Chapter 264: Sword Dance Nature
In this paragraph, Yun Lei's performance is not very good, he and Li Xiaoyao before entering the Tao, although they are both members of the sling family, but Yun Lei's family education since childhood is extremely strict. Pen @ fun @ pavilion wWw. ļ½ļ½ļ½Uļ½Eć info received a completely traditional education, even after the death of the Yun couple, there was Yun Shu to manage him.
Before I went to college, I didn't dare to fall in love at all. The next special movie has to be sneaky, like a thief. When saving, delete all traces of the download and save it to a folder that no one else can find at all.
In any case, he could not do anything to blackmail a woman with her clothes.
is Zhao Ling'er, who is played by Bai Ruyi, is very into the play. Although, on the stage, it is impossible to directly perform a beautiful woman out of the bath as in reality, but Bai Ruyi only wears a single dress in this section. And Yun Lei, who plays Li Xiaoyao, holds a long coat that is as white as a coat.
Although, no one has verified whether the era in which "The Legend of Sword and Fairy" took place was in accordance with the etiquette law. But in ancient times when people's minds were still pure, and in young people whose minds were still clean, this kind of looking at light still has some unusual meanings.
A little heartbeat, a love affair, inevitable.
And Bai Ruyi is a person with a good family background, who has been rich since childhood, although his life experience is not as amazing as Zhao Ling'er in the story, but his growth experience is similar. Therefore, Zhao Linger played it very vividly. And the focus of this scene is not the elixir at all.
When Zhao Ling'er shouted: "Don't you watch!" and Li Xiaoyao said scoundrelly: "I didn't see it!"
A love affair is inevitable. Even if the story doesn't go the way the original book goes, there will be no story between this man and woman. Subsequently, the night of the cave house and the two people were forced to disperse, in order to tighten the story line to better meet the needs of the market.
Although it is said that the plot of the cave house, whether it is put on the stage or in the TV series, it needs to be briefly explained. It's just that the relationship between Bai Ruyi and Yunlei has long been different, and this part of the cave room is natural and far-fetched. Affectionate, the other people who watched it were envious, only Rao Ya felt a little sour in her heart.
Yun Lei's script still borrows a lot from TV dramas, so when Zhao Linger sang the song "Tomorrow and Night", it was after Li Xiaoyao forgot the past.
"If you don't look back, why don't you forget. If there is no fate, why do you need to take an oath. Today's all kinds are like water without a trace. Tomorrow and night, you are no longer strange. ā
These thirty-two words can almost cover the memories of all hardcore fans of Fairy Sword for Fairy Sword. Compared with today's Xianxia Wen, which kills people and grabs treasures at every turn, fights monsters and upgrades, this kind of origin and extinction, which is indefinite, long-lived, but regretful, seems to be more in line with what Yunlei wants.
And whether it is Yun Lei, Bai Ruyi, Rao Ya, or a few other Shushan and Kunlun disciples, they are all immortal cultivators who have attracted the spiritual energy of heaven and earth into their bodies and refined themselves over and over again, and the filthy qi between the human world has become less and less in countless practices. The temperament is naturally unique.
Even in the crowd, it is a standing out. It's hard to hide your unique aura.
When this group of immortal cultivators got together and planned to rehearse the drama, the drama naturally had a unique charm. No matter what the lines are, it seems to be saying that they are going to die in the world. Even the performance of the drama "Teahouse", which can best reflect the changes in people's hearts in Hongchen, and the most lively and dirty place in Hongchen, when these immortal cultivators read the lyrics, it seems that they are all above this red dust.
It seems that there is no emotion in the play, just a god who rules the world, and talks about all kinds of things in the world.
Yun Lei is also curious, in addition to rehearsals, he collected some well-known modern drama scripts for Bi Yuntian and Li Beiyi, such as "Thunderstorm" and "Teahouse", etc., Li Beiyi and Bi Yuntian felt curious, and after reading these scripts, they picked up the right lines, and they had such an effect.
Li Beiyi looked at the script of "Teahouse" and said to Yun Lei: "Hey! The script written by this person is much better than you! Otherwise, let's stop acting in "The Legend of Sword and Fairy" and play this "Teahouse" instead!"
Yun Lei glanced at Li Beiyi, no matter how confident he was, he didn't think about comparing with one of the top eight gods in the Chinese literary world in the modern century, who wrote a better script.
Yun Lei said to Li Beiyi: "Forget it, these scholars at Mingjing University, from childhood to adulthood, have learned the knowledge of exam-oriented education, and in addition, they know a lot about various soap operas." All of them are top students during the exam, but there are many of them who are not very strong in humanistic quality. Too susceptible to interference from foreign objects. There is no such thing as an unchangeable self-mind. ā
"If we play "Teahouse", most of these people will despair of the world after watching it. If a few of them become monks because of the drama we performed, it will be very lively. It is not uncommon for college students to become monks in these years. ā
Li Beiyi didn't want to cause trouble in the world, so after thinking about it, he still gave up the idea of changing "Teahouse".
At this time, Bi Yunxia used the disguised mask exchanged from the black witch crow, dressed as a middle-aged man with a long beard fluttering, wearing the most authentic Shushan Taoist robe, holding the green sword in his purple and green double swords, and dressed as a Shushan wine sword fairy in his true colors, and naturally made two gestures on the stage.
Try to restrain the spiritual power that is used to operating when dancing the sword, and only let the green sword emit a slight light. So that the general audience will not be too surprised. After all, there are a lot of luminous props in this era, and a luminous prop sword is not such an uncommon thing.
And this sword dance is one of the rare hobbies of the two brothers Bi Yuntian and Bi Yunxia in Shushan, which lacks entertainment projects. After all, in the classical Chinese tradition, the sword is a gentleman's weapon, not just used to kill and fight. It also has the meaning of cultivating temperament.
Bi Yunxia danced the green sword twice, and felt that after finding the feeling of dancing the sword, she naturally danced a set of swordsmanship that Yun Lei had never seen before. This swordsmanship seems to have a routine, but it doesn't seem to have it. The charm of it is continuous and high, such as clouds, such as flowing water, like the moon shining on thousands of rivers.
It is in this long period of time that the two brothers Bi Yunxia and Bi Yuntian have learned a set of swordsmanship in Shushan. Although it is said that people who cultivate immortals pay attention to the art of imperial swords, and do not win by wielding swords. Therefore, this sword dance is actually useless.
But this set of sword dances is Bi Yunxia's favorite set of swordsmanship. Dancing is a tranquil mind. This set of sword dances is unfolded, and it has the meaning of watching the snow fall in Kunlun and listening to the sound of the waves in the East China Sea at night. The robes with long clothes and wide embroidery are not the slightest burden.
The crowd around me was in a trance. All were involved in the artistic conception of this sword dance.