Act 31: Rosen's Piano Sonata (Part II)

Rosen's performance continued, but the music he played confused everyone.

Because the main theme is really not brilliant, it can even be described as monotonous, and it is quite simple, as the most basic main theme of a piece of music, so no matter how delicate the chords are, it is difficult to save, and many people show a look of disappointment because of this.

However, there are also some people who understand music theory, after hearing Rosen's performance, they are not disappointed, but frown.

They could vaguely feel that in Rosen's seemingly amateurish methods, there was some kind of secret hidden that no one knew, and it was not so simple.

After the end of the second melody, Lawson immediately started the third melody, although after a cursory listening, the main melody is still the original key, but as long as you pay a little attention, you will find that in the same main melody, the notes gradually increase, although the main axis has not changed, but there are many more branches and leaves.

People are surprised to find that these branches and leaves are actually the original scattered notes that do not form a tune, and those lonely notes form a coherent and smooth music in the continuous repetition.

The chords on the other side echo the main theme, and the two are intertwined, which is inexplicably pleasant.

As Rosen's performance progressed, the complexity of the melody also increased, and those who originally thought it was just a simple etude heard the complex and changeable melody but followed a certain law, and their originally disdainful faces gradually changed, and they began to listen to this piece quietly.

Rosen's hands flutter on the keys, and the music flows from the piano, which is completely different from Prince Edward's previous romantic songs, Rosen's whole piece is full of absolute rational brilliance, every note appears in strict accordance with the rules, the score is exactly the same, the main theme and chords are intertwined, like a duet between men and women who respond to each other, and it can also give people a beautiful feeling.

If Edward's music is full of passion and symbolizes youthful vitality, then Rosen's piece is as precise and rational as a mathematical formula, with a rigorous beauty.

Just like the ashes, in the eternal death, it continues to change every day, abandoning feelings and love and hatred, and driving itself purely by reason.

It can be said that in this era, only ashes can create such music.

Prince Edward's eyes narrowed, he seemed to return to his youth, aristocratic life was boring, most people only knew how to drink and fool around, hunt and practice swords, and live day after day without panic, as if they had lost all their color.

It was at that time that he stumbled upon a piano that had been dusted for many years in the utility room of the mansion, and out of curiosity, the young Edward gently opened the dusty lid and pressed it lightly on the black-and-white keys.

In just one moment, the whole world seemed to be filled with roses, the stagnant stream, the silent wind, and the birds fluttering their wings were all moving in an instant, and Edward seemed to be in direct contact with the world for the first time, and the colorful colors stained the original black and white monotonous life.

Since then, Edward has been fascinated by music, and his talent for it soon became famous, but as the prince of the Duchy of Prus, Edward had to bear his own responsibilities and obligations, and he had to be complicated with the people of the whole country, but deep down, Edward longed for a life of freedom and music.

This time he came to Ramirez, not of Edward's volition, but the task assigned by his father in the name of training Edward, and Edward, who was depressed, could only play the piano at the banquet to vent the depression in his heart.

After hearing Rosen's performance, Edward felt a little dazed.

The daily life of water is repeated, but under the calm, there are hidden waves, and the little bits and pieces of life are intertwined, pushing him to the unknown shore.

Just like Prince Edward, many listeners are caught in memories, not everyone is ambitious or soft-hearted, and more people have just seemingly immutable daily life, but it is these ordinary times that are entangled into those precious memories, even if they are old, they are still shining.

The constant repetition of the melody, just like the daily life that you don't care about at all, has a slight change that forms a harmonious and unified melody.

This is something that many people simply can't think of.

At the end of the song, Rosen's hands were still hovering above the keys, the air seemed to be filled with silent songs, and the banquet hall was silent, and most people were still immersed in the music.

It wasn't until a long time later that Prince Edward took the lead and burst into warm applause.

Lawson stood up, bowed slightly, and left the piano.

"It's so wonderful, I didn't expect such a simple melody to be able to have such power after being combined. ”

Prince Edward smiled brightly, it was clear that Rosen's song had benefited him a lot, and he even felt that following his father's orders to come to Ramirez was not such a bad choice.

"Contrary to the emotional nature of music, this piece presents an intoxicating beauty with absolute reason, reminiscent of ashes, and I am afraid that it is only possible to compose such a melody in that eternal silence. Can I know the name of this piece?"

"Name?"

Rosen thought about it, but in the end, he didn't make it up and said the real name of the piece.

"Canon, Lord Edward, somewhere in the ancient language of the word means the rule of repetition. ”

"Canon......"

Prince Edward muttered to himself, repeating the name, and then looked up again.

"The way this piece was composed is really unique, and in my humble opinion, it seems that it is possible to compose such a piece with other melodies?"

"Yes, this technique can be regarded as a form of polyphonic music, which, if studied, can be interpreted in an infinite number of different melodies. ”

Rosen replied that in a way, the Prince of Edward was indeed amazingly talented, and he had thought of so much after listening to the music of the world that he was afraid that he would also be a famous figure in the music history of this world in the future.

Not only Prince Edward, but many other nobles passed through Rosen's song, and their views on the ashes were not immediately reversed, but there were always a lot of considerations, and people's attitudes towards the ashes were also slightly relaxed.

After all, a country that can perform such beautiful music cannot be a country that is indifferent and ruthless.