It was probably this time last year.,The group casually discussed the question of why I didn't write WA2 Homo.,And then I said that there are actually brain holes.,For example, I thought about writing a WA1+WA2 linkage fandom.,Use WA1's Dong brother as the protagonist.,And then let the two generations of white album heroines carry out a big tearing plot-and then think about it yourself.,According to the setting.,Let the 30-year-old Yuki Rina and them tear up with Yukina Fuyuma, who is just a high school student.,It's too scary.,So I gave up.。 And then I forgot who it was.,Brought up the topic of writing about the spring thing fanjin.,I said the spring thing is too difficult to write.,So I laughed and laughed.。

Although I've laughed and laughed.,But I'm still really interested in writing.,Write about spring things and WA2's homo.。 Of course, at that time, I needed an opportunity to write the white book. So, after I finished reading Isaiah Berlin's "On Liberty", this opportunity came, because this book, in my opinion, actually has a kind of self-exceedance of people with a strong sense of the middle and the second - of course, I personally feel that many political philosophy books actually have this way. So through the re-splicing of some of the points of view of this book and high school biochemistry.,There's Yubihama Kazuya, an unlikable protagonist.-Anyway, I'm really not suitable for writing an original protagonist.,The two protagonists of both books were scolded miserably.,Probably that's why I didn't write an original protagonist when I decided on the next fan-project.。 That night, from 9 o'clock to 3 o'clock, I completed the white outline and basic settings in one go, and I never stayed up all night for any reason other than watching the game.

As I've complained about before.,This book,I first wrote it as a spring thing fan.。 And I think,The same people who write spring things,It's a little bit forced.。 Whether it's a literati who are light, or I'm too proud, I always feel that writing spring things with people, if you're just because of Meng Xuenai, Meng Tuanzi, Meng Yishi, or Shaxi, Yang Nai, and then think that because you like these people, you want to attack them, and you want to write a plot that interacts with them - whether it's a light comedy or a sadomasochistic drama, this is qualified as a campus fanfiction, but it's not qualified as a spring fan. If you just like the characteristics of the great teacher's residual thoughts, and try to imitate the great teacher to write another character whose attributes can almost coincide with the great teacher, and then solve the problem in a way that is not much different from the main character, this is also unqualified, because such a description is too superficial for the thinking of the characters. If you just set up an open-hanging pretend, didn't fail, and even directly crushed the protagonist of Yang Nai, this is still unqualified, because the entanglement and transformation of adolescent thoughts and emotions that are very important in spring things have not been written.

I feel like this is a very uncomfortable map cannon for the vast majority of spring things.,Although I'm a lone ranger.,There's almost no other author or boss or anything I know.,But if other authors see it, I'll apologize for this arrogant remark first.。 However, that's what I really think.,Of so many spring things fandom,I think there is only one that doesn't fall into the above cliché.,But the private goods hidden in that book don't match my values.。 So,I'm still going to pretend to say it.,The other spring things are almost meaningless.。 Of course, objectively speaking, in terms of readability, writing or plot, there are certainly many better than my book. However, I still think that my book is unique, and by my own standards, I just have the confidence that it is better written than everyone else—although I know that people don't take my peculiarity seriously.

I think it is very important to think that the collision of different people's thoughts and the collision of different people's solutions to problems should be based on the collision of ideas, and on the basis of this collision of ideas, we should grasp the emotional line well, and use the subtle and suggestive verbal changes to hint at feelings and express the changes in everyone's thoughts. In the first three volumes, I felt that I still wrote this effect, and Yubihama was also very annoying, but everyone could feel the conflict between his ideas and other people's ideas (the conflict with the big teacher was not written, which was a shortcoming, probably because I paid too much attention to the depiction of female characters), and under the premise of non-interventionism, the opposition to the problem will be relatively small, but I also pointed it out in the incident of studying in the United States, and then, after Kazuya decided to start interfering, I think everyone will feel this opposition more obviously。 As for the emotional line, refer to the main line of the sick and delicate is the feelings, and the kind of posture where the sky is falling apart, I think my ability to control the feelings of the white book is much stronger, and the feelings are gently hidden under the main line of the protagonist's middle two logic, which is not obvious, but if you experience it carefully, you should still be able to make up for it in your own brain.

Then there's the main character, and I've already explained the character traits of the main character, so I'm not going to discuss whether he's likable or not. In fact, everyone should know the routine of this book, Yuhihama Kazuya's character is distorted, too middle two, through the collision of ideas, the exchange of feelings, and then twist his character into "normal" - at least the author thinks "normal", is the main line of the book. Everyone likes the big teacher because he sees the problem thoroughly and resonates with himself, but if you really think that the big teacher's thinking is "correct", I think I can doubt whether you have the ability to adapt to the world (laughs).

The thoughts of the protagonists of this book are actually divided into three stages, one is non-interventionism, the second is the conceit after the transformation, and the third is normal, the end of the first three volumes is the end of the first part, and the next part is the second part. During this time, you will not see the protagonist's self-repressed restraint, but will see the protagonist solve one problem after another - however, the result is also predictable, just like his previous black history, repeating the same mistakes of self-destruction. Maybe you will like the protagonist who has no last resort, enjoy the pleasure of crushing others again and again with his IQ, and like the cool text of pretending to be forced to slap his face, however, I don't like such people - for example, I hate Stalin - Stalin is the typical genius who slaps everyone who looks down on him in the face. So, in the Japanese comics, compared to people like Gu Aotian, I will still prefer the traditional introspective protagonist of the light day - whether this introspection is imposed by the author or not. This is a liberal expectation of a small tenderness for this world, sympathy for the weak, or rather, this is the so-called "Virgin" sentiment (well, it can also be understood as a literal thought hhh).

It's a bit of a stretch.,Watching myself get through other spring things with the same.,Actually, my own book is also very problematic.。 I criticize others in fact, I think I control them well, but it is precisely because of those effects that I have to achieve that there are many shortcomings in this book that may not be felt in other books except me, in addition to the basic qualities of writing and style, the core point is that I have never been able to control the balance of private goods and plot in the book, which is especially obvious in the second volume, during that time in order to render the process of the protagonist's psychological transformation, a large psychological monologue was used, and I was afraid to read it myself. Another example is that there is not enough cool plot, so that everyone can accompany and work hard together, and has never pretended to be successful in the real sense - you must know that in Spring Things, although the way the big teacher solves the problem is abusive, it is actually quite open. I never think that spring things are abusive texts.,Spring things are typical cool texts.,Otherwise it wouldn't have such a high popularity-but my book really looks like it's going to be written as an abusive article.23333.。 I've always felt that my first volume was well written, in fact, the last five chapters of the first volume were well written, and at the end of the day, I also like to be cool, and I like that feeling of vividness - but I want to restrain this feeling well, and this is called split personality.23333 Aware of these problems, I can only say that I will slowly correct them later.

I'll release chapter zero of volume 4 in the evening, and maybe try to write the first chapter. The second part, probably the stage of volumes 4-6, should be the climax of the book, the beginning of the book is very good, but to be honest, so many climaxes have been paved, in fact, I have a lot of bottoms in my heart, but, I still try my best.