a businessman should have.
Hu Li's words not only alleviated the embarrassment of Fu's message, but also attracted everyone's attention, I have to say that this method seems simple, but in fact, it is really difficult to do without many years of old fritter-like experience.
Seeing that everyone's attention was focused on himself, Hu Li smiled and said, "It seems that you are all a little impatient." Okay, then let's start the auction right away, and I'll stop talking nonsense. It is necessary to pay attention to one point, for each work, the appreciation time is ten minutes, the auction time is ten minutes, and the highest bidder wins. I believe everyone understands the rules, so I won't go into details. In a word, after the object is photographed. Be sure to clear both the money and goods, otherwise everyone will know the consequences, this is the black market, I hope everyone understands the rules! Now the auction begins, the first work is Yan Liben's "Picture of the Emperors of the Past Dynasties"!"
"Pee! Playing with people in the first place?"
""The Emperors of the Past Dynasties", can we stop talking about it?"
"Hey, I said Hu Li, none of you here are laymen, you make a painting of Yan Liben to fool people? ”
The reason why everyone is so excited is not only because Yan Liben's Danqing deified work has been handed down relatively rarely. Although it may not be comparable to painting Saint Wu Daozi, this fame is not small, after all, he was once an official to the prime minister.
Besides, the "Emperors of the Past Dynasties" that we can see today is a copy of the descendants, also known as "Lie Di Tu", "Thirteen Emperor Tu", and "Gu Ledi Tu Scroll". The painting depicts the images of 13 emperors who had different acts from the Han to the Sui in history, and these 13 emperors are: Liu Fuling, Emperor Zhao of the former Han Dynasty, Liu Xiu, Emperor Guangwu of the Later Han Dynasty, Cao Pi, Emperor Wen of Wei, Liu Bei, Lord of Shu, Sun Quan, Emperor Wu of Wu, Sima Yan, Emperor Wu of the Northern Zhou Dynasty, Emperor Wen of Chen, Emperor Chen Qian, Emperor Chen Bozong, Emperor Xuan of Chen, Emperor Chen Shubao, Emperor Wen of Sui Yang Jian, and Emperor Yang Guang of Sui.
The worst thing is that this thing is not in China now, but in the Museum of Fine Arts, Boston, USA. The work has no name, mainly based on the inscription of Fu Bi in the Song Dynasty. According to historical records. The silk book currently circulating is copied by Yang Bao in the Song Dynasty according to the Tang paintings on white linen paper, with color and color.
Even if it's an imitation of later generations, it's in Boston, USA. Isn't it a joke that you came to this black market?
Hu Li saw the discussion of the people below, but said with a smile: "Everyone, you are slow to get excited. You're right. This is indeed an imitation of the Song Dynasty, but the preciousness of this thing. I'm sure everyone knows that. Our people have put a lot of effort into getting things back from the Museum in Boston. ”
What he said was mysterious, which made everyone nervous. In fact, even if it is a copy, but if it is a copy of the Song Dynasty, and it is the one in Boston, USA, this thing is definitely a genuine product, even if it is not Yan Liben's authentic work, it is still valuable.
"Why, don't you believe me? Okay, let's ask our hostess to bring it up. Hu Li smiled, clapped his hands lightly, and saw a beautiful woman holding a tray in her hand, and in that tray was the painting, whether it was real or fake, and it would soon be possible to distinguish the authenticity from the fake.
Miss Manners and Huri carefully unfolded the painting and hung it on the shelves prepared in advance, looking very cautious, as if they were afraid of breaking it a little.
After hanging up the painting, Miss Manners retreated first, and Hu Li made a gesture of invitation and said: "Whether the thing is real or fake, you may as well come up and take a look, there are not many people here today, so you can come close to appreciate it, but don't touch it with your hands, otherwise you will ruin the painting, and you can't afford to pay for it." ”
Because this is an elite-level black market, the people who come are either big experts or real local tyrants, and there are only more than a dozen people in total, and they all come forward to appreciate it, and there is absolutely no problem.
That's because except for Zhang Tianyuan, he basically knows the rest of the people, none of them are fuel-efficient lamps, these people are not only as simple as high status and money, they are also experts in this industry.
"Teacher Confucius, you are an expert in this area, and the responsibility of this appreciation falls on your shoulders. "It's Muyi who speaks, he is rich, but he is definitely not an expert, he buys things, he has always watched people cook, experts are his best eyes, experts are optimistic, he is optimistic, and even if you want to fool him, it is not easy, this person is very cunning.
"Mr. Zhang Rusheng, I admire you very much for your ability to appreciate calligraphy and painting, please step forward. Ji Xiaolu sealed the ditch and also made a way.
As soon as the two of them let it go, the rest of them couldn't say anything.
You must know that in the imperial capital antique world, Zhang Rusheng's attainments in calligraphy and painting are not the first, but also ranked second, some of these people are similar to Zhang Rusheng's age, but they dare not underestimate Zhang Rusheng, not to mention that Zhang Rusheng is still an official person.
However, the people in it also have their own thoughts, some people naturally really admire Zhang Confucian, some want to judge how the painting is through Zhang Confucian's reaction, and some people simply want to please Zhang Confucian. Anyway, I have everything in mind.
When Ouyang Xiaodan heard that it was Yan Liben's painting, he was still confused at first. I don't seem to be interested at all, but I heard that Yan Li was originally from the Tang Dynasty. Her eyes lit up as soon as she "swished", and then regardless of the white eyes of others, she forced Zhang Tianyuan to squeeze out a way: "Honey, come and see, is this thing real?"
The reason why she was so excited was because the previous police information said that there was a very high probability that there would be Yan Liben's paintings in the tombs stolen in the Tang Dynasty.
However, in the eyes of others, this Ouyang Xiaodan is completely currying favor with Zhang Tianyuan.
Zhang Tianyuan smiled awkwardly, but he was not polite, this appreciation time was only ten minutes. What's more, he believes in himself more than he believes in Zhang Rusheng, so he naturally refuses to waste time, since Ouyang Xiaodan has squeezed out a way for him, then he will simply accept it.
Others don't quite understand, they only know that Zhang Tianyuan is an expert in jade, but when you play jade, what kind of excitement are you making here, this is calligraphy and painting, do you understand it or not.
Zhang Rusheng and Jun Ruhai didn't say anything. They have seen Zhang Tianyuan's ability, and when they auditioned for the Treasure of China program, there were too many collections of calligraphy and painting, and there were relatively few jade collections. Therefore, Zhang Tianyuan helped Zhang Rusheng to identify a large number of calligraphy and paintings, that ability, and that ability. At that speed, even Zhang Rusheng was dumbfounded.
This "Picture of Emperors of the Past Dynasties" is also known as "Ancient Emperors". This picture is on silk. Color, 51.3 cm long. 531 cm wide. Now in the collection of the Museum of Fine Arts, Boston, USA, the whole volume contains portraits of thirteen emperors from the Han to the Sui Dynasty, from the portraits, although there is still a tendency to be stylized, but in the portrayal of the personality of the characters, it shows great progress, not conventional, but appears to have distinct personalities; "The Emperors of the Past Dynasties" uses the method of heavy color and smudging clothing patterns, which has the influence of Buddhist art.
"Ancient Emperor Map" or "Emperor Map of the Past Dynasties" painted the images of thirteen emperors: Liu Fuling, Emperor Zhao of the former Han Dynasty, Liu Xiu, Emperor Guangwu of the Han Dynasty, Cao Pi, Emperor Wen of Wei, Sun Quan, Lord of Wu, Liu Bei, Lord of Shu, Sima Yan, Emperor Wu of Jin, Chen Bozong, Emperor Xuan of Chen, Chen Shubao, Emperor Wu of the Northern Zhou Dynasty, Emperor Wen of Sui Yang Jian, Emperor Yang Guang of Sui, plus a total of 46 servants. Emperors all have lists of books, and some also record their reign and attitudes towards Buddhism. The painter not only paid attention to the common characteristics and temperament of the feudal rulers, but also succeeded in creating typical historical figures with outstanding personalities according to the political deeds and different circumstances and fates of each emperor, reflecting the author's evaluation of these emperors. The figures on the right, from left to right: Emperor Wu of the Northern Zhou Dynasty, Yu Wenyong, and Chen Shubao, the queen of Chen.
This picture depicts the images of thirteen emperors from the Western Han Dynasty to the Sui Dynasty. The painter tries to portray the different facial expressions of each emperor through guò, revealing their different inner worlds and personality traits. Those kings who founded the dynasty all embody the "kingly bearing" and "magnificent manners" in the painter's brush, while those who are mediocre or the kings who have lost the country are in a state of mediocrity and mediocrity. The painter has praise and disapproval for each image in his work, and this praise and disapproval is contained in the character and spiritual temperament of each emperor. In the representation of the emperor, the painter uses the facial expressions, eyes, eyebrows, and lips of the characters to depict different personalities and temperaments, in order to express the author's evaluation of the actions and talents of the previous emperors.
Generally speaking, as a classic work of Chinese portraiture, "The Emperors of the Past Dynasties" undoubtedly embodies the momentum and inner world of the emperor, and the painter's color aesthetic level has completely reached the peak of the peak, and the artistic value and historical value cannot be measured by money.
Zhang Rusheng is a real connoisseur of calligraphy and painting, so every movement he makes looks very professional, holding a magnifying glass in his hand, bending over, and even sometimes squatting down to look, hoping to look at the paper for three points. Starting from the shaft rod of the scroll, a little bit of observation, although this mounting can be later generations, but also can see some clues from it, appreciating antiques is not only to look at the object itself, other details are also very important, including those on the scroll on the bell print, can judge the authenticity.
Don't let go of any clues, don't miss any clues, this is the reason why Zhang Rusheng's identification is accurate, this person is careful and patient.
Look at Zhang Tianyuan again, where is the identification, it's like reading an online novel.
Many people read online novels, and they have always read ten lines at a glance, and they read it too quickly, and sometimes they don't see the things that the author explains clearly.
But online novels are fast food after all, and it's nothing for them to do this, but this ancient painting is different. (To be continued......)