The surnames of the hundred families are choral songs, and there are singers from Hong Kong, Macao and Taiwan on the mainland singing together, talking about the culture of the same roots and origin in the two sides of the Taiwan Strait.

The singers include mainland singer Man Wenjun, Hong Kong singer Nicholas Tse, Taiwanese singer Yu Chengqing, and martial arts athlete Li Fei from Macau who performed sword dance.

After the song ended, it was the first language program of the Spring Festival Gala, Feng Ye's makeup cross talk "Follow your daughter-in-law as a nanny".

There are three performers, in addition to Feng Ye, there is also CCTV host Zhu Jun, and Niu Li, the old face of the Spring Festival Gala.

The story told is also very simple, Niu Li and Feng Ye are a rural couple, Niu Li wants to go to the city to work as a nanny, Feng Ye can't rest assured, so he has to come over to watch.

Zhu Jun played the role of the owner of the city who came to recruit nannies, and the three of them made a lot of ridiculous jokes because of the recruitment of nannies.

This show is actually a typical representative of Feng Ye's pan-cross talk works, three people on stage, similar to group comedy, and some of the funny colors of cross talk can also be seen in it.

But the three of them have a very clear character identity, and this specific character identity also adds a lot of comedic conflicts to the story between them, which is very typical of the sketches.

The program of the three people has the characteristics of cross talk, but it also has a very obvious form of sketch expression, which is Feng Ye's concept of pan-cross talk, with cross talk skills as the core and sketches as the form of expression.

This is also Feng Ye's way of changing cross talk, although he was also accused by many people in the cross talk industry of being wild and lonely, but he still did it.

Feng Ye put a lot of thought into this work, and there are frequent witty sentences in it, and it quickly became a buzzword after the year, in fact, the Spring Festival Gala is also the maker of buzzwords.

The stage of this year's Spring Festival Gala is basically one or two singing and dancing programs, followed by a language program. Following Feng Ye's show is a dance, followed by the sketch "Sister Ma's Biography".

The show is going on in an orderly manner, and for the audience, in fact, the audience prefers the language programs of the Spring Festival Gala, because the singing and dancing of the Spring Festival Gala really have no fancy, and they are too upright.

Although language programs are also very upright and pay too much attention to ideas, the audience's appetite is still so poor these years, and there are not many serious comedy programs in these years, so the audience is still very eager for comedy, and their tolerance for comedy is very high.

So now more than one billion viewers in China are still looking forward to the language programs of the Spring Festival Gala, of course, this situation will not last for a few years, and when the domestic comedy era comes, the audience at that time will not be able to watch the works of the Spring Festival Gala.

In later generations, everyone said that the Spring Festival Gala is getting worse and worse, but in fact, the level of the Spring Festival Gala has always been very stable, but the audience's tastes are getting more and more tricky, and the Spring Festival Gala can't satisfy them.

But at least for now, the audience's expectations for the Spring Festival Gala are still quite high. However, for the program team, what they are most worried about is language programs, not because they are afraid that the actors will make mistakes, but because they are worried that they will not be able to grasp the time accurately.

The singing and dancing programs are simple, the time of the song is constant, and after the accompaniment is played, you hurry down, and you can't delay any time.

But in language programs, you say a few words faster, say a few words slowly, delay for dozens of seconds, one or two minutes is normal, one or two programs accumulate, and there will be big problems later, because the host is going to ring the zero o'clock bell.

So if you delay here, it will be difficult for them to do it later, and it may even lead to the temporary removal of the actors' programs behind, so on the stage of the Spring Festival Gala, as long as you don't set foot on that big stage, all changes are possible.

Now that 10 programs have passed, some of them are still going on normally, and the time is within a reasonable margin of error, and the program team is also greatly relieved.

Thanks to this year, it is still normal, and when it comes to next year, that is, the Spring Festival Gala in 2007, the time error at that time will be large, so there will be a big problem in the later zero o'clock time.

The zero o'clock time signal gave the host three more minutes, and in this nightmare three minutes, the hosts crashed one after another, and the stage was a mess, known as the black three minutes of the Spring Festival Gala.

The tenth program is also cross talk, that is, Hunan's pair of friends "Who Makes You Excellent", their cross talk belongs to the new school of cross talk, and it is not as big as Feng Ye.

The eleventh program was followed by the song Auspicious Three Treasures, which also became an instant hit in the Spring Festival Gala and quickly became the hottest song in 2006, and was also made into a ringtone, with countless downloads.

After the auspicious three treasures is the 2005 pop song, or the skewer of multiple singers, this year's pop skewer song, Pang Long's "You Are My Rose" also appeared on the Spring Festival Gala, as well as Lin Junjie's "Back to Back Hug", Shuimu Nianhua and Hong Kong's twins are also in it.

In fact, in addition to meeting the political propaganda needs of the Spring Festival Gala, Director Huang really wants to meet the audience's demand for entertainment, so he strongly recommends He Xiangdong and Xue Guo to go to the Spring Festival Gala, and he also set up a lot of pop elements in the Spring Festival Gala, which can be seen from these pop songs.

Director Huang also took great pains for the ratings.

After the song is skewered is the sketch "Part-time Kindergarten", there is an actor in this sketch who is Niu Ye, Niu Ye is also a cross talk actor, there is a portal, he is Chang Siye's apprentice, belongs to the literary generation, and is a generation higher than He Xiangdong,

In the early years, Feng Ye and Niu Ye have always been partners in cross talk, and then the two of them grinned, Niu Ye basically didn't talk about cross talk, he basically got together in sketches and movies, a few years ago, he was still a deputy county magistrate in a county in Anhui, and this matter was quite a big trouble, but last year he resigned and rejoined the showbiz.

After Niu Ye's sketch, it is the song "I Love to Sing", which is the fourteenth program, and after that, the fifteenth program is the cross talk of He Xiangdong and Xue Guo.

After the sketch was finished, the staff went backstage to find He Xiangdong and Xue Guo, and hurriedly took them to the stage to wait.

He Xiangdong and Xue Guo were very calm, the two stood up calmly, took off their coats and put them on, the staff were in a hurry, and urged again and again, He Xiangdong just smiled.

After getting dressed, He Xiangdong rolled up his sleeves, flicked the robe on his body again, stared ahead, stared at his eyebrows, lifted the front robe with his right hand, kicked out, and came to the Peking Opera "Kicking the Moon Gate", and his mouth read: "Go, go, wow, go, ......."

Xue Guo raised his head and laughed a few times, and also went out.

The staff couldn't help but smile wryly.

The backstage was not far from the stage, a few steps away, He Xiangdong and Xue Guo stood in front of the door and smiled at each other.

The song performance on stage has ended, and the host Li Yong is reporting to He Xiangdong and Xue Guo.