As soon as these words came out, the faces of everyone present stiffened, and even the faces of the old-timers who had been closing their eyes and recuperating couldn't help but twitch a little. Pen ~ fun ~ pavilion www.biquge.info

In fact, there are nobles and grassroots, and a good master can not only help the apprentice a lot in art, but also make the apprentice popular and make the apprentice famous.

Old artists often say a sentence on their lips, saying that if you want to become famous, you need the support of nobles with three points of strength, six points of luck, and one point of luck, and the strength of artists can only account for three points.

And luck and noble support account for the vast majority of the factors in it, a big-name master must have many ways and relationships, and it is much easier for him to hold up his own apprentice than the grassroots from the poor family, even if the strength of his apprentice is far inferior to the grassroots one.

So when Fang Wenqi went to Shanghai alone, he kept begging Bai Qiang to use his connections and connections to help He Xiangdong more, because he knew too well what was going on in the artist industry.

He has been wandering the rivers and lakes all his life, and he has dedicated his life to traditional cross talk, he has no connections at all, and he doesn't have much ability to help his apprentices, so he can only entrust it to Bai Qiang.

Bai Qiang did help He Xiangdong a lot, but He Xiangdong later had his own opportunities and opportunities, and Bai Qiang went with He Xiangdong, and He Xiangdong can get a lot more resources than Bai Qiang can give.

The same is true for all of you here, most of them are famous teachers and heirs of famous families, and the masters behind them are also well-known big horns.

And Chu Cheng is different, he is from a poor family like He Xiangdong, and he has no resources at all, on the contrary, he often suffers when competing with those actors from famous families.

He also took several times more effort than those famous actors to get to today's status, so how can he not be angry when he sees such a dog-skin thing in the Spring Festival Gala now.

Gao Benhe glanced at everyone: "What we need to do now is to discuss how to solve this matter, instead of blaming anyone?"

The few people who went to the Spring Festival Gala were all big names in the cross talk industry, Gao Benhe didn't want to blame anyone, if he could solve the matter, he would burn high incense.

Although Chu Cheng didn't say anything, he was still very dissatisfied in his heart, what these people did was indeed too inauthentic, if it continued to develop like this, what chance could those little actors from small families have?

The topic was broken back again, and everyone began to discuss it again, and the focus of the discussion was whether to stop these people from taking their children to the Spring Festival Gala.

Everyone has children, don't you stop it, when the time comes, everyone will have to take their children to the stage, not only the Spring Festival Gala, but also other TV shows.

At that time, it will not be a competition for the strength of the children, but purely to compare who can have a good master, and it will be necessary to consider both aspects before

The cross talk industry is also in a recession now, and those big names in cross talk have taken a back seat and given more opportunities to young people, just to give young people a chance to be promoted, and also to let those with high artistic accomplishment come to the stage as soon as possible.

In fact, the current cross talk world is quite embarrassing, Hou Sanye is over 50 this year, and behind him, there is not a single person in his thirties and forties who has become famous, let alone those children in their twenties. In other words, the cross talk world has been broken, this is a very serious matter, and if you can't get out of the industry, it may be over.

Therefore, the wrists of those literary generations no longer go to the Spring Festival Gala, just to give the younger generations the opportunity to stand up for the future, Hou Sanye has to take He Xiangdong to the Spring Festival Gala because the cross talk world needs a young wrist, and He Xiangdong's talent is enough to stand up this wrist.

Other young people, no matter if you are famous or not, you are not strong enough, and you will be given the Spring Festival Gala every day, you will not be popular, and the mud will not be able to support the wall.

There is also a group of people who think that this is also a way to set up wrists for newcomers, and there are older generations who can stand up faster, maybe it doesn't hurt to let them try, if it doesn't work, let them retire when the time comes.

The two groups of people were arguing, Gao Benhe was the host of the conference, he was neutral and did not talk much. The seniors of the Baozi generation have also been closing their eyes and recuperating, as if they are asleep.

After arguing and arguing, Chu Cheng became angry, slapped the table and stood up, pointed at the people in front of him and scolded: "What do you want to do? The old and the new, what is this called the old and the new? All of them brought their own apprentices to the stage, those young people have a fart ability? Can they be picked up? Will the audience buy it? And all the resources and rising channels are monopolized, what about those powerful actors from small households? You are not responsible for the entire cross talk industry. ”

Gao Benhe persuaded: "Old Chu, don't get excited, talk well." ”

Chu Cheng didn't listen to persuasion at all, but became even more excited: "Can I not be excited? How can you people from famous families understand the hardships of our small family, and the resources are almost monopolized by you. In the past, when cross talk was booming, there were still some people who came from small families like us, but now the whole industry is in a recession, do you still plan to come to this set? How many capable folk artists can only work hard in the folk because they have no opportunity, do you know all this?"

As soon as these words came out, the audience was silent, Chu Cheng was talking about reality, but this is also reality.

After the fire was over, Chu Cheng sat down on the chair in a dejected manner, looking a little tired, and his tone slowed down: "I am a folk artist, I have been wandering in the folk for many years, and later I entered the art troupe thanks to Mr. Hong's attention, and I have struggled for many years to get to where I am today." ”

"Except for a few seniors of the Baozi generation, no one has ever sold art in the folk, they are all sitting in science and art since childhood, and then entered the quyi troupe, holding the country's golden rice bowl. You don't know the hardships of folk artists, you don't know how hard they are, and if you say that their level is not good, then you can't blame anyone. ”

"But there are grandmaster-level characters here, I met them more than 20 years ago, and that person's cross talk is really good, and it is inclusive, accommodating all factions of cross talk, forming a system of its own, and there are so many traditional jokes that are simply terrifying. This person definitely has the strength of a generation of grandmasters, but he can't even eat. His cross talk has been said to be the top in the industry, but he has nothing to eat. Do you think about why? I still remember his name, his name is Fang Wenqi, have any of you ever heard of it? Have you ever heard the name of this fallen folk cross talk master?"

As soon as these words came out, everyone became even more silent.

After a long time, a senior of the treasure generation slowly opened his eyes and let out a long sigh: "Alas, ......" (to be continued. )