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If you can't figure it out, don't think about it, it has always been Kim Jong Kwon's advantage, and he rarely does this kind of thing.

So the script of "Ghost Town" and the director's contact information, he only kept it temporarily, and did not give any reply, and Zhao Tinglai obviously did not have any expectations for this, and this matter has come to an end temporarily.

Another film that he is optimistic about is not a popular film, which is a story about the emotional crisis, escape and redemption between husband and wife, and the title is "All About My Wife".

Although this theme is not popular, it is not close to the unpopular, and a large number of films of this type are released around the world every year, after all, everyone is inseparable from their parents in their lives, and the emotional problems between husband and wife are almost everyone's troubles.

But although this kind of film is not uncommon, it can be shot well, but there are too few brilliant films, and it is precisely because of the common problems that everyone has their own emotional problems, so it is so difficult to resonate.

And this "Everything About My Wife" seems relatively novel in Kim Jong-kwon's opinion, both in terms of character setting and plot description, it has its own style, and this script is written by director Min Kuidong himself, ready to direct and act an ambitious work.

Among them, the character of the male protagonist is also very different from the image that Kim Jong-kwon's usual show, and he is a very weak wife-controlled image.

Kim Jong-kwon has a certain interest in this kind of reversal of acting breakthroughs, but there are a lot of intimate scenes and bed scenes in this script, which is completely a burden for Kim Jong-kwon, and the challenge is too great.

If he hadn't had Taeyeon, he might have chosen to convince himself, after all, a good script that catches the eye is very rare, but now is the time for the two to go through this kind of love test, Kim Jong-kwon feels that it is painful enough to endure this kind of parting without being able to meet, and he really doesn't want to add more trouble.

And he has asked Taeyeon to do a lot, just because he refuses to have intimate contact with other male artists, for which Taeyeon doesn't know how many opportunities he has lost to act, and there are many rumors that he is said to be a big name behind his back.

So Kim Jong-kwon could only sigh and throw the script aside.

But he also has other plans, although he is not ready to act, but it is too wasteful to give up such a potential movie in vain, so Kim Jong Kwon is ready to talk to Brother Ji Sub if he has time to see if he has the will to act, as long as he thinks of the domineering president Fan, Su Ji Sub with the title of melancholy male god, Brother Ji Sub, will play a little man who is afraid of his wife everywhere, he almost laughs!

The last script, or what can't be called a script, is an idea from director Park Hoon-jung.

When it comes to Park Hoon-jung, Kim Jong-kwon's only impression is that he went to the gathering of director Kim Ki-deok, which was the time when he took the big bell actor and then begged director Lee Jeong-beom to go with a dead face.

Park Hoon-jung was a screenwriter before, and he wrote popular scripts such as "Improper Dealing" and "Seeing the Devil", and became famous for it!

As a result, Park Hoon-jong, who was unwilling to be lonely, started filming his directorial debut "Blood Fight" after receiving the support of director Kim Ki-duk, and in order to avoid his own creation of "Improper Deal", the release date was determined in February this year.

As a result, it suffered Waterloo, a double dive at the box office and word of mouth, and rushed to the street, and the director's talent was also questioned a lot.

The unwilling Park Hoon-jung decided to write the script himself this time, and his inspiration for this script came from the peak masterpiece "Infernal Affairs" in Hong Kong, China in recent years, and he himself is a big fan of "Infernal Affairs".

The work "Infernal Affairs" is indeed a pinnacle work in recent years, after the loneliness of Hong Kong films, and has been well received around the world, and even the famous Hollywood has bought its adaptation rights.

It was on this basis that Park Hoon-jung decided on his next work and began to write and polish the script.

The script he sent to Kim Jong-kwon is just an idea, an outline, in his opinion, Kim Jong-kwon, who has a lot of experience in this kind of film, is undoubtedly the best candidate for the protagonist, whether it is acting or popularity, Kim Jong-kwon is definitely his first choice.

I just don't know if Kim Jong Kwon can take a fancy to him and his work, after all, he has just enjoyed the bitter fruits of defeat, and he really doesn't know whether he can invite Kim Jong Kwon, or whether Kim Jong Kwon is interested in it, so he sent this half of the script early to probe Kim Jong Kwon's tone.

If Kim Jong Kwon is not interested in this, he will save himself from being bored and wasting time.

However, his approach did succeed in attracting Kim Jong-kwon's attention, no, it should be said that the inspiration he got from "Infernal Affairs" moved him a little.

Obviously, for Kim Jong Kwon, who thinks he knows a lot about Chinese culture, it is naturally impossible for him not to have watched the pinnacle of "Infernal Affairs", on the contrary, he has watched it at least ten times.

And this work, which Park Hoon-jung named "New World", also symbolizes his ambition, which only uses the setting of undercover agents, borrows some elements, and the rest is all converted into a Korean gangster style.

It can be said that the things that Park Hoon-jung sent him basically have nothing to do with "Infernal Affairs", it can only be said that they belong to the same style, especially the big reversal ending given by Park Hoon-jung in the end, which made Kim Jong-kwan a little enthusiastic when he saw it.

Although a lot of details are missing, only the entire story framework, Kim Jong Kwon is undeniably a little moved.

So he quickly asked Park Changzhe to ask Director Park Hoon-jung to meet, and after avoiding the sight of media reporters, the two discussed for a long time.

In the end, the two sides reached a certain agreement.

Kim Jong-kwan has this intention to act, but in the end, it depends on whether the finished script can meet his expected imagination, which Park Hoon-jung looks very confident in, after all, he is famous for relying on two amazing works, and his directing skills may still be lacking, but in terms of the strength of the screenwriter, he does not allow others to question it.

Kim Jong-kwon is willing to believe him once, and Park Hoon-jung also hopes that Kim Jong-kwan can star in his next work, after all, he has failed once, and the qualifications he got from the screenwriter can no longer afford to squander it a second time.

It can be said that this work is his turnaround, and if it still fails this time, then it is obvious that it will be difficult for anyone to find him to direct the work in the future.

If Park Hoon-jung fails again, it is estimated that he will only be able to be an honest screenwriter in the future, and obviously this is not the result he wants.