Li Ruoyun was stunned: "Yanjing?"

Li Ruofan chuckled and said: "Yes, today is quite smooth, Tie Shilan's wife is a lecturer in Yanjing, and the youngest sister is also studying in Yanjing." Pen Fun Pavilion www.biquge.info fortunately brought Fang Shuirou over today and chatted with them, otherwise this stamp thing would really not be able to be won. ”

Li Ruofan simply threw the pot on Fang Shuirou, and explained the matter of the cherry blossoms flying.

Seeing that Li Ruofan was eating very fragrantly, Lan Yuxuan smiled and said, "It can't be that I forgot my stomach while talking to two beauties, right?" Li Ruoyun said that they are both bright-eyed and kind female students. ”

Li Ruofan almost choked on roast duck and glared at his sister. It seems that this Li Ruoyun also went over to take a peek, and Li Ruoyun lowered his head a little weakly.

Lu Xiaoman watched it interestingly, and said, "Otherwise, I will also go to the Meng family class to rehearse? ”

Li Ruofan knew the meaning of the song when he heard it, and said with a smile: "Yes, but when the official performance, Ruan Lingyu and you are going to go on stage." But Lin Huiyin and Song Yunting, Lan Yuxuan, don't let people learn secretly. Qi Rushan's side is going well, right?"

In the past few days, Song Yunting and Lan Yuxuan have really learned a lot when they go to Qi Rushan, and Meilan Fangfu is like a creative team. Gong, drum, huqin, Wenchang, and martial arts practice the effect of revising the script at any time, in fact, this is a very good method. Even if a lyric is not good, it will be discussed immediately and then reinterpreted by Mei Lanfang. What's more, Feng Gengguang is a first-class fan ticket holder, and his appreciation ability is very high.

This method of creation of Peking Opera is actually very reasonable, and it has also been inherited by eight modern Peking Operas such as "The Story of the Red Lantern" in the future. After all, Madame Red herself is also from the Peking Opera industry. However, after the death of Mr. Mei Baojiu, one of the reasons for the decline of Peking Opera was the impetuousness of creation.

The most obvious point can be seen from the annual Spring Festival Gala. The Spring Festival Gala has been held for 33 sessions since 1983, but who can say what Peking Opera singing segments people really remember in that session?

Because of Li Ruofan's pointing, Lan Yuxuan and Song Yunting will also put forward some of their own opinions. At that time, in Beiping, those who knew Peking Opera were like the sentence that later generations described table tennis: there is no shortage of people in China who can play table tennis.

Of course, table tennis has always been at its peak, in fact, it is always lonely after prosperity. The collective withdrawal reflects more, once a son of heaven and a courtier, the new official thinks that there are many powerful athletes in table tennis anyway, but the means in the layman's system are used on relatively simple and bloody players, and the final rebound is also unexpected.

As for the reform of Peking Opera, in fact, it really has to be said that whether it is 600 years of Kunqu Opera or 300 years of Peking Opera, there has always been reform. Mr. Mei Lanfang also put forward his own insights on whether Peking Opera should change its shape.

A truly clever and successful reform should be a silent change of banner, but China's reform has always been carried out in the most extreme way. Just like the newly launched stock market access system, instead of solving the problem that even casinos are inferior, it needs to solve the problem of investors' IQ!

China's problems are more or less like this: sacrificing the basics and seeking the end, and seeking the fish from the wood.

Since 1913, Mei Lanfang has not stopped innovating and reforming Peking Opera, although he gave up the new fashion drama because of the contradiction between content and form, but then focused on the creation and rehearsal of new costume plays.

No matter how it changes, Mei Lanfang always follows one thing, that is, never deviate from the artistic laws of Peking Opera. His opera has changed a lot from traditional Peking Opera, but it is still "Peking Opera".

Moving without changing shape, Mei Lanfang's "form" does not only refer to the form, but also to the artistic laws of Peking Opera and the unique style of Peking Opera. The so-called "no change of form" means that it does not violate the artistic laws and unique style of Peking Opera.

Interestingly, Mei Lanfang later denied moving without changing his form, and also made a review. However, under the circumstances at that time, what could he do if he did not do so? For him, whose life has always been relatively smooth, this turmoil really taught him the power of politics. Since then, Mei Lanfang has not been silent, but he has become silent again, and people have never heard any of his theoretical views on the reform of Peking Opera.

This is also the reason why Mei Lanfang never mentioned Qi Rushan after 1949, and expressed his reservations with silence.

Before the civil war between the Kuomintang and the Communist Party after the victory of the Anti-Japanese War, that is, on the third day when Mei Lanfang had just resumed the performance, Chiang Kai-shek and his wife Song Meiling went to the theater to watch the plum opera.

At the end of the performance, Mei Lanfang was received by Chiang Kai-shek. At that time, Chiang Kai-shek said to Mei Lanfang: "You are a patriotic artist, and today can be called a blessing." Before leaving, Jiang Jieshi took out another piece of written rice paper, the upper paragraph was "Dr. Lan Fang Save", the next paragraph was "Jiang Zhongzheng", and in the middle were four big characters: "The Hua of the Nation".

What is really attaching importance to Peking Opera and traditional Chinese studies, Cixi's approach is very interesting. She never interfered with the specific performance and creation of Peking Opera Kunqu Opera, although she can sing and sing very well, but through her appreciation of Tan Xinpei, Peking Opera has been invisibly prosperous.

Song Yunting also carefully put forward some of her own opinions in Meifu at this time, many of which were Li Ruofan's opinions from later generations. Drama and Peking Opera are interconnected in nature, and the stones of the mountains can be used to attack jade.

Listening to the two of them talk about the interesting story of talking about opera in Mei Lanfang's house, Li Ruofan smiled and said nothing, the four famous Dan's families have gathered the most powerful top of Peking Opera practice and theory, it can be said that it is like the ultimate Peking Opera graduate class, and it is only held until the first fifty years of the 20th century.

Lu Xiaoman said with a smile: "You guys are good, I knew that I would also go to Meifu to listen to the play, I think Mei Lanfang will not let me in." ”

Li Ruofan said with a smile: "This can't be done, this is the line of Chen Bailu, the protagonist of "Sunrise", you memorize it first." If Fanyi plays brilliantly, I will let you play Chen Bailu!"

briefly talked about the synopsis of "Sunrise", Lu Xiaoman's eyes lit up, Fanyi is just an important character in "Thunderstorm", but Chen Bailu is undoubtedly a well-deserved protagonist. The whole drama is actually Chen Bailu's stage, and the rest are supporting roles.

Lin Huiyin said with a smile: "Sunrise" can be compared with "Peacock Flying Southeast", and "Dou E's Injustice" wants to be comparable!"

Li Ruofan said: "I'm going to let Ruan Lingyu play a little thing." "Sunrise" Chen Bailu came to life, and it was a success. ”

Lu Xiaoman said with a smile: "Mei Lanfang is more female than a woman on stage, and Li Ruofan's drama is also more female than a woman." I think you have Mr. Cao Xueqin's huge pen like a rafter, and you are specially writing a biography for your daughter. ”

Lu Xiaoman said with a smile: "It seems that I have to stay up late these days, when I used to learn Kunqu Opera and Peking Opera, I thought it was interesting to be ugly and ugly, but now I think that drama is more challenging! is even more so, like Facebook, the lyrics of the competition are beautiful, and the singing skills are high. ”