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After Nightmare left, Darko lowered his head and began to examine the array in and around the barrier, and if everything Nightmare said was true, then it was most likely the work of the god of death, Celemis. For the inscriptionist, the rank is not the most important, but it is a negative indicator. At the beginning, Orlando was unable to improve its level, so the level of the inscription master was also limited to the high-level, and there was nowhere to use his talent.

As a god-level inscription master, the god of death naturally has a higher control over inscriptions. There are many theoretically feasible schemes that cannot be completed by the Inscription Master and the Inscription Grandmaster, but for the God-level Inscription Master, it is very simple. This is actually a qualitative change caused by a quantitative change, and when the level is high enough, many technical problems can be solved by relying on powerful mana.

From the first glance, Daktronics was attracted by the various wonderful designs in the array. I have to say that Celeramis is a very good thinking inscriptionist, even after becoming a god, he is still thinking about how to play the level of his god-level inscriptionist. This can be reflected in the array at Darko's feet, and the exquisite and ingenious inscription circuits all reflect the ingenuity of the scribe.

As I followed the circuits and looked at them, I didn't touch the enchantment Dakko until I realized that the work I was amazed at was only a small part of the entire array. Looking into the distance, the dense inscriptions are arranged in an orderly manner, which contains a certain strange beauty, so that any inscriptionist will want to follow and read it all the time.

It wasn't until the far end of his eye that Dakko discovered that the inscription circuit that extended down was actually independent, and did not intersect with the other enchantment arrays. In other words, the inscription circuits that pass through the various enchantments are connected in parallel, without any interference with each other. As long as an inscription master completes the array map in the enchantment, he can activate the magic array under his feet, so that the success rate is much greater.

Darko no longer looked outside, but carefully studied the empty part of the enchantment, which he now had to complete to complete. If it was a normal situation, he would never immediately start to complete the formation under his feet, but would wait and see and weigh it like other inscriptionists. But unlike the other inscriptionists, he encountered the Nightmare as soon as he reached the sixth floor, and learned that the Nightmare had done so much for his master. Dakko had no doubts in his heart, so he naturally let go and got to work. This decision was made not just because Nightmare had saved him from the Undead Hell. For some reason, when Nightmare mentions the word "master", Darko can't help but think of Phyllis, and he decides to help Nightmare as much as he can.

When Darko had looked at all the inscription circuits around the vacancy, closed his eyes and sorted them out in his mind, he opened them suddenly, his eyes full of surprise and incredulity. If his analysis is correct, the role of the void is to group three circuits with different elemental properties into one, and direct the smooth mana from the output.

Darko was surprised not because it was too difficult to complete it, but on the contrary, it only took a set of compound magic arrays composed of a dozen magic fusion circuits to do it. This kind of inscription circuit was a problem in the inscription world more than 500 years ago, but there was a solution more than 500 years ago, such as the Elemental Explosion invented by Orlando, which contains a lot of magic fusion circuits.

Seeing this, Darko admired Celemis's calculations even more, but he didn't expect that he had even calculated the development of magical civilization, and these three thousand really solved the difficult problems in the formation. At this point, no matter whether the arrangement of the god of death is successful or not, whether this huge array can really play the role of resurrecting the gods, Dakko has admired it to the ground.

The first layer uses dense alchemy traps to test defense and agility to exclude those who are too low; the second layer uses high-defense and high-attack puppets to carry out melee physical attacks to eliminate the fighters; the third layer relies on the resentful spirits released by the Soul Eater to affect the soul and exclude those with poor mental strength; the fourth layer relies on the thoughtless souls created by the Godhead to attack the heretics and exclude the explorers who are plotting against the major churches; and the fifth layer uses the escape teleportation array as a maze to exclude all non-inscriptionist professions.

The god of death is very particular about the proportions that each layer excludes, and if the proportion is too large, it will cause fear in the explorer and may give up on further exploration. This screening ratio is just on the bottom line of everyone's psychology, and the people who explore the ruins are gradually introduced into the plan of the Grim Reaper.

The rewards for the explorers are also extremely exquisite, and each layer allows the survivors to gain something, but they will not have the mentality of reaping the benefits because of too much gain. At the same time, the rewards of each layer are better than the previous one, luring the explorers greedily down the floor. Even if there are unexpected places out of control, there are still nightmares that control the source of the gods, and they manipulate the overall situation.

In the legends and stories of the past, Celemis, the god of death who was defeated, was mostly a fierce and unscrupulous image. However, now Darko has rediscovered this god from the side through the relics of death, and he is thoughtful and interlocking, playing with a group of explorers in the palm of his hand. It seems that the Grim Reaper, who can stand up to the other seventeen gods on his own, does not rely on strength alone, but also has superior wisdom.

After some emotion, Darko eagerly began to fill in the gaps on the ground, but he was soon stunned again. The whole ground was covered with a golden color, the color of the ink used to copy the inscriptions, but it was not at all clear what it was, and he had not even seen it.

In Darko's guess, the magic array that can resurrect a god must be very high-level, and the raw materials used will certainly not be cheap. Maybe this golden ink is made from the blood of some ninth-order demonic beast, and the highest-grade ink that Dakko himself has used is only a sixth-order ink.

Could it be that the god of death missed this point? Darko quickly rejected this idea, such a careful arrangement, there should be no chain drop in the last link, and the god of death should not be the kind of anticlimactic character.

Darko carefully examined the formation under his feet again, and saw some details that he hadn't noticed at first, and the circuits that made up the formation were all sunken under the ground. He reached out to touch it, but was blocked by a strange layer of resistance, as if some colorless, transparent substance was covering the ground.

What is going on? Darko was even more strange, according to Nightmare, the vacant part of the formation was filled in by them, the inscriptionists. But the current situation is that there is no direct contact with the array diagram at all, and the tip of the magic pen can only touch the transparent isolation material above.

Thinking of this, Darko was suddenly stunned, could it be that this layer of transparent substance can carry out some kind of displacement reaction? If you copy it on it with any ink, it will be replaced into this golden inscription? The more Darko thought about it, the more he felt that it was possible, and he put himself in his shoes, if he was the god of death, I am afraid that only in this way could he achieve the purpose of letting others help him complete the formation.

Darko immediately took out his set of pens and withered, and then casually took out half a bottle of magic ink that had not been used before, and prepared to start experimenting. He first typed the manuscript in his mind, and then, according to the principle of outside-in, copied a magic convergence circuit at the outermost edge of the vacancy. Then he immediately withdrew his hand and quietly observed the changes in the ground, and sure enough, as he had guessed, the inscriptions and arrays he had copied settled downwards through the transparent substance, and the dark gray ink was gradually replaced with gold in the process of sinking, and soon became part of the array.

Even if there was some speculation, Dakko was still very surprised when he actually saw this reality. The principle of this displacement of ink is actually the same as the body structure enhancement he performed on the Dark Altar back then. Body Reinforcement is the replacement of magazines in bones with magic metal, and in this case, the replacement of ordinary magic ink with gold ink. In other words, he only needs to provide the inscription loop structure required here, and the materials are automatically generated from this array under his feet.

This kind of technique of turning decay into magic is something that only a god can do, and Darko is also very accomplished to see his work become part of the god-level magic array. So he didn't hesitate anymore, and kept writing, and one by one the inscription loops appeared on the ground one by one, and then they were replaced with shiny gold.

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